This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.I am on record, multiple times, saying that the Shirley Jackson Award is my favorite award. If I had to pick only 1 award for fiction, this would be it. And that is saying a lot because I love awards, hence this series.
But why this one? A few reasons,
You want a display of weird, unsettling, and compelling titles, look no further than these tales, all of which are singled out for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. Those nominated for this year and all past years. There are so many options you will never run out of a suggestion for your patrons searching out this type of read.
Before I get to this year's nominees, which like all past years are amazing and I have read and reviewed many fathom, I want to also shout out the physical prize. Not only do the winners get that very cool sundial award above, but every single nominees gets a stone. If you don't know why, first go read "The Lottery," If you either know why, or don't care about knowing on the of best twists in all of literature ever, click here for an article about the tradition from LitHub.
Now here are this year's Shirley Jackson Award Nominees with links to those for which I have a review. And spoiler alert, I really enjoyed a lot of these stories last year:
The Shirley Jackson Awards are voted upon by a jury of professional writers, editors, critics, and academics. The awards are given for the best work published in the preceding calendar year in the following categories: Novel, Novella, Novelette, Short Fiction, Single-Author Collection, and Edited Anthology.
NOVEL
- Curdle Creek: A Novel by Yvonne Battle-Felton (Henry Holt & Co)
- The Eyes are the Best Part by Monika Kim (Erewhon Books)
- Eynhallow by Tim McGregor (Raw Dog Screaming Press)
- The Haunting of Velkwood by Gwendolyn Kiste (Saga Press)
- The House of Last Resort by Christopher Golden (St. Martin’s Press-US/Titan Books-UK)
- Smothermoss by Alisa Alering (Tin House)
NOVELLA
- Coup de Grâce by Sofia Ajram (Titan Books)
- Hollow Tongue by Eden Royce (Raw Dog Screaming Press)
- Red Skies in the Morning by Nadia Bulkin (Dim Shores)
- A Scout is Brave by Will Ludwigsen (Lethe Press)
- A Voice Calling by Christopher Barzak (Psychopomp)
NOVELETTE
- “All the Parts of You That Won’t Easily Burn” by Eric LaRocca (This Skin Was Once Mine and Other Disturbances)
- “The Girl with Barnacles for Eyes” by Lyndsey Croal (Split Scream Volume Five)
- His Unburned Heart by David Sandner (Raw Dog Screaming Press)
- “Ready Player (n+1)” by M. Shaw (All Your Friends Are Here)
- Stay on the Line by Clay McLeod Chapman (Shortwave Publishing)
- The Thirteen Ways We Turned Darryl Datson Into A Monster by Kurt Fawver (Dim Shores)
SHORT FICTION
- “Kamchatka” by Kristina Ten (Washington Square Review, Issue 51, Spring 2024)
- “Strike” by Jessica P. Wick (Monsters in the Mills)
- “MAMMOTH” by Manish Melwani (Nightmare Magazine, June 2024)
- “Moon Rabbit Song” by Caroline Hung (Nightmare Magazine, November 2024)
- “Three Faces of a Beheading” by Arkady Martine (Uncanny Magazine #58)
SINGLE-AUTHOR COLLECTION
- The Bone Picker: Native Stories, Alternate Histories by Devon A. Mihesuah (University of Oklahoma Press)
- Dead Girl, Driving and Other Devastations by Carina Bissett (Trepidatio Publishing)
- Midwestern Gothic by Scott Thomas (Inkshares)
- A Place Between Waking and Forgetting by Eugen Bacon (Raw Dog Screaming Press)
- These Things That Walk Behind Me by David Surface (Lethe Press)
- Bury Your Gays: An Anthology of Tragic Queer Horror, edited by Sofia Ajram (Ghoulish Books)
- The Crawling Moon, edited by dave ring (Neon Hemlock)
- Monsters in the Mills, edited by Christa Carmen and L.E. Daniels (IP [Interactive Publications Pty Ltd])
- The White Guy Dies First, edited by Terry J. Benton-Walker (Tor Publishing Group)
- Why Didn’t You Just Leave, edited by Julia Rios and Nadia Bulkin (Cursed Morsels Press)
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