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Showing posts sorted by date for query horror and 2009. Sort by relevance Show all posts
Showing posts sorted by date for query horror and 2009. Sort by relevance Show all posts

Tuesday, August 5, 2025

What I'm Reading: August 2025 Issue More Reviews

I have 5 reviews in the August 2025 issue of Booklist. I am breaking them up into 2 posts. Yesterday I had the three starred reviews of three very different books (novel, stories, nonfiction). Today I have 2 more reviews from this issue, both are by up and coming writers who you MUST keep your eye on.

But first, a reminder that these posts are my draft reviews with added appeal info including my three words.

Book cover for Her Wicked Roots by Tanya Pell
Her Wicked Roots

By Tanya Pell

Aug. 2025. 352p. Gallery, $29  (9781668087299); e-book (9781668087312). 
REVIEW. First published August 2025 (Booklist).

Cordelia (Cordi) is on the run from the city orphanage, on her way into the country, to the last place her older brother was living before his letters abruptly stopped, in Pell’s original, creepy and queer retelling of Hawthorne's, “Rappaccini’s Daughter.” When Cordi arrives, everyone denies having known her brother. Desperate for answers, Cordi gets a job at Edenfield, home of botanist Lady Evangeline, a lush but disconcerting estate, a place she knows her brother visited. The all female staff pray to the “garden,” while the Lady’s mysterious daughters, Primrose and Briar, seemingly full of life, are kept locked away, the servants who tend to them forced to wear masks and gloves. Readers follow Cordi as she unravels layers of poisonous secrets, searches for her brother, and falls in love with Briar. Will Edenfield be the place where Cordi can finally thrive or will she be called to the garden? For fans of Tripping Arcadia by Mayquist or Mexican Gothic by Moreno-Garcia, featuring a Gone Girl-esque twist that will plant this story’s wicked roots deep into readers' souls.

Three Words That Describe This Book: retelling, botanical horror, Gothic 


Further Appeal:  This one was a solid 4 out of 5 until I got to the ending and then it shot up to a 4.5. 

I have so many spoiler notes on the ending that I WILL NOT SHARE here. You will have to read it. I did settle on that line in the review about a "Gone Girl-esque twist." I actually told Pell about this review and that line when I saw her at StokerCon and she totally agreed. I was worried it was too spoilery but she thought it was perfect!


As I said above this is a queer Retelling of Rappaccini’s Daughter by Hawthorne. Whil you don't need to know the details of that original to enjoy this story, I did want to share the basics of that story here. It is about Giacomo Rappaccini, a medical researcher in Padua who grows a garden of poisonous plants. He brings up his daughter to tend the plants, and she becomes resistant to the poisons, but in the process she herself becomes poisonous to others.


Botanical horror is hot! I need to let you all know this if you do not. Keep an eye on this subgenre. Plants can be very deadly and a variety of authors use that underlying dread and danger to tell a great story. But this is more than the poisonous plants and the daughters Lady Evangeline created to be poisonous as well. The horror here also comes from the traditional Gothic story with a great modern ending.


For this book we are in England, Victorian times (when the original Hawthorne was written). Cordelia is an orphan on the run from the city where she has lived in the home her whole life. She is trying to find her brother who went away and was sending letters....until they stopped.

She ends up in the town where he last lived but the family he worked for won't admit he was there. She finds the grand, lush, and secretive estate-- Edenfield where clues have led her to find that her brother might have worked at. She asks for work and they take her on.


Well, as you can imagine this grand, secretive house, that everyone in town is scared of is....well creepy is the nicest thing you can say. Again, no spoilers because this is a retelling of Rappaccini’s Daughter-- so we know the botanical horrors-- that the Lady is into poisons and we are not surprised when Cordi (her nickname) is asked to mask and glove up to help[ tend to the Lady's daughters-- for you see-- they have been made poisonous by their mother.


There are chants and prayers to the garden-- which they thank for giving them "all." Cordi is new and not privy to all the rules and backstory so the reader must investigate with her. She may have had a rough life before Edenfield, but she is still very naive as she never lived outside the walls of an orphanage.


Men are forbidden, and straight out hated, by Lady Evangeline and the other female workers. The townsfolk stay far away. It is very creepy. But also beautiful and lush. The story unfolds like a myth in many ways and a thriller in others. Cordi's unreliableness is because of lack of info but is she being taken advantage of? How evil is Lady Evangeline? Is she just a protective mother and a brilliant scientist? Where is her brother? Cordi keeps finding clues that he was there at one point.

Even if you don't know the original story this is a retelling for, the book is solid. That is a key factor when assessing a retelling. It has to stand on its own but also add something to the original. This absolutely does. 

The word wicked in the title is well placed here. Actually, the title itself is pretty great after you finish the book. This one packs a nice surprise and I am excited to read more from Pell in the future. 

Readalikes: I mention a botanical, queer horror title and Mexican Gothic above. I have read both. This is a great Gothic in the mold that came after SMG's subgenre redefining work. Anyone who likes her reimagining of the Gothic, bit also keeps the story in its time and place but giving the female protagonist a bit more agency and not making it "all in her head." And titles that have actual supernatural monsters alongside the human ones.

Specifically, I thought of Midnight Rooms by Coles when I read this. It has the same traditional Gothic meets consensual sex storyline and both a built on a family secret and our protagonist not having all the info about the real secret.


More botanical horror that readers might enjoy can be found here or here.


Book cover of Galloway's Gospel by Sam Rebelein
Galloway’s Gospel
By Sam Rebelein
Sept. 2025. 384p. Morrow, $30  (9780063423954); e-book (9780063423992). 
REVIEW. First published August 2025 (Booklist).

Rebelein’s (Edenville) third book in his Renfield County mythos (connected but can be read in any order) sets loose imaginative humour and unrelenting dread on a cult themed horror novel. Told in 2 timelines, narrated by 2 Rachels– Galloway and Durwood– readers know from the terror-inducing opening that something very dangerous has escaped through a previously collapsed tunnel. Teenager Galloway, bored in her history 2009 class, makes doodles about a lost American colony where a pig eats her teacher’s arm and poops out flowers. In 2019, Durwood, a member of the X-Files-esque Renfield County Guard, is trying to solve the mystery of what happened ten years ago when Galloway and her disciples sowed a path of death and destruction before sealing themselves off from the rest of the world. As the two timelines collide, Rebelein organically morphs the attention grabbing, comic aspects of the story into a nuanced, compelling, and thought-provoking tale of terror that will linger with readers. For fans of Kiste’s The Haunting of Velkwood and Khaw’s The Library at Hellebore.

Three Words That Describe This Book: cults, connected world, X Files vibes


Further Appeal: 
Like Edenville-- this is bonkers in all the right ways. Unrelenting dread because we know what is coming. Also, imaginative monsters -- both human and supernatural. Compellingly paced especially with the dual timelines switching back and forth. Well formed characters as well. 

This is the story of 2 Rachels. Rachel Galloway in 2009 and Rachel Durwood in 2019. Their last names are used to keep them apart.


Galloway is a bored HS student whose doodles about a made up lost colony become a prophecy and create a cult that before they sealed themselves off form the rest of the world (physically) caused a lot of death in Burnskidde (a town at the edge of Renfield County). The cult involved her doodles coming to life-- pigs that when someone sacrifices a piece of themselves poop out a plant of whatever that person wants or bats that eat "bad flesh" and turn it into animals  for example. The believers survived a fog that killed many and have been living and surviving through their pigs, bats, and more.


In 2019, Durwood who works for the Renfield County Guard is drawn into the cult after one of her fellow Guard members goes in and tries to escape but is killed. He leaves enough notes for Durwood to make it through the recently opened tunnel that connects the two worlds.


As the two timelines collide, Rebelein brings the 2 stories together organically. The "bonkers" parts from 2009 start to make sense in the world he has created. As readers go through it is less bonkers and more thought-provoking-- which was clearly his point. Grab your attention at the start and make you read to see how he is going to put it all together. Really it is a very imaginative and original story.


The investigative, X Files parts, in Durwood's timeline will draw new readers to Renfield County for sure. 


There are tethers to Edenville and The Poorly Made here. Meaning all three books are tethered to each other but the great part here is, you can read them in any order. Rebelein gives you the lore you need for each book to make it makes sense. It is there and seamlessly incorporated into the story. 


Previously I have said that Rebelein's Renfield County books are reminiscent of Lovecraft Country and Josh Malerman's Goblin universe. But what I like about Rebelein's stories is that while everything is in a shared world and each story build on the overall world, each book is unique. So while Edenville was more Cosmic Horror, and The Poorly Made stories were more Folk Horror-- building the history and lore of the place over a longer time frame and also entrenching some of the monsters of the mythos into the land itself-- this one is a horror novel about cults with serious X Files vibes. I thought of completely different readalikes. 


That is very good and says a lot about Rebelein as a writer-- that he can connect everything effortlessly and they are all unique. It also means each book will bring in new readers.


Readalikes: I had a whole list but I had to settle on two for the review. Those two together give you a full sense of everything in this book. Also just above I mentioned Lovecraft Country and Josh Malerman's Goblin universe. Also, another book I just reviewed in Booklist-- 8114 by Hull works very well here too.


Friday, October 4, 2024

What I'm Reading: 2 Online Only Reviews from Booklist

I have reviews of a collection by a bestselling author and an anthology highlighting the work of a forgotten classic author, both as e-only reviews out for Booklist right now. As always, draft reviews are below. I highly recommend both for all library collections.

Please note, online reviews have a much higher word count so I don't have much in my "further appeal" section for these books.

In the Mad Mountains: Stories Inspired by HP Lovecraft

By Joe R. Lansdale

Oct. 2024. 256p. Tachyon, paper, $16.95 (9781616964245). 
First published September 27, 2024 (Booklist Online).

Lansdale has captured the hearts of readers with his quirky characters, sardonic wit, and gritty tone. His latest collection gathers 8 stories, published in various anthologies since 2009, stories he describes in the book’s introduction as the “best” inspired by Lovecraft that he has written. Taking on the troublesome racism and sexism of the classic author head-on, Lansdale also actively eschews Lovecraft’s use of cumbersome prose, instead employing his trademark direct and folksy narrative voice to the Lovecraftian concept of “the Old Ones,” terrifying but also alluring beings from another realm, trying to intrude upon our world. The result is a collection that makes the enduring appeal of Lovecraft’s brand of existential dread and terrifying nihilism more accessible to today’s readers. Looking into well mined tropes such as selling your soul, the supernatural detective, and a stranded polar ship, Lansdale adds a layer of Cosmic Horror which makes these stories both familiar and fresh at the same time. There are even characters from across the literary landscape that make some fun appearances from Huck Finn to Auguste Dupin to his own Dana Roberts and more. Readers new to Lovecraftian Horror should start with “The Tall Grass,” the shortest story in the volume, and one that perfectly captures the visceral and immersive pull of Cosmic Horror as a subgenre. A man steps off a train, gets lost in a field, and experiences a terror like he has never known. Lansdale has a wide fan base for good reason, but this book presents a wonderful opportunity to expand it even further by suggesting this collection to fans of 21st Century Cosmic Horror authors such as Hailey Piper and Lucy Snyder.

Three Words That Describe This Book: Quirky Characters, Sardonic, Direct and Folksy Narration

Further Appeal: Lansdale is very popular. Readers, even those who do not read Horror will be interested int his one. Also every story has a great introduction setting it up by Lansdale himself writtenin his distinctive voice.

Readalikes: Any cosmic horror or Lovecraftian story is a good read here. The House of Bone and Rain by Gabino Iglesias and The Ballad of Black Tom by Victor LaValle. But use any resource to find more options for readalikes. This may introduce new people to Lovecraftian Horror, so be ready. (click the link for more titles from me)

Side note: one of the stories here was first published in The Gods of H.P. Lovecraft, an anthology I reviewed for Booklist back in 2015. 

Also, I will have a giveaway of my review copy on the Horror blog next week. Stay tuned.

Where the Silent Ones Watch: Stories of the Borderland, the Night Land, the Sargasso Sea, and More!

Edited by James Chambers

Oct. 2024. 278p. Hippocampus, paper, $25  (9781614984436). 
First published September 27, 2024 (Booklist Online).


William Hope Hodgson may be the most powerful and the most neglected fantasist and horror writer of the twentieth century, argues Chambers, the Bram Stoker Award Winning editor of this collection of 26, original to this volume, stories and poems that celebrate the author and his legacy. Using the ideas, themes and narrative devices of the classic author, one of the foundational voices in Weird Fiction, as their springboard, the contributing authors showcase how his style of wildly imaginative, atmospheric horror, featuring malevolent, unexplainable, supernatural forces as they enter our known world, told in a confessional first person narration that heighten the unease with every word, still resonates today. Readers can expect strange happenings on trains and boats, in space or isolated towns, even in the shadow of Elvis Preseley’s death and amidst Black Lives Matter protests– some places Hodgson set his own stories and others which he could never have imagined. However, what elevates this collection is in how the authors place Hodgson-esque ideas into modern settings while eschewing the classic author’s tendency to use distractingly ornate prose. These choices work in tandem to heighten the fear for a 21st Century reader both in these 26 pieces and Hodgson’s own tales as well. The table of contents includes a nice mix of authors whose works are already widely available on library shelves such as Steve Rasnic Tem, Linda D. Addison, Wendy N. Wagner, John Langan, and Andy Davidson, but there are also plenty of up and coming voices worth checking out. For example, Todd Keisling’s “Little House on the Borderland,” takes the themes and fear inherent in Hodgson’s own classic novel, House on the Borderland, but frames it in the world of podcasts and social media while the anthology’s unforgettable opening story, “The Events at Apoka Station” by Pete Rawlik and Sal Ciano uses a fateful train ride to tell an unsettling story that is both timelessly terrifying and yet clearly set in our present. A great option for Weird fiction fans new and old.

Three Words That Describe This Book: confessional narration, malevolent forces, fantastical Horror


Further Appeal: This anthology gave me a brand new appreciation for Hodgson. Just as the Lansdale Collection above will draw people to Lovecraft, this book will bring people back to Hodgson.


Also, Hippocampus Press is a very trustworthy press. Click here to learn more about them.


Readalikes: Any books by Chambers, the editor, or anyone in the TOC will be a great place to begin-- besides Hodgson himself. I have reviewed books by many of the authors.


Here is the list of authors from the publishers website:

Linda D. Addison • David Agranoff • Meghan Arcuri • Sal Ciano • Michael Cisco • L. E. Daniels • Andy Davidson • Aaron Dries • Patrick Freivald • Teel James Glenn • Maxwell Ian Gold • Nancy Holder • Todd Keisling • John Langan • Adrian Ludens • Lee Murray • Lisa Morton • Peter Rawlik • Sam Rebelein • Ann K. Schwader • Steve Rasnic Tem • Tim Waggoner • Wendy N. Wagner • Kyla Lee Ward • Robert E. Waters • L. Marie Wood • Stephanie M. Wytovich

Tuesday, October 4, 2022

Using Awards Lists As A RA Tool: Shirley Jackson Awards Edition

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.   

In yesterday's post I mentioned an author whose story appeared in a Shirley Jackson Award Nominated Anthology. So today, let's talk Shirley Jackson Awards. They are coming out a little later than normal this year, but that is because they are part of the larger Boston Book Festival this year and that is happening October 29th.

I am on record, multiple times, saying that  this is my favorite award. If I had to pick only 1 award for fiction, this would be it. And that is saying a lot because I have been on the juries for multiple awards and not this one.

But why this one? A few reasons,

First, the Shirley Jackson Awards are an excellent RA tool not only for the normal reasons I outline with the links to start this post, but also because they are an award that is NOT bound by genre. The entire point of the books that are nominated for and win this award is that they represent the legacy of Jackson, herself. Books that are darkly speculative and/or are intensely psychological; books that defy conventions but are great.  Each and every year titles are honored that are amazing reads but are almost always overlooked by genre awards, not because they aren't great [because they are], but because when push comes to shove, they do not fit as easily into the genre box as the other options.

Second, because books that win the Shirley Jackson Award already live on the fringes, the jurors and the titles they choose are more diverse than your average award.

And third, this award can be used as a "readalike" list on its own. Why? Because the main thing these nominated titles all share is a connection to Jackson and her brand of storytelling; thus, they all have an appeal connection that other awards can not promise in the same way. 

Which reminds me, the Shirley Jackson Awards not only have annual jurors who rotate every year but they also have a board of directors and an advisory board. You can access all of those people and their bios on this one page. Every single one of those authors is also readlaike option. 

And of course, the super easy backlist access of nominees and winners going back to 2007, all avaiable with 1 easy click. 

You want a display of weird, unsettling, and compelling titles, look no further than these tales, all of which are singled out for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. Those nominated for this year and all past years. There are so many options you will never run out of a suggestion for your patrons searching out this type of read.

Below I have reposted the nominees announcement and added access to my reviews, if applicable, with a link on the title.

Boston, MA (September 2022) — In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, The Shirley Jackson Awards, Inc. has been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.

The Shirley Jackson Awards are voted upon by a jury of professional writers, editors, critics, and academics. The awards are given for the best work published in the preceding calendar year in the following categories:  Novel, Novella, Novelette, Short Fiction, Single-Author Collection, and Edited Anthology.

The nominees for the 2021 Shirley Jackson Awards are:

NOVEL

All the Murmuring Bones by A.G. Slatter (Titan Books)

Hummingbird Salamander by Jeff VanderMeer (MCD)

My Heart Is a Chainsaw by Stephen Graham Jones (Saga Press)

No Gods, No Monsters by Cadwell Turnbull (Blackstone Publishing)

Nothing But Blackened Teeth by Cassandra Khaw (Nightfire)

NOVELLA

Comfort Me with Apples by Catherynne M. Valente (Tordotcom)

Dirty Heads: A novella of cosmic coming-of-age horror by Aaron Dries (Black T-Shirt Books)

Flowers for the Sea by Zin E. Rocklyn (Tordotcom)

A Rose / Arose by Michael Bailey (Written Backwards)

The Route of Ice and Salt by José Luis Zárate, translated by David Bowles (Innsmouth Free Press)

NOVELETTE

House of Crows by Lisa Unger (Amazon Original Stories)

“The Nag Bride” by A.C. Wise (The Ghost Sequences, Undertow Publications)

The Night Belongs to Us by Jess Landry (Independent Legions Publishing)

“We, the Girls Who Did Not Make It” by E. A. Petricone (Nightmare Magazine, February 2021)

The Women by Margaret Jameson (F(r)iction)

SHORT FICTION

“Dizzy in the Weeds” by L.D. Lewis (Unfettered Hexes: Queer Tales of Insatiable Darkness)

“Forward, Victoria” by Carlie St. George (The Dark Magazine, April 2021)

“Gordon B. White is Creating Haunting Weird Horror” by Gordon B. White (Nightmare Magazine, July 2021)

“Human Reason” by Nicasio Andres Reed (Unfettered Hexes: Queer Tales of Insatiable Darkness)

“You’ll Understand When You’re a Mom Someday” by Isabel J. Kim (khōréō magazine, August 2021)

 SINGLE-AUTHOR COLLECTION

Folk Songs for Trauma Surgeons: Stories by Keith Rosson (Meerkat Press)

People from My Neighborhood by Hiromi Kawakami, translated by Ted Goossen (Soft Skull Press)

Sometimes We’re Cruel by J.A.W. McCarthy (Cemetery Gates Media)

We are Happy, We are Doomed by Kurt Fawver (Grimscribe Press)

Where All is Night, and Starless by John Linwood Grant (Trepidatio Publishing)

EDITED ANTHOLOGY

Giving The Devil His Due: A Charity Anthology, edited by Rebecca Brewer (Running Wild Press)

Professor Charlatan Bardot’s Travel Anthology to the Most (Fictional) Haunted Buildings in the Weird, Wild World, edited by Eric J. Guignard (Dark Moon Books)

Stitched Lips: An Anthology of Horror from Silenced Voices, edited by Ken MacGregor (Dragon’s Roost Press)

There Is No Death, There Are No Dead, edited by Jess Landry & Aaron J. French (Crystal Lake Publishing)

Unfettered Hexes: Queer Tales of Insatiable Darkness, edited by dave ring (Neon Hemlock)

SPECIAL AWARD

The Shirley Jackson Awards, Inc., also is committed to promoting the legacy of Shirley Jackson and, as part of this mission, will present a Special Award to Ms. Datlow in recognition of the anthology When Things Get Dark: Stories inspired by Shirley Jackson (Titan Books, 2021).

Ms. Datlow was a nominee for the Shirley Jackson Award for Edited Anthology for the years 2011, 2013 (with Terri Windling), 2015, 2017, and 2019, and won the award in this category for the years 2007, 2009, and 2014.

Previous recipients of a Special Award from the Shirley Jackson Awards are Joyce Carol Oates as editor of the Library of America edition of Shirley Jackson:  Novels & Stories (Library of America, 2010) and Ruth Franklin in recognition of her biography Shirley Jackson: A Rather Haunted Life(Liveright/W.W. Norton, 2016).

2021 SHIRLEY JACKSON AWARDS CEREMONY

The 2021 Shirley Jackson Awards will be presented in-person on October 29, 2022, as part of the Boston Book Festival, in partnership with Readercon, Conference on Imaginative Literature. The awards ceremony will be hosted by Elizabeth Hand and Paul Tremblay.


Tuesday, September 6, 2022

What I'm Reading: A Debut Novel and a Translated Collection

The September issue of Booklist has 2 reviews by me, both are excellent choices for all collections and from smaller presses. Below I have the reviews and extra info to make these super easy for you to book talk to patrons.

First up, a debut by one of my trusted Horror small presses.

In the Devil’s Cradle
By S. L. Edwards

Sept. 2022. 238p. Word Horde, paper, $18.99  (9781956252033). 
First published September 1, 2022 (Booklist).

Emelda is floating down the river with her children, fleeing escalating tensions in Antioch’s capital city. They are moving to the birthplace of the country, where her husband, William's ancestor, Thomas Holcomb, first unified the country through diplomacy and, quite possibly, a deal with a dark power. The family finds safety, as back in the city, the government is being violently toppled, but only for a moment, as darkness finds them in the form of revolutionary fighters and ghost children who are coming out of the woods, beckoning the children. Told through the eyes of each member of the family– Emelda, William and their four children, this compelling and deeply unsettling story holds readers hostage as they helplessly watch everything spiral out of control. However, the real horror of this novel is that Antioch could be any country, and the terrors both real and supernatural could easily be set loose upon us all. A chilling story that holds appeal for a wide audience, but especially for fans of The Hacienda by Cañas, Frankenstein in Baghdad by Saadawi, and Wonderland by Stage.

Further Debut: I need to stress the use of the phrase, "deeply unsettling." Bad things happen in the story, violent and troubling bad things. That being said, those things underscore the real world implications of this political horror story.

This is a mature debut. It could be set in ANY country. This is very clear. It could be America even, It is probably South America or Central Europe inspired and in the 20th Century but very much rooted in reality.

A country in the midst of a coup, but also there are actual ghosts and monsters in the woods, creatures that are inexorably tied to the country's founding. 

POV 3rd person omniscient inside the entire family, moves around freely. Very good and compelling. Great characters. Each member of the family is fully formed and unique. The pov switches felt a little forced a few times, to keep the reader guessing and turning pages. I think if this was a more established author, the editor would ave allowed some of the scenes to  go on a little longer before switching.

Only other negative is that the creatures in the woods [I don't want to spoil but some resemble small children without eyes and they are present VERY early in the story], their back story needed a lot more explanation. There was some. But I have more questions. Maybe that is the point because after all of the violence, the country will continue and this menace is still there, but I still wanted a little more. 


But overall, a solid read. Impressive for a debut. Very worth adding to all libraries. Word Horde is a VERY reliable Horror indie press-- great editing, good covers, books tat stand up  to multiple checkouts. It is why I requested this book from the publisher to review. I like what they do and this was one that they were also excited about. 


Three Words That Describe This Book: political horror, deeply unsettling, thought provoking


Readalike: Combine three titles in the review, and that is the book's target audience. You can use the links to see more by me on each book and find more readalikes.


Swedish Cults [stories]

By Anders Fager

Translated by Ian Lemke and Henning KochSept. 2022. 232p. Valancourt, $29.99 (9781954321564); paper, $16.99 (9781954321571). First published September 1, 2022 (Booklist). 

With the success of their World Horror Anthologies, Valancourt continues their march to get the globe’s best Horror writers into more hands with the first English translation of the top Horror writer in Sweden. This story collection, first published in 2009, is best described as “Swedish Lovecraft.” The world he has created, while very much set in and influenced by his Nordic home, expertly draws off the established Lovecraftian universe, setting an atmosphere with each tale that steadily rises to existential terror as cosmic gods so pervasive and powerful, drawfs, even mock at times, the pitiful humans who hope to survive their wrath. A great example is the second story, “Grandma’s Journey,” an original tale of a journey across Europe, despite a tear in the universe that keeps getting wider. The repetition of the phrase “grandma’s going on a journey,” dozens of times, brilliantly adds another layer of unease. Also of note are the four “Fragments,” brief snapshots of atmospheric horror placed between each of the five longer stories. A must read for fans of 21st Century Lovecraftian Horror as written by those like Kiernan or Snyder.

Further Appeal: “Swedish Lovecraft.” – And that is not simply publisher marketing, Fager is the real deal. The Call of Cthulhu role playing game even uses Fager’s work for the Swedish edition of their popular game. So there's your book talk-- Swedish Lovecraft...'nuff said for a lot of readers.


But it is more that that though. It has an atmospheric tone that rises to the existential dread of the very best cosmic horror. It is also extremely grounded in its place-- Sweden. 


For those not as well versed in Cosmic Horror, here is a short snippet from my book, a piece of a quote from author and Cosmic Horror scholar, Mary SanGiovanni:

"In Cosmic Horror, there is a sense that the antagonistic force, whether evil or just utterly indifferent, is so pervasive and powerful, and of such a size and scope, that its very existence dwarfs the significance of humanity."


Three Words That Describe This Book: Lovecraftian, translation, strong sense of place


Readalikes: My book has an entire Lovecraftian/Cosmic Horror chapter. And I have a bonus list of titles that got cut from the book here. You have plenty of topics, but to the 2 readalikes included above I would also like to include The Gods of H.P. Lovecraft edited by Aaron French.



Tuesday, July 2, 2019

Using Awards List as a RA Tool: Locus Awards Edition

Over the weekend, one of my favorite awards was given out, The Locus Awards. Because these awards cover all of the speculative genres, they are a great example of one of my most popular blog mantras-- Awards lists are one of your best RA and Collection Development tools. 

Click here to see every time I have talked about this and here for the first time.  

In fact, it has been a while since I posted those initial reasons and I don't trust you all to click [I was a grad school teacher for 8 years, so I know a thing or two about how to make people learn], so here is a reprint from 2011:

As the book award season heats up with the Nobel Prize in Literature being announced yesterday (disappointing from an RA perspective again) and the National Book Award coming early next month, the National Book Foundation got in the spirit by releasing their "5 under 35" list of authors to keep an eye on.

From the RA standpoint, this list of young authors can serve you in multiple spheres of your work:
  1. Collection Development: these are authors you need to be purchasing for your collections.  Go check your catalogs, and order copies where necessary. Also, keep an eye out for their new titles in the future.
  2. Readalikes: these authors make a great readalike suggestion for your readers who are interested in the newest literary fiction.  So while the waiting list for The Night Circus, The Art of Fielding, and State of Wonder may be long right now, these 5 authors under 35 are a great while you wait readalike suggestion.
  3. Displays: going back and checking past 5 under 35 designees  (scroll a bit; all of the lists are in the right gutter) and the also popular New Yorker 20 Under 40 annual list, makes for a unique and fun display idea.  These lists contain a nice mix of authors who made it big and those who never quite broke through, but all are quality options which your library probably already owns. Highlight that backlist by drawing a connection to the release of this new list.
  4. Resources: just being aware of designations such as this one provides you with a new resource for helping readers.  Don't forget about any and all award lists as a potential tool to help you as you match readers with their next good read.  If an author your reader likes has been singled out for an award in the past, there is a good chance he or she might enjoy the work of another author who also received this recognition.  I speak from personal experience here as I have noticed my own personal predilection for Booker nominees.
I hope this gets you to look at all award announcements in a different light.  Yes, it is good to know who the current award winners are, but do not forget to use this information as another tool in your work as the matchmaker creating connections between your readers and the stacks of books at your library.
Okay back to the awards at hand. Nowhere, and I mean nowhere, will you find a better list of all of the the best titles in SF, Fantasy and Horror, including short fiction and nonfiction, than Locus. From their Annual Recommened Reading List to these awards [which are based off of that previous list], this is the very best of speculative fiction for the general reader. Or, as I like to say, all of the titles and authors you need to have for your general library collections.

And I put my money where my mouth is on this issue, as I am currently in the final stages as the "captain" of the Speculative Fiction section of the new edition of the ARRT Popular Fiction Reading List, a product we sell to NoveList. We used the last three years of the Locus Reading List as one of our major resources to make sure we did not leave out the best and most important authors in these genres today.

Even if you are not a fan of speculative fiction yourself, and especially if you have a small library and a modest collections budget, take a look at these nominees and winners. What you will realize is that many of these titles [nominees and winners] you own already; seriously, check right now. Many of these titles are popular with your readers already. Therefore, adding a few more is probably a good idea. These are sure bet speculative titles for your collections.

Now go forth and make displays, order a few more titles, hand sell the Locus Award books and stories to readers today.

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The Locus Science Fiction Foundation announced the winners of the 2019 Locus Awards during the Locus Awards Weekend in Seattle WA, June 29, 2019.
SCIENCE FICTION NOVEL
FANTASY NOVEL
HORROR NOVEL
YOUNG ADULT NOVEL
FIRST NOVEL
NOVELLA
NOVELETTE
SHORT STORY
ANTHOLOGY
COLLECTION
MAGAZINE
  • WINNER: Tor.com
  • Analog
  • Asimov’s
  • Beneath Ceaseless Skies
  • Clarkesworld
  • F&SF
  • Fireside
  • Lightspeed
  • Strange Horizons
  • Uncanny
PUBLISHER
  • WINNER: Tor
  • Angry Robot
  • Baen
  • DAW
  • Gollancz
  • Orbit
  • Saga
  • Small Beer
  • Subterranean
  • Tachyon
EDITOR
  • WINNER: Gardner Dozois
  • John Joseph Adams
  • Neil Clarke
  • Ellen Datlow
  • C.C. Finlay
  • Jonathan Strahan
  • Lynne M. Thomas & Michael Damian Thomas
  • Ann & Jeff VanderMeer
  • Sheila Williams
  • Navah Wolfe
ARTIST
  • WINNER: Charles Vess
  • Kinuko Y. Craft
  • Galen Dara
  • Julie Dillon
  • Leo & Diane Dillon
  • Bob Eggleton
  • Victo Ngai
  • John Picacio
  • Shaun Tan
  • Michael Whelan
NON-FICTION
ART BOOK
SPECIAL AWARD 2019: COMMUNITY OUTREACH & DEVELOPMENT
  • WINNER: Mary Anne Mohanraj
The Locus Awards, except for the Special Award, are chosen by a survey of readers in an open online poll.