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Friday, June 28, 2024

Resource Reminder: NPR Books

ALA Annual begins today so most of the librarians are busy from now until Tuesday. But since I am not there, I am taking advantage of the quiet to take a half day today.

I will be back on Monday with my Horror Genre Preview in the July issue of Library Journal and Tuesday I will start with some ALA Annual Recaps.

But today I wanted to remind you of one of my favorite resources-- NPR Books.

They cover the newest books, they have  written reviews to pair with the audio ones, lists, and include journalism on book news, all with one click. I check it at least once a week to stay on top of what is going on in the book atmosphere (Robin Bradford's term).

However, it is more than a news site, it is also one of my go to suggestion resources because they have a permanent link to the "Books We Love" searchable database with easy backlist access. Please click here for more by me about this wonderful resource.

Here is the direct link to access it

But from the main page of NPR Books, click on the header--  "Best Books of the Year."

Currently they are also running a "Books We Love" so far series for 2024. Use their "Books We Love" tag to pull up those lists and the database of hundreds of titles.

Include NPR books as part of your book news routine AND as a great place to identify titles for readers based on their preferred appeal factors with backlist access to 2013 all on one page.

Thursday, June 27, 2024

2024 Horror Book Preview Part 2 via The ARC Party Podcast

Yesterday, Robb Olson released an episode of his podcast, The ARC Party, featuring me and Emily Hughes talking doing part 2 of our 2024 Horror Preview. [You can listen to part 1 here]

Believe it or not this is just the tip of the Horror iceberg. I will be back next week with my annual Horror Genre Preview in the July 2024 issue of Library Journal. The issue also features an interview with Rachel Harrison as well. But this is a great place to start filling your carts.

See Robb's The ARC Party webpage or below to access the 2024 Horror Preview [Part 2] July-December with me, Robb, and Emily Hughes.

JUN 26, 2024

2024 is still here!

I know I’ve been planning my reading for the year for a while now. How about you? Are you in need of some recommendations? I have just the thing! It’s MORE ofThe ARC Party’s Horror Preview!

The reason this episode exists is because Emily Hughes aggregates a ton of information about forthcoming horror books every year, and posts a comprehensive, and frankly amazing list of them for everyone to use! You can find it here:

Emily's 2024 New Horror List

Becky wanted to celebrate the launch of the list by diving into some of the titles we’re excited about, so the three of us got together and did a month by month round table, talking about books we’re looking forward to.


Don’t worry! I know you’re going to want to do some shopping, so I made it super easy to pre-order these books, by putting together a list on bookshop.org. You can find it here, updated to include all of our new picks! 

2024 Horror Preview

Here are all the books mentioned, their authors, and their current publication dates. If you want to read more about them, go to Emily’s list. If you want to preorder these books, go to my list!

July

Midnight Rooms by Donyae Coles - July 2nd

Bury Your Gays by Chuck Tingle - July 9th

I Was A Teenage Slasher by Stephen Graham Jones - July 16th

Stay on The Line by Clay McLeod Chapman - July 30th

It Came From the Trees by Ally Russell - July 30th

Heads Will Roll by Josh Winning - July 30th


August

Letters to the Purple Satin Killer by Joshua Chaplinsky - August 6th

House of Bone and Rain by Gabino Iglesias - August 6th

A Mask of Flies by Matt Lyons - August 6th

The Unmothers by Leslie J Anderson - August 6th

Dear Hanna by Zoje Stage - August 13th

Sacrificial Animals by Kailee Pederson - August 20th


September

Horror For Weenies by Emily Hughes - September 3rd

The Devil By Name by Keith Rosson - September 10th

So Thirsty by Rachel Harrison - September 10th

This World is Not Yours by Kemi Ashing-Giwa - September 10th

Sinophagia: A Celebration of Chinese Horror ed. by Xueling C. N - September 24th

Devils Kill Devils by Johnny Compton - September 24th


October

Good Dogs by Brian Asman - October 1st

Coup De Grâce by Sofia Ajram - October 1st

The Bog Wife by Kay Chronister - October 1st

All the Hearts You Eat by Hailey Piper - October 15th

American Rapture by CJ Leede - October 15th

Memorials by Richard Chizmar - October 22nd

Three Miles Past by Stephen Graham Jones (reissue) - October 22nd

Zombie Bake Off by Stephen Graham Jones (reissue) - October 22nd

The Long Trial of Nolan Dugatti by Stephen Graham Jones (reissue) - October 22nd


November

The Keeper of the Key by Nicole Willson - November 12th 

Sundown in San Ojuela by MM Olivas - November 19th

Candy Cain Kills Again: The Second Slaying by Brian McAuley - November 12th

The Map of Lost Places: A Horror Anthology ed by Thomas & Conner - November 


December

After the People Lights Have Gone off by Stephen Graham Jones (reissue) - December 4th

The Vengeance by Emma Newman - December 3rd

Private Rites by Julia Armfield - December 3rd


hope you enjoy our discussion, and it gets you excited about some of the books coming in 2024. Pre-ordering is crucial to the success of new books, so I encourage you to do so generously.

Have a book you’re really excited about for the first half of 2024? Share it with me! I’d love to learn about more more more! You can reach out here, or I’m on all the social medias as @thearcparty 


For all of you YouTube watchers: 

Wednesday, June 26, 2024

Pride Month: Why you MUST Participate and Advice to Support LGBTQIA+ Authors All Year Long

As Pride is coming to an end, I wanted to remind you of two things.

1. Please use this survey created by Kelly Jensen from Book Riot if you have had any push back or attacks against your Pride displays this month. It is anonymous. From the survey:

Has your library been targeted for Pride programming, events, book displays, or anything else leading up to and during the month of June 2024? Please drop all of the details you are able to share here–and you are welcome to be anonymous.

In July, Kelly Jensen at Book Riot (bookriot.com) will round up the stories to build awareness and inspire further support of the work being done in libraries to be as inclusive and welcoming as possible. You can take a look at last year's story here.  
If you need to fill this out more than once, you are welcome to do so throughout the month. The form will close in early July. You may pass it along as much as you'd like. Kelly can be contacted directly as well [click through for her email address]

2. This post from last year which is evergreen now and all year long.

THURSDAY, JUNE 1, 2023

Pride Month Begins: Why you MUST Participate and Advice to Support LGBTQIA+ Authors All Year Long

Today marks the start of Pride Month and I know, because people have reached out to me about this, that many libraries are either being told NOT to put up Pride displays or they are selecting not to.

I need to unequivocally tell you that this is not okay. No matter what you MUST put up a Pride Display.

We should celebrate all of the identity months at the library...every single one. Why? Well a couple of reasons. First, they give you a chance to highlight a community and allow them to see themselves in your collections. Second, the media in general has picked up on all of this months and they are all over the news even used by corporations in their marketing. By not celebrating any of these identity months, you will stand out for your lack of participation. 

Now, I know some of you are under attack from those who want to stop you from doing Pride in particular, but to that I say, you cannot give in. In fact, June is the easiest time for those of you under attack to highlight LGBTQ items because the entire world is doing it. You are no  different. And if you did anything for other identity months (Black History, AAPPI, etc...) you are simply following that lead. 

This is also why I advocate for drafting Book Display Procedures. Notice I say "procedures." Those do not require your Board to get involved, that is policy. Procedures are created by staff to guide what they are doing and make sure things are standardized. Here is a post where I write about starting with the main goal of your displays being-- "We will promote and display books that our readers would not find on their own." 

From there you need to add that you will have a featured display for every identity month. And also a final statement that you will make sure your displays are intentionally diverse. Why?  Because this allows you to offer the widest range of titles as possible to your patrons. You can decide if you set a number or percentage to use as a guide, but these three statements need to be in your display policy.

Once you have that in writing, you can use it to audit all displays, remind those who do not comply (ie, put up all white, hetero displays) that they need to fix them, and, most importantly, if they don't comply, write them up for not following established procedures. When you put things in writing, you show all staff that you are serious about this work and you have a way to discipline those who don't follow the rules. As Robin likes to say, "You can't stop people from being racist, but you can make it against the rules." She also like to add, "They probably won't be willing to lose their health insurance over it." But if they are, I say, good riddance.

This procedure will also protect you if you get a challenge to a Pride Display by allowing you to use the  less inflammatory argument, "We have procedures that state that we have a featured display for every identity month." Or if you have a Women's History display up with a trans woman author, you can point to the procedure that says you make sure every display is as diverse as possible so that you can offer the widest range of titles to your patrons. When push comes to shove you can also make the money argument that our collections represent the second largest monetary investment of our library (building/real estate is first) and we owe it to our taxpayers to get the books they would want, if only they knew about them, in their hands.

[These moments are when my two decades as a trustee come in handy.]

These are the basics. But there is so much more you can and should do, but we need to start here. The most important thing you can do to promote all marginalized voices is to make sure you have these titles in every display. In March of 2022, Robin Bradford, myself, and Alene Moroni did an "Actively Anti-Racist Service to Leisure Readers" Preconference at PLA (details here). During her section, Alene gave advice on this that I quote everywhere I go because it is so easy to follow.

To paraphrase Alene, when you move from February to March-- Black History to Women's History months-- you start by simply removing all of the authors that identify as men from the Black History display, leaving all of those who identify as women. Then you add other women to the display. This ensures that your display is diverse before you even started.

Now, taking it back a step, you should have already had LGBTQ authors already in the Black History month display. As we move throughout the year, you keep authors that apply to each month on display. The more you do this, the easier it will be to diversify your displays because they will already be diverse before you switch them up.

But specifically, since LGBTQ authors can be included in every identity month, you should be making sure they are represented always. Having LGBTQ authors on display all of the time will help to give you less inflammatory examples when people challenge anything LGBTQ, any time of year. You can make it clear that all of your displays are always diverse in every way, all of the time and point to LGBTQ authors showing up in every display.

The key take away here is that you CANNOT include marginalized voices ONLY during their identity months. This practice is harmful. When you have, for example, a Fantasy display, you must make sure every identity is represented within that display. It is good practice in that it offers a full range of perspectives of the genre and because doing so will allow you to argue back to those who want to stop you from highlighting anything that isn't white and straight. You can confidently say, we incorporate all voices in every display. Only doing it in an identity month opens you up to being challenged.

Again reminder that general display procedures will not only support you in these challenges but also, will make it standard for all staff to follow them. This will ensure that even staff who do not want to make their displays diverse, have to. This ensures that you don't have some displays that are diverse and some that are clearly not. You need to standardize this practice.

All of this being said, there are still concerted efforts to stop you. Please see my colleague Kelly Jensen's article from earlier last month in Book Riot with detailed instructions on how you can prepare your Library Pride Displays.

You need to do everything I said and what she suggests-- both.

And finally, please go outside the box for titles to put on your Pride displays. Think about ways to frame them to make them more interesting. Identities are not a genre. Just like I advocate against simply putting books by Black authors on display as a monolith in February [rather, you should frame it by genre or a topic], do the same of Pride. Make displays like "Thrills and Chills: Pride" and put up crime, horror, fast paced mysteries. Or, "Love and Pride." You get the idea.

You can also use Pride content from other places  to come up with interesting ideas like this list from LitHub, "10 LGBTQ+ Authors on the Books That Taught Them." This is a great way to have 20 books with an interesting frame for display online or in the building. Your work is done.

Also, here is the link for all of Book Riot's Pride Coverage. They will be posting multiple links every day and framing them in genres or topics like I suggest doing. If you can't think of ideas, don't worry, Book Riot will give them to you in ready to use lists that are also diverse by the identities as well. There is no room for excuses here.

I know this post is long, but the moment we are living in requires that I spend the time to help you fight back. We have collections that represent a world of ideas and identities on purpose. We have crafted those collections as professionals. We got degrees in how to do this. We know what we are doing. And while everyone has a right to decide what they read for themselves, no one has the right to decide for others. We must stand by that basic freedom. You cannot self censor and not participate because you don't want to be challenged or because you are afraid. That is worse than someone coming in and asking you to remove books for all because they don't like them. Why is it worse, because you know better. Because I told you not to.

Get those Pride Displays up, diversify your displays all year long, and get some display procedures in writing. 

And if you have questions or concerns, email me and Robin and I will help you for free. We are especially   good at speaking to  you mangers or admins who don't agree. Let us argue with them for you. 


Tuesday, June 25, 2024

Resource Reminder: Use the Resources Our Readers Use

Too often we library workers who help leisure readers get too caught up in the weeds of the book world, only reading and checking the most bookish of resources as we try to stay up to date on the newest books and trends.

But here's the thing we need to remember, our readers are not looking at book specific sites for book info, rather, most of them are identifying titles from the places where they already are visiting and/or reading that also happen to have book coverage.

So listening to NPR, reading their local papers, watching morning news shows, and places like People Magazine-- which just had this list of their Best Books of June 2024.

Actually, People Magazine is the best example of today's reminder post. They have solid book coverage on their site and in their print magazine-- both of which are very popular with a wide swath of American readers. 

I liken it as similar to how I used to rely on Entertainment Weekly. From a post I did in 2019 about that:

The best thing you can do to be better at your job of helping people with their leisure reads and watches is to page through Entertainment Weekly every week or at least check the website once a day.

In our jobs the most important thing we can do to help our patrons as they come to the library for their leisure needs is to know what is popular and why. This is the entire mission of EW. Who knows better than a company that sells a product to connect with the public through their entrainment choices, what people want to know about?

Yes you need to know what is popular, but EW also delves into the why. They pay writers to write about the things that are popular in our country from TV to movies to books. And they cover it all really well. Since there is money involved, we can be confident that the topics they are covering are large scale enough that we should know about them.

None of us will be fans of everything that is popular, nor should we have to be. But, we do need to know what is popular and why at all times if we want to help people with their leisure needs, and following EW online and in print gives you a sense of that. It keeps you in the know without having to put in a lot of extra effort.

Entertainment Weekly still has a a decent online Books section as well, however it has definitely lost its standing as a go-to general entertainment place for Books.

And maybe you have a better general entrainment resource that your patrons look to for ideas on their leisure reading and watching, but the point here is we cannot bury our heads in the bookish world sand and expect to understand what our patrons are looking for.

This important point is why I am always reminding people to consult the USA Today's Bestseller list as it is the only bestseller list that lists books in order by sales data without separating them out based on genre or intended audience or hardcover vs paperback or traditionally published vs self published.... You get the point. This is the literal list of what books are being bought int he highest number....period!

Go look at it because it differs GREATLY from other bestsellers lists, most of which carry more prestige. And yet, it is the most accurate. Please always remember this. You want to see what books people are spending their money on, The USA Today Bestseller list is your top resource. And you can peruse the back list easily by toggling the date at the top.

And what books people are spending their money on not only translate into what you should spend your money on, but it also let's us see an unfiltered snapshot of the entire book industry, from the READER perspective.

Look, I am going to keep posting the bookish world resources for you because they do still matter, and they always will. But as more readers come through our doors in the summer, it is important to realize what books they are hearing about more than others. We won't have the most popular titles, but if we are looking at the book resources that our readers are encountering, we will be better prepared to meet demand with targeted displays and lists that offer readalikes while also being able to anticipate trends.

Just remember to stay grounded and "Think Like a Reader."

Monday, June 24, 2024

My Annual Roundup of the Bram Stoker Award Winners with Readalikes via The Lineup

I write 4 columns (at least) a year for The Lineup and because their focus is on the backlist, these columns are a resource of evergreen Horror recommendations for you to use. I have a permanent link to every column I have written for them over on the Horror Blog in one of that site's best resource pages-- Archives of Becky's Lists, Articles, and Presentations. 

However, you can always just head to The Lineup and use this link to pull up every column I have written in reverse chronological order.

And that link is especially useful as my most recent article went up recently-- my annual look at the 5 major fiction categories for the Bram Stoker Awards. I take the winners and offer you readlaikes. And because of this link, you can see the past few years of these article with one click.

Below is the article or you can click here to see it on the site. On the site it is prettier and has links.

From the Haunted Stacks: 2023 Bram Stoker AwardsⓇ Wrap Up

Each year, the Horror Writers Association presents the Bram Stoker AwardsⓇ for Superior Achievement in thirteen categories. There are a few interesting things about these, the most prestigious awards in the Horror genre. 

One, the award itself is very cool, an eight-inch replica of a haunted house, designed specifically for HWA by sculptor Steven Kirk. The door of the house opens to reveal a brass plaque engraved with the name of the winning work and its author. 

Two, the Bram Stoker AwardsⓇ are not for the “best” works of the year, rather they are “for superior achievement” which leaves room for more titles to be considered in a broader context. And three, the awards are chosen by a hybrid system of juries (one for each category) and member input.  

When you put all of this together, the results are always a cause for celebration. And that is exactly what happened on June 1, 2024, when the Bram Stoker AwardsⓇ  for books published in 2023 were presented live in San Diego, CA as part of StokerCon.  

Visit the Bram Stoker AwardsⓇ  official website for a full list of winners here. Or you can watch the entire ceremony for yourself in the YouTube video here.  

In Haunted Stacks style though, I am not here to simply list the winners for you. Rather I am going to focus on the titles that won in five of the categories, and offer you two read-alikes to continue your superior reading adventure.  

Superior Achievement in a Novel

Tananarive Due became the first Black person to win the Bram Stoker Award in the novel category. Due had been nominated in this category before, but The Reformatory was her first win. Set in Jim Crow Florida, this novel is based on a real and notorious reformatory school, a place where many children, especially those who were poor and/or Black were sent, some never to return, including a relative of Due’s. As I wrote about this masterpiece on this very site in my 2023 Horror Book Highlights article: The timeline may be short but the history of the horror that imprisons Robbie is long and the ghosts who live on the school’s grounds are unwilling to wait any longer for justice. An engrossing and heartbreakingly beautiful story that speaks to all situations where injustice occurs and compels its readers to act. 

If you like The Reformatory try….

The Nickel Boys by Colson Whitehead

Whitehead’s historical novel about systemic racism is based on the true events at the Dozier School for Boys when bodies were dug up; the same school and notorious history that Due used in her novel. While it does not have any of the supernatural ghosts that appear in Due’s novel, it is just as menacing and disturbing. Told in layers, readers follow Elwood during his childhood before he got sent to the school through when he is out as an adult and living his life in NYC. The story bounces back and forth, but it is not confusing, in fact, this narrative choice adds suspense and quickens the pacing. It also prepares readers for the ending, guaranteed to leave all speechless.

The Trees by Percival Everett

Everett’s uncanny, terrifying, and stunning story is framed as a police procedural set in Mississippi, where Black law enforcement officers are called in to investigate a series of strange murders, all committed by Black men against white people. The killings are tied to lynchings from the past and the killers are found dead at the scene, but then they "disappear." This highly sardonic novel quickly transforms into a revenge driven zombie story, but one that draws heavily on the rules established by the Afro-Caribbean zombie tradition. This book expresses the anger, sadness, frustration, and victimization of our country's violent history of White people killing people of color just because they are Black or Asian, or Indigenous, LGBTQ etc… with raw and honest emotion and page turning suspense. 

Superior Achievement in a First Novel

Once again the First Novel category revealed a plethora of exciting new voices, and this year, Christa Carmen took home the haunted house statue for her meta exploration of the Gothic genre. The Daughters of Block Island opens with Blake, as she heads to the titular island, 14 miles off the coast of Rhode Island, to confront her birth mother and untangle her family’s complicated history. However, she is quickly murdered, but not before getting a letter off to the sister she never knew. That sister, Thalia, returns to the island after a ten year absence to finish what Blake started. A compelling debut about grief, trauma, and the pain caused by secrets that also consciously contemplates the act of storytelling within a Gothic framework, past and present.

If you like The Daughers of Block Island try….

Reluctant Immortals by Gwendolyn Kiste

A finalist in the novel category last year, Kiste’s book shares with Carmen’s an interest in probing Horror’s classic storytelling tropes and characters from a 21st Century perspective and the results in both cases make for a great reading experience. Here the setting is 1967, the Summer of Love, and our main characters are ripped from the pages of classic novels– Lucy, from Dracula and Bee, the first wife from Jane Eyre. Together these women, who were the victims of evil men whom history has turned into romantic heroes, are cursed to protect the world from Dracula’s return. A serious but fun adventure that honors its source material while injecting something new into the canon.

The Spite House by Johnny Compton

Fellow nominee on the 2023 ballot, Compton is also a voice on the rise. Like Carmen, his novel uses the lens of grief to take a fresh look at an established Horror trope, in this case, the Haunted House. Eric is running away from his past, trying to protect his two daughters, when he sees an ad to be the caretaker of one of the most haunted places in Texas, he jumps on the opportunity. If he can stay there long enough to prove the paranormal activity, without being driven mad, not only will Eric get a huge pile of money, but he may save his family from what has kept them running scared all these years. Sounds easy, right?  But many have failed in the past, and Eric must fight with everything he has in order to survive. 

Superior Achievement in Long Fiction

Ai Jiang has received just about every possible nomination for her novella, Linghun, and it came as no surprised that the Chinese-Canadian took home her first haunted house trophy at the Bram Stoker Awards ceremony. Jiang’s original and unique tale is set in the town of HOME, a place where the dead live on as spirits and the relatives of the dead, filled with intense grief, do whatever they can to be close to their deceased loved ones. However, what is the cost of living in a town that worships the dead but has no respect for the living? This thought-provoking and confident novella will make you excited to read what Jiang publishes next.

If you like Linghun try….

Ghost Eaters by Clay McLeod Chapman

When her best friend, Silas, dies of a drug overdose, Erin learns that he had discovered a pill that allowed him to see the dead. Wanting one more chance to see Silas, Erin takes the pill and begins a descent into a terrifying world of wandering ghosts and addiction. This is a poignant, immersive, and visceral tale about the power grief has to pull us out of the real world and into a nightmare, all to spend just a few more precious moments with the ones we love. LIke Linghun, Chapman’s story provides a new  twist on the haunting trope.

The Perfectly Fine House by Stephen Kozeniewski and Wile E. Young’s

Kozeniewski and Young’s novel is one of the best overlooked books of the past few years. Imagine a world where ghosts not only exist, but they live openly, alongside the living as functioning members of society and the economy. After Donna has a panic attack at work, her dead twin brother finds her the perfect getaway, a house so far off the grid, it isn’t even haunted. But when Donna arrives, she unknowingly unleashes a force that may alter their world forever. A compelling and intriguing novel set in an expertly crafted world, featuring great characters, that will fill readers with existential dread even as they are racing to the finish to find out what happens.

Superior Achievement in an Anthology

With no nomination for Ellen Datlow and a strong field, the anthology category was up for grabs this year, and the competition was astounding with some of the strongest anthologies I have seen on a single ballot ever. Out There Screaming: An Anthology of New Black Horror edited by Jordan Peele, featuring stories by titans of Black Horror today such as  Erin E. Adams, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Nnedi Okorafor and more, walked away with the award. These are stories that actively grapple with the Black experience and its notable absence in anthologies of the past and all are a terrifying joy to experience.

If you like Out there Screaming try….

Never Whistle at Night: An Indigenous Dark Fiction Anthology edited by Shane Hawk and Theodore C. Van Alst

Hawk and Van Alst were also nominated this year for their identity based anthology, this one featuring original, dark fiction stories by authors from across the literary landscape such as Cherie Dimaline, Tommy Orange, Rebecca Roanhorse, and Morgan Talty. They use the fact that many Indigenous cultures share a belief that one should never whistle at night as the unsettling springboard to introduce the reader to chilling tales steeped in each author’s personal history. The resulting volume is not only a stupendous achievement as a themed Horror anthology, but it also serves as a celebration of Indigenous people and their survival despite history’s aggressive attempts to silence them.

Beyond the Bounds of Infinity edited by Vaughan A. Jackson and Stephanie Pearre

This brand new anthology could very well be a contender in this category next year, and it makes a great readalike for this year’s winner as well. Centered around the popularity of Cosmic Horror but openly acknowledging the trope’s racist progenitor– Lovecraft– debut editors Jackson and Pearre set out to share brand new tales of Cosmic Horror from the perspective of marginalized the voices Lovecraft himself despised. Well known authors like S.A. Cosby, Mary SanGiovannni, and L. Marie Wood anchor the volume, sitting alongside 15 authors chosen from an open call. The result, an anthology bursting with existential dread that would make Lovecraft himself shudder with fear as he spun in his grave.

Superior Achievement in a Fiction Collection

Gemma Files nabbed her second win in this category in the last two years with Blood From the Air. Showcasing her expertise in the scary short story format, Files once again explores common tropes in new ways, using lyrical prose and presenting an ethereal and immersive reading experience, featuring characters that readers will follow even when they know they shouldn’t always trust them. One uniting feature of this particular collection is the appearance of angels throughout many of the stories. Like any collection by FIles, this one was a not to miss read even before she took home yet another Bram Stoker Award.Two other nominees in the category this year are also worth checking out.

If you like Blood From the Air try….

Cold, Black, & Infinite by Todd Keisling

A previous nominee in the Novel category for Devil’s Creek, this year marked Keisling’s first appearance in the Collection category. His stories have already appeared in critically acclaimed anthologies alongside such established names as Josh Malerman, Gabino Iglesias, and Linda Addison, but here his work is gathered into one tome with 13 previously published stories and 3 new to this book. This is a thought provoking collection of immersive and uneasy stories that look into terrifying topics such as insatiable corporate greed, bullying, and mental health struggles. Also of interest here, many of the stories are part of the Devil’s Creek universe, adding an extra layer of enjoyment for readers even as the stories stand strongly on their own.

Root Rot & Other Grim Tales by Sarah Read

A former nominee in this same category and winner of the Bram Stoker AwardⓇ  for Superior Achievement in a First Novel in 2019, Read’s collection more than lives up to its promise of providing “grim tales.” The 18 stories contained here use both fairy tale frames of yore like dark woods and wishes granted, and familiar tropes from science fiction and fantasy such as parallel worlds or uninhabitable cities. Read sustains a compelling pace, encouraging readers to experience each utterly original, immersively terrifying, and extremely sinister tale, repeatedly stabbing the reader in their most tender places. It won’t be long before Read is nominated again in this category.