Join me in support of WHY I LOVE HORROR (updated as events are added)

Why I Love Horror: The Book Tour-- Coming to a Library and a Computer and a Podcast Near You [Updated Jan 2026]

RA FOR ALL...THE ROAD SHOW!

I can come to your library, book club meeting, or conference to talk about how to help your readers find their next good read. Click here for more information including RA for All's EDI Statement and info about WHY I LOVE HORROR.

Wednesday, February 25, 2026

Making Book Recommendations By Thinking Like a Reader NOT a Librarian

One of the biggest problems we cause in our service to readers (yes, you read that correctly, "we cause"), is that we approach our interactions with our readers as if they are as plugged in to the entire book world as we are.

Yes library patrons do know more about the book world than you average person off the street, but they are not as aware as we are. We often forget that they haven't read all of last year's buzzy books let alone those from a few years ago. They barely remember the 2025 busy titles and they don't even remember those from 2024 or later. Most of us barely do. But they are all great reads.

Yes they are hearing about the newest books like we are, but they need us to remind them of the great books they missed. As I have said here and in my training programs many times before-- our job is to let people know about the books they would not find without our help.

This is something that BookTok gets correct by the way. Yes it is annoying when there is a book that we had forgotten about, maybe even weeded, that goes viral on there, but most of the time, the books those reader/influencers are "discovering" is a backlist title that we know about but have forgotten to promote to our readers in a while.

The vast majority of the books we have in our collections are NOT on the new shelf. I know this sounds obvious but admit it, you forget about the gems in the stacks in favor of the new shelf all the time. 

And honestly, our patrons tend to care about the newest books for 2 reasons. 1. They are a fan of that authors and are excited for a new title. 2. Those are the books everyone is talking about so they figure, these titles must be worth a try. And 2a. it is very hard and overwhelming to find a good read in the shelves and shelves and shelves of titles to choose from. Where do they begin? Oh look here is a shelf of books that came out in the last 6 months. I'll start there.

So how do we help them consider all of their options when looking for a good read. Well one way to begin is something I also talk and write about all of the time-- conversation starters. We should be helping people find books based on natural language questions, vibes, or very wide appeal factors. This is how we can connect people with books they will enjoy overall without worrying about what happens in the books. Again, another thing I write and talk about all the time-- we need to focus on why someone would like the book, and not focus on what happens in it.

And here is a great example of how to do this from Goodreads' Blog entitled Personality Picks! 136 Book Recommendations for (Nearly) Every Type of Reader. From the introduction.

What kind of reader are you?
 
That’s the thesis question for our Personality Picks collection of book recommendations, an experimental new sorting technique that we’re developing here in the Goodreads Labs. Our editorial team is constantly researching better and more efficient ways to turn a big pile of books into lots of littler piles of books.
 
As such, the categories below are based on common reader types we’ve observed in the Goodreads ecosystem and in the wild. This is a carefully curated collection and can be useful in a couple of different ways. If you think you know your reader type (or the reader type for whom you are buying a gift), then just jump to the appropriate header below: the Eternal Optimist Reader, for instance, or the Vibes Reader.
 
On the other hand, you can work backward and just scan below for the books you’ve already read or that you want to read. If you find a significant cluster, then scroll up to see your reader type. You may discover that you’re an Avant Garde Reader, or a Snug-at-Home Reader, or maybe an "I Just Listened to an NPR Segment About That" Reader.
 
We’ve also thrown in a few playful categories as we work out the proper taxonomy system. The Random Hyperfixation Reader, for example, may look hauntingly familiar. 

Click here to see the lists. But notice, these are natural language categories that include a variety of titles from multiple genres. That is how readers think.

You should use them to make some displays and lists. Idea-- use the title from Goodreads and put post-it notes on the books identifying the personality type. Mix them all up in one display. Or post the Goodreads link to your online spaces and ask people to leave comments as to what they would add to the lists.

You can also make up your own "personalities" and books to add to the mix. All of this show your community that you are thinking like a reader, trying to connect your collections to their interests in a way that prioritizes finding them a great read that they could not have found without your help.

Most of the work is done for you here, but you can also take it a step further and get your patrons involved as well. Go here and follow my conversation starter to displays advice and learn how to get them to suggest books and personality types to you so you can make them a part of your displays and lists.

But, and this is the but that will get you off your butt to do this extra step....while gathering patron input is fun and shows them that you are listening to them, this "reader personality" version of my Conversation Starter to Display exercise is extremely useful to plan your collections and service to readers. Why? Well because when you ask your readers what their "reading personality" is (especially when you give examples to get them started thinking about it) you are actually asking them to tell you what their favorite appeal factors are! 

Appeal factors are how we library workers think, and "reading personality" is simply a way to ask this in regular person language. When we do this we are thinking like our readers. And the resulting answers we will collect will give us a glimpse of what they like to read and why. This allows us to make better purchasing choices and provide displays and lists to help them navigate all of the books we have already under our roofs; titles they would love if only they knew about them.

This post is an example of how I think you should be working with your readers all of the time. For some, this is a huge change in direction, but it isn't hard because we are all readers too. Connect with your own inner reader and I promise, you will have happier patrons.

Tuesday, February 24, 2026

Using Awards Lists As a RA Tool: 2026 International Booker Prize Long List

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.  

From the article via PW covering this announcement:

The 13 titles on the 2026 International Booker Prize longlist have been announced.

The selection was made from 128 books submitted by publishers and celebrates the best works of long-form fiction or collections of short stories translated into English and published in the U.K. and/or Ireland between May 1, 2025 and April 30, 2026. The titles were chosen by a judging panel including author Natasha Brown (chair); writer, broadcaster and Oxford University Professor of Mathematics and for the Public Understanding of Science Marcus du Sautoy; International Booker Prize–shortlisted translator Sophie Hughes; writer, Lolwe editor, and bookseller Troy Onyango; and novelist and columnist Nilanjana S. Roy.

Starring a "queer Argentinian conquistador," a "Japanese novelist with a ‘monstrous appetite’," and a "Danish noblewoman accused of sorcery," among other memorable characters, the longlisted books "use our collective histories to shine a light on our current preoccupations, and on the power imbalances that stem from gender, money and geopolitical forces," per the Booker Foundation. The titles hail from 11 original languages, by authors and translators representing 14 nationalities across four continents.

All but three of the books have U.S. editions out or forthcoming.

The longlisted titles are:

  • The Nights Are Quiet in Tehran by Shida Bazyar, translated from German by Ruth Martin (Scribe)
  • We Are Green and Trembling by Gabriela Cabezón Cámara, translated from Spanish by Robin Myers (New Directions)
  • The Remembered Soldier by Anjet Daanje, translated from Dutch by David McKay (New Vessel)
  • The Deserters by Mathias Énard, translated from French by Charlotte Mandell (New Directions)
  • Small Comfort by Ia Genberg, translated from Swedish by Kira Josefsson (HarperCollins, forthcoming September 1, 2026)
  • She Who Remains by Rene Karabash, translated from Bulgarian by Izidora Angel (Sandorf Passage)
  • The Director by Daniel Kehlmann, translated from German by Ross Benjamin (Summit)
  • On Earth As It Is Beneath by Ana Paula Maia, translated from Portuguese by Padma Viswanathan (Charco, U.K. edition)
  • The Duke by Matteo Melchiorre, translated from Italian by Antonella Lettieri (Foundry, U.K. edition)
  • The Witch by Marie NDiaye, translated from French by Jordan Stump (Vintage)
  • Women Without Men by Shahrnush Parsipur, translated from Persian by Faridoun Farrokh (Syracuse UP)
  • The Wax Child by Olga Ravn, translated from Danish by Martin Aitken (New Directions)
  • Taiwan Travelogue by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin King (Graywolf)

Click here to read the full article. 

The Booker Prizes have an excellent website that makes the information about their awards not only easy to access, but also they provide a lot of background information that helps us help more readers. And from the current year's page you can easily access past years from the "International Booker Prize" drop down menu.

But back to this year, I love all of the information they provide. For example, in the article about this year's longlist it says:

The longlisted books travel across continents and centuries. There are bittersweet love stories and dark fairy tales; fictional accounts of historic figures and narratives steeped in magical realism. With themes ranging from witchcraft to warfare, resilience to cruelty, magic to murder, and revolution to renewal, the nominated books offer explorations of our capacity to endure, resist or reinvent ourselves, and to remain hopeful in challenging times. 

This paragraph is a great way to promote this longlist in general and makes it sound like all the books are worth a read. But then there is more links as you scroll down, including:

And there is even more if you keep scrolling. So much great useful information. This award and the website that promotes it is really the perfect example of why award longlists can be one of your best resources. 

But in this case, we have more to be excited about. Translated fiction is getting more popular. This is mostly because there is more of it being made available to the US market. Case in point this year, as mentioned above, 10 of the 13 titles are already available in the US market. In years past we had to wait until AFTER the award was given to even get a majority of these titles into our US Library patrons' hands.

The books are more easily available, people want to read them, and now we have a reliable resource of the titles that are worth our time to consider for our collections.

Get over to the Booker International Prize website and order the 10 current longlist titles that are available right now. And go back and look at what past year's titles you could add from here as well. Your readers will be so happy. Again, from the current year's page you can easily access past years from the "International Booker Prize" drop down menu.

Remember, your job is to help your readers find those great reads they would not find without your help. And the International Booker Prize longlists from the last few year are your best resource to identify titles that will do just that.

Monday, February 23, 2026

We Interrupt the Regularly Scheduled RA Training Blog Post Because.....WHY I LOVE HORROR is a Bram Stoker Nominee

 ...for Superior Achievement in Long Non-Fction. 

Superior Achievement in Long Non-Fiction

Borwein, Naomi Simone, ed. — Global Indigenous Horror (University Press of Mississippi)

Grafius, Brandon R. and Morehead, John W., eds. — The Oxford Handbook of Biblical Monsters (Oxford University Press)

Hieber, Leanna Renee and Janes, Andrea — America's Most Gothic (Kensington Publishing)

Scrivner, Coltan — Morbidly Curious: A Scientist Explains Why We Can't Look Away (Penguin Random House)

Spratford, Becky Siegel, ed. — Why I Love Horror: Essays on Horror Fiction (Saga Press)

And three of the essays made the ballot for Short Non-Fiction:

Superior Achievement in Short Non-Fiction

Barb, Patrick — “Deathwish Wolf Man: The Tragic Hero at the Heart of the Universal Monster” (Interstellar Flight Magazine) (Interstellar Flight Press)

Due, Tananarive — “My Long Road to Horror” (Why I Love Horror: Essays on Horror Fiction, Saga Press)

Jones, Stephen Graham — “Why Horror” (Why I Love Horror: Essays on Horror Fiction, Saga Press)

Moshaty, Mo — “Haunted Thresholds: Liminal Horror and the Psychological Disintegration of Women from Post-Partum, Grief, Trauma and Religious Fanaticism” (Darkest Margins: 24 Essays on Liminality and Liminal Spaces in the Horror Genre) (1428 Publishing Ltd)

Pelayo, Cynthia — “My Mother Was Margaret White” (Why I Love Horror: Essays on Horror Fiction, Saga Press)


I'll be back with your regularly scheduled RA for All posts tomorrow.


Book Cover-- a mottled gray and white background with a tall and long black figure with claw like hands. It is black and ominous with a tiny head, Not too scary, just ominous. on its left, it is holding the hand of a small black human figure who is leading it confidently. Overlaid is the title- WHY I LOVE HORROR (1 word per row). The letters are in a dark gray but the letters that overlap with the monster are in red. In the top right corner it says "Edited by Becky Siegel Spratford" And down in the bottom right in the space just above where the monster and figure are holding hands it says "Essays on Horror Literature."

Friday, February 20, 2026

Coming to a Computer Near You-- Booklist's Summer Scares 2026 Author Panels

Huge shout out to Booklist for taking on the administration of 3 webinars to introduce library workers all over the world to our Summer Scares authors and editors. From the marketing copy for the webinars:

Blood still chilled from the winter? Keep the feeling going with our upcoming Summer Scares webinar series, which will see discussions of the horror genre with this year’s selected authors for middle-grade, YA, and adult audiences. Booklist is proud to continue its partnership with the Horror Writers Association’s Summer Scares Reading Program—alongside Book Riot, iREAD, and NoveList—to bring free library programming and a broad range of horror recommendations to readers of all ages. Invite us into your library, won’t you?

 Click here to see all of the webinars or use the links below to register.

Booklist Books for Youth senior editor Julia Smith will get things started by chatting with the authors of the 2026 middle-grade picks: Ally Malinenko (THIS APPEARING HOUSE), Bree Paulsen (GARLIC AND THE VAMPIRE), and Ally Russell (IT CAME FROM THE TREES). This free, one-hour webinar will take place on Thursday, March 12 at 2 p.m. ET / 11 a.m. PT. Click here to register for the Summer Scares Middle Grade webinar.

Author, Book Riot senior editor, and fierce YA lit advocate Kelly Jensen will peer into the shadows with the 2026 Summer Scares YA authors and editors: Linda Cheng (GORGEOUS GRUESOME FACES), Ann Fraistat (WHAT WE HARVEST), and Yamile Saied Méndez and Amparo Ortiz (OUR SHADOWS HAVE CLAWS). This free, one-hour webinar will take place on Monday, March 23 at 2 p.m. ET / 11 a.m. PT. Click here to register for the Summer Scares YA Webinar.
Join 2026 Summer Scares spokesperson and New York Times bestselling author, Jennifer McMahon, as she hashes out all things horror with authors and editors of this year’s adult selections: Shane Hawk and Theodore C. Van Alst (NEVER WHISTLE AT NIGHT), CJ Leede (MAEVE FLY), and Noah Medlock (A BOTANICAL DAUGHTER). This free, one-hour webinar will take place on Thursday, March 26 at 2 p.m. ET / 11 a.m. PT. Click here to register for the Summer Scares Adult Webinar.

Before the first webinar, we will be debuting the Summer Scares Programing Guide (estimated release date is 3/2/26). The link will be made available at each webinar and it will be posted on the Summer Scares resource page as well.

Each year I am blown away by how many people sign up and then actually join us (number of live participants is in the 900s +). Thank you for supporting this work and for incorporating horror into your summer reading programs and understanding it is a great reading choice for all ages, all year long.

Use the links above or click on the images for each webinar below to register. Even if you cannot join us live, you will be emailed the recording. I will be behind the scenes for each webinar, there to answer your questions about the program while we all get to know the authors and their books a little bit better.

Any and all Booklist webinars, including last year's Summer Scares events (here, here, and here) are always available for free in the Booklist webinar archive

See you there.

Marketing image for the Summer Scares Middle Grade webinar featuring the covers of the 3 featured books. Click through for details.

Marketing image for the Summer Scares YA webinar featuring the covers of the 3 featured books. Click through for details.

Marketing image for the Summer Scares Adult webinar featuring the covers of the 3 featured books. Click through for details.





Thursday, February 19, 2026

Wuthering Heights and the Opportunity You CANNOT Miss (with help from me to get you started)

Whether you personally love it or hate it, the Wuthering Heights movie is getting people who don't normally talk about books, talking about books. And in fact, it is more than just talking about books, people are debating and discussing a book (and not just the adaptation) in spaces where you don't always see book conversation.

In other words, book discussions of this book are the hot topic of the moment in a wide audience. And here's where we need to pay attention, this attention is making book discussions in general a popular topic as well.

This recent article from PW talks about this phenomenon.

Now in relation to all of us, pay attention to what I am about to say...We need to seize this moment.

Again, I do not care what you think of the movie or of the motives as to who is reading this book. What matters is that people want to read more classics because of this movie. And they want to talk about them. And once they start reading one classic, they will look to others (the PW article mentions that as well). And who has more classics....us!

Once readers start enjoying the classics, they will be drawn to retellings by today's authors. And that leads to reading books that are readalikes for said classics, and before you know it, these readers start a regular book habit.

I want to remind you of this study which I posted about here where they found that people are trying to make a habit of reading in large numbers. It is already happening. The Wuthering Heights viral moment we are in was primed to happen already. This is not surprising to me, nor should it be to you if you follow RA for All. This is something we have been building to. You can see more about this in my 2025 Year in Review program as well (see my predictions for 2026).

And when reading becomes a habit, it gets too expensive to feed it all the books they want to read, leading people to use the library to borrow the books they have pre-paid for with their taxes.

Look, not everyone who is obsessed with this viral Wuthering Heights moment will become a library user, but you don't need everyone. You need a small fraction. But you have to do something. You cannot just wait for them to come on their own.

I cannot stress enough how important it is for you to take advantage of this moment. But how?

Well, first things first, throw together a quick Wuthering Heights book discussion. Make it in person, offer a zoom option, and run a slow book club through social media. Do not let other places (social media influencers, bars, book stores, etc...) take this away from us. Promote the book discussions you already offer as well.

If this option viable for your library (I get it, especially if you are small and/or understaffed). Offer a program where people who love the movie or the book can come to gather and talk to each other. Offer food. Moderate conversations. Steer it toward readalike options. Have carts of books in the room for them to browse. And feel people out about starting a book club.

You should also throw up a quick classics book display. You can use this recent post from Goodreads to help you expand your definition of classic. Again, you get people in to read more classics and they will come back for other books. We are playing the long game at the Library. You come for 1 book, you like it, you return it and grab another. Then you come back and maybe grab 2. And every time you come, you grad another book. It becomes an affordable and enjoyable habit that becomes part of your regular routine. And before you know it, you have a regular patron. Now if they tell a friend it repeats. There is compound interest of new users to be be built off of this moment. Again, DO NOT MISS OUT.

My final advice is something I post about constantly. Use the Wuthering Heights buzz to make a conversation starter to display. What are your questions to here in order to build a useful display? I would go with a few and see which ones capture your patrons.

I would begin with the most specific. What other classics would you love to see remade into a film ala Wuthering Heights?

But you can expand it out to be about people's favorite books to movies. I would save this for post-Oscars and the release of Project Hail Mary. (March 20).

See if people reply. You should ask in the building, with a book mark in every book on the holds shelf, and in your online spaces. Click here to read more about how to make this happen

To end this post, I know what I am saying can be a bit overwhelming to many of you. I understand. But to be clear, I do NOT want you to do all of these things. I want to offer as many examples as possible for how you can seize this moment-- when a book (and not just its movie adaptation) is being discussed across many spaces (especially ones that are not only about books). Maybe none of the things I offer work for you. And that is fine. But I hope you have been inspired to do something.

Again, Project Hail Mary is right around the corner. And that book is already a viral and critical fav. We can build from Brontë to Weir-- a statement I could not have predicted but an opportunity not to miss.

Just do something. That is all I am asking. Reel those readers in to the library, where they will become part of your reader community.

Wednesday, February 18, 2026

A Stacked Issue of Booklist's Corner Shelf is Ready to Help You Help Readers RIGHT NOW!

The just released issue of Corner Shelf newsletter from Booklist is one you 100% cannot miss. It is filled with lists, articles, a FREE three part, virtual event and more.

This newsletter is always helpful and focused on things you can use in your day to day work with readers, but I have not seen one this chock full of so many things you can use RIGHT now, well ever.

From Susan Maguire's letter from the editor to open the newsletter.

Hello Shelfers,

Corner Shelf sits on the corner of readers’ advisory and collection development, but this newsletter is sitting on the RA side of the street. (Of course, the two are inextricably linked, so there’s plenty for CD folks to enjoy as well . . .). We’re talking about a useful Booklist trick, the appeal of audio, and how we produce a Top 10 list. There are also four Heated Rivalry references, because of course there are. Can you find them all?

We’ve also got some stuff going on outside of Corner Shelf:

A lot of us have a go-to tool for readers’ advisoring, but what makes it useful? That’s the question we’re trying to get to the bottom of with our Readers’ Advisory Tools Survey. If you’ve got a few minutes, won’t you consider taking it? We’ll talk about the results at ALA’s Annual Conference in June. Exciting!

Speaking of RA, our *free* annual workshop series, Readers’ Advisory: Ideas and Practice, is back! On Wednesday, March 18, luminaries from library land will explore the appeal of nonfiction, specifically history and memoir; what the deal is with romantasy; and the four cornerstones of reader interest. Did I mention it’s free? Well, it is. Free. If you can’t make it, or you can’t stay for the whole three hours, it will be recorded, so those who register will have access later.

Happy reading!

—Susan Maguire
Senior Editor, Collection Development and Library Outreach, Booklist
smaguire@ala.org
@booklistsusan.bsky.social

Now I have posted about the Survey and Readers' Advisory: Ideas and Practice before, but this is your reminder to do the survey AND sign up for this valuable, FREE half day event (you can do it all live, some live and some with the recording and even all of it recorded, just get signed ups you are notified).

  • Click here to lend your thoughts to the survey
  • Click here to register for Readers' Advisory: Ideas and Practice

Yes, those are the headlines here, but please click through to see the entire newsletter because there is more.

In particular, I want to draw your attention to this article by Booklist's Audio Editor, Heather Booth entitled, Trade Secrets: Why Audio?. From Booth's introduction:

Successful reader’s advisory for audio can look a lot different from RA for print. The format comes with its own tech requirements, another entire layer of appeal via the narration, and, often, a very different way of interacting with the book from what one might assume with print. Throughout this year of RA explorations, we’ll look at the motivations listeners have behind choosing audio and the particulars of that choice so that we can better understand patrons who listen and better respond to their reading needs. Avid audiobook listeners share some of their motivations for choosing audio below.

And that is just one of the things from the stacked table of contents. Click through or use the free links below to access it all.

Tuesday, February 17, 2026

Romance Glossary from the NYT (Gift Link)

Romance has always been among our most popular genres in terms of library checkouts and enjoying romance publicly has definitely become more socially acceptable since 2020. Think pieces and collage classes about the genre have also proliferated. But nothing says Romance is mainstream more than the New York Times creating a glossary for general readers to understand it better.

I am posting that glossary (from 2/12/26) here with a gift link because I know that while some library workers are Romance super fans, many more are barely literate in the lingo. It is way past time that you get up to speed.

Every single library workers needs to access this glossary so that we can understand the current state of Romance and how its fans interact with this perennially popular genre. But we also need it to help those new to Romance (whether they are coming from Romantasy or Heated Rivalry or Cozies or just because they have always wanted to try it and were embarrassed, but now as it is in the NYT, they see their opening to go for it). Romance writers rely on readers knowing and understanding key terms and themes. The writers build off of this knowledge to enhance the stories they are telling, the frames, and the characters. 

As I teach in my Genre overview program, Romance is all about how the authors deliver on tropes, themes, and characters. Since the basic arc of the plot is predetermined by definition, Romance wins over the hearts of its readers with the details. In fact, as I argue in my genre program, Romance readers not only demand creativity, interesting situations, and well built characters, but they also expect the authors to surprise them within the confines the established rules. Understanding this is the key to helping established Romance readers and shepherding those new to the genre as well.

Get up to speed yourself with the NYT's guide to all things romance in a glossary format. Below I have included the introduction. Click here to read the access glossary via a gift link.

Your A–Z Guide to
All Things Romance

From cinnamon rolls to stern brunch daddies, here are 101 terms you should know to understand the popular literary genre.


Jennifer Harlan spent years reading hundreds of romance novels to prepare for this story. Her favorite trope is black cat/golden retriever.

Apron tugger. Shadow daddy. Wallflower. Fae. Sometimes it can feel as if romance novels come with their own special language — one you must learn in order to achieve maximum swoon. If you’re a dedicated reader, this terminology can help you pinpoint exactly which books will be your speed; if you’re new to the game, they can overwhelm you like so much overdressed word salad. 

Whether you’re a superfan or a casual reader, if you’re genre-curious or you just want to understand why people keep talking about “spice” at the bookstore, here are 101 terms you should know. If you see something that strikes your fancy, we’ve got recommendations for books that show off these terms at their best. With any luck, you’ll find something to fall in love with — which, after all, is the whole point.


Again, click here to access the full glossary. I have also added it to my Free Genre Resources handout in the Romance section and will be adding it to my Genre slides when they are updated for 2026 (coming soon).

Monday, February 16, 2026

LibraryReads: March 2026

      The LibraryRead Logo on the left. To the right the words," The Top Fiction and Nonfiction Chosen Monthly By America's Library Staff." Click the image to go to the LibraryReads homepage

 It's LibraryReads day and that means four things here on RA for All

  1. I post the list and tag it “Library Reads” so that you can easily pull up every single list with one click.
  2. I can remind you that even though the newest list is always fun to see, it is the older lists where you can find AWESOME, sure bet suggestions for patrons that will be on your shelf to actually hand to them right now. The best thing about LibraryReads is the compound interest it is earning. We now have hundreds and hundreds of titles worth suggesting right at our fingertips through this archive OR the sortable master list allowing you to mix and match however you want.
  3. You have no excuse not to hand sell any LibraryReads titles because there is a book talk right there in the list in the form of the annotation one of your colleagues wrote for you. All you have to say to your patron is, “such and such library worker in blank state thought this was a great read,” and then you read what he or she said.
  4. Every upcoming book now has at least 1 readalike that is available to hand out RIGHT NOW. Book talk the upcoming book, place a hold for it, and then hand out that readalike title for while they wait. If they need more titles before their hold comes in, use the readalike title to identify more readalike titles. And then keep repeating. Seriously, it is that easy to have happy, satisfied readers.
So get out there and suggest a good read to someone today. I don’t care what list or resource you use to find the suggestion, just start suggesting books.

Please remember to click here for everything you need to know about how to participate. 

And finally, here is LibraryReads' extremely helpful Resources page.

Now let's get to the March 2026 list.... 

banner for LibraryReads Top Pick



No Matter What: A Novel

Cara Bastone

(Dial Press Trade Paperbacks)


Roz and Vin have been married 8 years, but a terrible accident ripped their lives apart and left them  reeling. This story is their slow journey back to one another. No tropes here—this romance is quiet and ordinary, and in that it's so powerful. It's a beautiful exploration of how even the strongest relationship can fracture, and how we repair and recover from damage. It's also a love letter to drawing and art, to storytelling and friendships, to how we care for and harm each other.


—Nyssa Fleig, Salt Lake County Library, UT

NoveList read-alike: L eft of F orever by Tara DeWitt


Now the rest of the list...

The Secrets Lives of Murderers' Wives 
Elizabeth Arnott
(Berkley)

Three wives of convicted killers, fighting the guilt that they didn't know what was happening with their husbands, band together to search for a killer. Continuing the trend of stories of brave women who aren't taken seriously, this tightly woven crime novel has a bang of an ending.

—Kimberly McGee, Lake Travis Community Library, Austin TX
NoveList read-alike: Good Husbands by Cate Ray

Two Kinds of Stranger
Steve Cavanagh
(Atria)

Conman-turned-attorney Eddie’s reputation precedes him. When Elly, a TikTok star, is convicted of a double murder she didn’t commit, she requests his help to prove her innocence. He soon realizes he may have gotten more than he bargained for. When the case hits a little too closento home, Eddie relies on his (maybe not so legal) skills to save her life.

—Jessica Heatherly, Kingston Public Library, TN
NoveList read-alike: Jack Swyteck series by Michael Grippando

This Story Might Save Your Life
Tiffany Crum
(Flatiron Books: Pine & Cedar)

Joy and Benny are the perfect podcasting team, best friends who explain to listeners how to survive life-threatening situations. But when Joy and her husband go missing, it’s time for long-held secrets to be
revealed. This compelling mystery with a likable pair at its heart will keep readers turning the pages to find out if a happy ending awaits.

—Mara Bandy Fass, Champaign Public Library, IL
NoveList read-alike: Listen for the Lie by Amy Tintera

Lady Tremaine
Rachel Hochhauser
(St. Martin's Press)

This Cinderella retelling is particularly powerful at portraying the challenges of motherhood and surviving in the world as a woman. The dissection of what traumas and choices create a villain are a fascinating character study, and readers will love that Lady Tremaine is given depth beyond the stereotypical evil stepmother trope—after all, everyone could be a villain in someone else's story.

—Kara Seal, Arapahoe Libraries, CO
NoveList read-alike: Malice by Heather Walter

It Girl: A Novel
Allison Pataki
(Ballantine Books)

A compelling fictionalized story based on the life of Gibson Girl and Gilded Age "It Girl," Evelyn Nesbit. The author writes masterful historical fiction that illuminates exceptional women: their lives, their hopes, their triumphs and downfalls. Highly recommended!

—Karen Troutman, LibraryReads Ambassador, IN
NoveList read-alike: Laura Lamont’ s Life in Pictures by Emma Straub

Innamorata
Ava Reid
(Del Rey)

Haunting and atmospheric, this gothic tale of necromancy, revenge, and forbidden love will draw readers in. Lush writing, eerie vibes, and a heroine torn between duty and desire. Darkly beautiful.

—Emily Snodgrass, Rogers Public Library, AR
NoveList read-alike: The Bone Orchard by Sarah A. Mueller

Lake Effect: A Novel
Cynthia D'Aprix Sweeney
(Ecco)

In 1977, Nina and Finn begin an affair and make difficult choices that will ripple through their families and small community for years to come. Twenty-five years later, Nina’s eldest daughter makes a selfish choice that sends shock waves from Manhattan back to Rochester. Keenly and sensitively written, readers will have great compassion for these women despite their choices.

—Jennifer Winberry, Hunterdon County Library, NJ
NoveList read-alike: Commonweal thby Ann Patchett

You Should Have Been Nicer to My Mom 
Vincent Tirado
(William Morrow)

This slow, luxuriously paced gothic hinges on toxic family relationships. When Papi Ramon dies, the reading of the will mentions a demon among the family. Fans of Knives Out or The House of Usher will want to give this one a try!

—Adam Lopez, Lawrence Public Library, KS
NoveList read-alike: They Drown Our Daughters by Katrina Monroe

Nobody's Baby
Olivia Waite
(Tordotcom)

Our favorite "old lady" sci-fi detective is back at it, this time solving the mystery of a new baby on board (when that should be impossible on many levels!). A quick read, but Waite does a great job balancing a heck of a lot of world-building with a satisfying mystery and forward emotional movement by the heroine.

—Casey Chwiecko, Lincoln Public Library, MA
NoveList read-alike: The Investigations of Mossa and Pleiti series by Malka Older



Board Bonus picks:


Seasons of Gl Seasons of Gl ass and Ir ass and Ir on: Stories on: Stories
Amal El-Mohtar
(Tordotcom)


Notable Nonfiction: 

The Beginning Comes After the End: Notes on the End: Notes on a World of Change
Rebecca Solnit
(Haymarket Books)

See our social media for annotations of the bonus picks


The LibraryReads Hall of Fame designation honors authors who have had multiple titles appear on the monthly LibraryReads list since 2013. When their third title places on the list via library staff votes, the author moves into the Hall of Fame. Click here to see the Hall of Fame authors organized in alpha order. Please note, the current year's Hall of Fame lists are pulled out at the top of the page.

Ilona Andrews
This Kingdom Will Not Kill Me
(Tor Books)

Marie Benedict
Daughter of Egypt
(St. Martin's Press)

Elizabeth Berg
Life: A Love Story: A Novel
(Random House)

Tana French
The Keeper: A Novel
(Viking)

Talia Hibbert
A Girl Like Her
(Sourcebooks Casablanca)

Joshilyn Jackson
Missing Sister
(William Morrow)

Abby Jimenez
The Night We Met
(Forever)

T. Kingfisher
Wolf Worm
(Tor Nightfire)

Jenny Lawsom
How to Be Okay When Nothing Is Okay: Tips and Tricks That Kept Me Alive, Happy, and Creative in Spite of Myself
(Penguin Life)

Freida McFadden
Want to Know a Secret?
(Poisoned Pen Press)

Deanna Raybourn
A Ghastly Catastrophe
(Berkley Mystery)

Cat Sebastian
Star Shipped
(Tor Books)

Rebecca Searle
Once and Again
(Atria)

Benjamin Stevenson
Everyone in This Bank Is a Thief
(Mariner Books)