Libraries Fighting Back [Together] on Unfair Digital Book Pricing [story via PW]

As I discussed in this post back in March, I have been actively involved in trying to get fair eBook pricing for libraries. I was in Springfield to jet rally support for IL House Bill 5236—The Digital Library Protection Act. From the ILA page Advocacy page about HB 5236:

What is House Bill 5236?

The Digital Library Protection Act, as known as House Bill 5236, aims to prevent publishers from imposing unfair restrictions on libraries when licensing eBooks, digital audiobooks, and other electronic literary materials. It prohibits contracts that would prevent libraries from performing their usual functions, like licensing materials from other publishers, using necessary technology for lending, making preservation copies, or participating in interlibrary loan systems. 

It prevents publishers from restricting a library's ability to determine loan periods, from charging libraries more than the public for the same item, or from limiting the number of licenses a library can acquire after an item is available to the public. The bill ensures libraries can continue to virtually share content for educational purposes and share licensing terms with other libraries in the state. 

In that post, I included my written testimony which was formally filed with the committee.  

Since then, the bill passed the IL House 99-0. It is currently sitting the senate but the Association of American Publishers and the Authors Guild’s denunciation of the passage of Illinois HB 5236. It will probably not get taken up until the Fall session due to the Chicago Bears sucking all of the energy out of the state house, but we are on the right track.

This denunciation by the Authors Guild is what I am currently battling against. They are wrong to oppose this. They are not protecting authors. They are actually hurting them. I talk about it in that previous post. Author's do not get more money when these books are sold for high prices to libraries, and in fact, fewer books by mildest authors are purchased because of the high prices. 

Our next steps here in IL are to keep the library workers updated (I helped with a webinar on that), and, through me, reach out to specific authors to get them to support us. I am going to have to work to explain why they need to go against the Authors Guild-- which I support normally too, especially as we are connected with them through he HWA-- but in this case they are wrong to side with the publishers. 

Now that IL is making headway, 5 Large Library Organizations are finally speaking out to help those of us in CT and IL who have been going at it alone. We were the test cases and it is starting to work, so now others are reading to jump in and help us fight back. 

PW had this great article that will get you up to speed on the entire issue. From the first paragraph:

On May 27, five public library organizations from the U.S. and Canada released a statement, addressing the Big Five publishers and digital platform providers, in response to e-book pricing models. The Association for Rural and Small Libraries, Chief Officers of State Library Agencies, Canadian Urban Libraries Council, Public Library Association, and Urban Libraries Council all signed on to the letter.

Please click through to read the entire article. It explains where we are on a national lever here. Things are getting serious and we are close to FULL VICTORY. Also take a look at the Joint Statement Letter (linked above as well). From that letter:

Our organizations, representing the vast majority of public libraries across the US and Canada, call on the Big Five publishers, as well as platform providers, to come to the table to work with libraries to identify and implement sustainable solutions, no matter the format.

Mutually-beneficial solutions exist. These include the importance of usage-based e-book models that guarantee our communities actually have access to the materials their libraries have paid for, and the option for libraries to purchase perpetual-use models so we can ensure the preservation of knowledge remains a cornerstone of the public library.

Public libraries protect copyright and invest millions of dollars in curating collections that increase author discovery and promote titles and reading, and our book borrowers are book buyers. We’re important partners for publishers, and have shared concerns including declining literacy rates and fighting threats to intellectual freedom.

It’s time for a new dynamic, based in collaboration and mutual respect, that can build off those shared interests. It’s time to finally address – rather than ignore – this crisis. This helps everyone – libraries, authors, patrons, publishers – thrive.

Thank you to PW's Libraries reporter, Nathalie op de Beeck, for covering this so well. Now everyone in publishing has a clearer understanding of what we are fighting for. I hope authors and smaller publishers begin to understand that the Association of American Publishers and the Authors Guild are not fighting for them like they may think they are.

Feel free to use any or all of my letter to the IL House, in tandem with the PW article and the Joint Statement Letter, to do your own advocating.

#HorrorForLibraries Giveaway: A Finished Copy of the Modern Queer Horror Classic RED X by David Demchuk

I am doing a cross post today with RA for All Horror because I am highlighting a title being released in a new edition that I need you all to know about. 

Also, the giveaway will be off next week, but I wanted to remind everyone that it happens most weeks and I am about to go into the busiest time when I have the most sought after ARCs. So you may want to follow the directions and get yourself entered.

Now to the post.

Today I have a treat. A finished copy of a book that was previously only available in Canada; a brand new edition with so many extras; a title that has gone on to become a Queer Horror Classic. Details below but first, here are the rules on how to enter:

1. You need to be affiliated with an American Library. My rationale behind that is that I will be encouraging you to read these books and share them with patrons. While many of them are advanced reader copies that you cannot add to your collections, if you get the chance to read them, my hope is that you will consider ordering a copy for your library and give away the ARC away as a prize or pass it on to a fellow staff member.
2. If you are interested in being included in any giveaway at any time, you must email me at zombiegrl75 [at] gmail [dot] com with the subject line "#HorrorForLibraries." In the body of the email all you have to say is that you want to be entered and the name of your library.
3. Each entry will be considered for EVERY giveaway. Meaning you enter once, and you are entered until you win. I will randomly draw a winner on Fridays sometime after 5pm central. But only entries received by 5pm each week will be considered for that week. I use Random.org and have a member of my family witness the "draw"based off your number in the Google Sheet.
4. If you win, you are ineligible to win again for 4 weeks; you will have to re-enter after that time to be considered [I have a list of who has won, when, and what title]. However, if you do not win, you carry over into the next week. There is NO NEED to reenter.

Last week's winner was Janet from OR. Now on to this week's giveaway. 

David Demchuk's Red X is a modern horror classic, full stop, but as a work of Queer Horror is seminal. Don't take my word for it. I have Eric LaRocca's words right here for you:

“When they speak of seminal works of queer literature a hundred years from now, David Demchuk’s RED X will most assuredly be included in that conversation. A tremendously influential novel so arresting, so brutal and yet so delicate that its labyrinthine complexity should be studied and praised. A merciless and truly daring masterpiece of queer fiction.” 

    —Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

This book was a NYPL Best Book of the Year, a CBC Books Pick for Best Canadian Fiction, and an Aurora Award Nominee for Best Novel. All of this was back in 2021 when it first came out. So why don't you have it or know about it? Because it was only published in Canada. 

This new edition will be available on June 30th here in America and it includes a foreword by Gretchen Felker-Martin. This book is also the reason I asked David to write an essay for my book. It is a literal masterpiece. Everyone should read it.

I have so much to say about this seminal work of queer and experimental horror. But first, here is the blurb:

Published solely in Canada in 2021, it didn’t take long for David Demchuk’s RED X to garner a cult following. It could be because it’s actually scary, a cursed marriage between supernatural elements and the real-life horrors that isolation and marginalization leave queer people vulnerable to. It could be because it’s formally interesting, punctuated by torn-up book pages, leaking trails of black ink, tiny Canadian history lessons, and personal stories from Demchuk’s own life. Or maybe it’s the emphasis on the power of queer communities as characters routinely show up for one another, even if it means putting themselves in danger. But most likely it’s a combination of all these things, which blend together to create a masterfully experimental narrative that is already being heralded as one of the greatest horror novels of the twenty-first century.

A terrifying supernatural entity haunts Toronto’s gay village in the ’80s in this gruesome, metatextual modern horror classic that spans decades of queer community and history. RED X is a masterful experimental work already heralded as one of the great horror novels of the twenty-first century, now reissued with deluxe materials, including a new introduction by Gretchen Felker-Martin and an essay by Anthony Oliveira.

 In 1984, a young gay man vanishes without a trace, leaving behind a community of friends and lovers desperate for answers. Instead, they face everything from casual indifference to outright prejudice. As decades pass, more men vanish, revealing a terrifying, centuries-old demonic presence at the heart of the disappearances.

Interspersed throughout, the author shares autobiographical vignettes: his earliest brushes with death and fear, his observations on queer culture and the horror genre, on representation and erasure, culminating in an elegiac and brilliantly woven narrative that blends fact and fiction, and has already been heralded as one of the great horror novels of the twenty-first century.

 RED X flickers between perspectives like a choir popcorning the disparate parts of a chamber piece. The conductor here is Demchuk himself, who uses his own autobiographical vignettes—his earliest brushes with death and fear, his observations on queer culture and the horror genre, on representation and erasure—to unite the parts into an elegiac and brilliantly eerie work that blends fact and fiction.

I cannot stress enough to all of you just how good this book is. Demchuk's conversational narration, experimental but accessible style, the brutally honest, bleak, creepy and intense tone, the well developed characters, thought-provoking plot, and visceral connection to the real world-- all of this makes RED X a must buy book for all library collections. 

If you have readers of the very best Horror today, the Queer and the Straight Horror, they need to read this book.

And thanks to Soho Press's Horror Imprint, Hell's Hundred, one of you is going to win a finished copy to add to your shelves today. 

The rest of you need to add it to your order carts now. Seriously. Stop what you are doing and get this book on order.

And if you live in the NYC area, there will be a launch event on June 15th at Twisted Spine. Details and registration links are here.

Enter now and you are entered going forward.

The giveaway will be off next week while I am at StokerCon, but after that I have many titles from the books I reviewed for the June issues of Booklist and Library Journal. Plus coming soon, giveaways of books by Rachel Harrison, Alma Katsu, and more. Enter now to be in it for a chance to win it.

The NYT Gamifies Summer Reading (Gift Link)

I know many of us have worked to gamify our summer reading for many years now. As we have learned, adults love checking off boxes or completing BINGO cards for prizes as much (maybe more) than kids do.

Reading challenges are around all year long, but many people are intimidated by joining the ones that start in January. A year of reading seems like a big commitment to people who haven't read more than a book or two for fun in years. However, when you take the same idea of a challenge and market it as "Summer Reading," many people jump at the chance to give it a try.

Summer is three months. Summer gives people time to be outside and relax-- even if just on a few weekends. Summer holds fun memories of childhood summer reading.

Last week, the New York Times Book Review launched their "Summer Reading Bucket List" (gift link here). They have ten items that are very general and easy to complete. And there is even a box to check for reading a book from the library (with bonus points if you talked to the library worker to get the suggestion).

What I love about this summer reading game is that it easy to complete. They are only challenging you to get to 5 of the 10 options before Fall. It gives some direction, but not too much. Five books seems like a doable number for those who are not regular readers. Pretty much any book is an option. Literally. And they have a way for you to turn in your sheet and be eligible for a prize.

The New York Times has prioritized gathering data from actual readers for a while now. All of those checklists for their "best books" to have people mark if they read a book or want to read a book, etc... This is a grab for user data that I can get behind because they are using it to actively craft their book coverage, to make sure they are covering the books that people actually want to read, not just what the snotty literati think we should read.

This is a huge shift in the NYT Book Review over the last few years and I am here for it. We are in a landscape where most papers have dropped their books coverage, but the NYT is trying to fill that gap. Yes they provide reviews and commentary about the most important literary titles, but as I have been covering here as well, they are also making an effort to cover genre and even backlist titles. They want to help you-- all of you, any kind of reader-- find a book that you will love and get you back into reading. 

And bonus because they always support libraries. Yes they added us to their list, but it is more than that. See this post I had last week (with a gift link) for another example.

But here is another important point I want to make today, many libraries still do not offer a summer reading challenge or program for adults. I don't understand it myself. I made sure my library always had summer reading for adults to match the ones we had for children (going back to 2000). They are important both because when parents read with kids, kids do better with their own reading.

But also, Adults need the chance to have fun reading a book, to complete their checklist, and earn a prize. Life is short, things are awful, why are we not offering adults books with a side of joy.

Don't we want our adults coming back to the library again? Don't we want the people who pay the taxes to fund us and come to the polls or board meetings for us when we need their support to feel like we care about them too? Why do we ignore the recreational needs of our adults? 

So I am sharing this to help all of you who do NOT have a summer reading program already. Go here and use the NYT Summer Reading Bucket List to make your own to hand out for adults. Summer reading starts this weekend at most libraries. They have all been working on it for months, but you...the library that isn't offering an adult program....you can still do something right now.

And for those of you who already have a summer reading program, this is a great resource to enhance what you are already offering. Maybe you don't have a BINGO card yet? Maybe you have a full program with your themes and lists all set up, but you know that it will be too restrictive for some readers. Here you go. 

[Side note, I hate putting restrictions on reading for adults and making them follow our themes. Themes are great to guide those who want to follow, but it should not restrict if people can participate-- adults or kids. We want them to read. We don't want to create more obstacles to stop that. We need to stop being Gate Keepers and start being Gate Openers. Click on this link for more about that.)

And for those of you who are all set and have the perfect, flexible summer reading program set to start for adults in a few days, great, but you can still save this link and use it for Fall Reading or Winter Reading or even next year's planning. It is NOT tied to a specific year or trend or even season. Just change the one that is season specific to whatever season you use this in.

I have posted the graphic from the article below in case you want to just print it out and hand it off to people. If you do this and you have NYT access for your patrons, this bucket list can serve to also advertise your NYT access. I talk to people all the time who have no idea that most of the major newspapers are available at the library, from home even with your card. Make the list available in print and online with a note to remind people of their access available with their library card.

This post is here to get you to think about all the ways you can use this ready made summer reading resource to help your readers have a fun summer-- whether you have it all planned and ready to roll out this weekend or not. 

How will you use this list with your readers? If you have summer reading plans you want me to share with my readers, contact me and we can see about a guest post here on the blog.

What Makes a RA Tool Useful: Raw Data from the Booklist Survey

Booklist did a survey about RA Tools early in 2026 and they just released the raw data. They got 592 respondents! Thank you to everyone who did the survey. The results are fascinating. Below I have the introduction and link to it all. 

Please click here or on the link below, but I was so excited to see what the results were. Of course, even more exciting is the analysis to come, but in the mean time, this raw data holds a lot of information. 

And before I send you there, toward the bottom there is someone who left a comment which said that they don't use resources for RA, and you my dear colleague, I am giving you so much side eye that my face hurts. (This is also vague to make you scroll through and read everything to find it)

One of my 10 Rules of Basic RA Service is literally to USE RESOURCES. You are not the RA superstar you think you are anonymous person. And I am sure you don't read this blog because-- IT IS A RESOURCE. 

Anyway, I will be spending a lot of time looking through this raw data in the next few weeks for sure. 

Okay here is the link and the introduction below.

What Makes a Readers’ Advisory Tool Useful? The Results of Our RA Survey.

By Susan Maguire.
FEATURE. First published May 14, 2026 (Booklist Online).

In early 2026, Booklist sent out a readers’ advisory (RA) survey to our readers, users, and readers’-advisory library staff across the country.

The purpose of this survey was to find out what makes a RA tool useful to those who practice the craft. To that end, and to save respondents’ time, we asked closed-end questions that we hoped would illustrate readers’ advisors’ behavior and illuminate their needs and wants when helping patrons.

We were aiming for around 300 respondents and got nearly twice that (592 people answered the survey call). Below is a breakdown of the results of the survey by question. Look for analysis of the results in a future issue of Corner Shelf.

Click here to see all of the raw data from the survey.

RA for All Off for the Memorial Day Weekend But First....

Memorial Day Weekend is the unofficial start of Summer here in America, so before I head off to spend some time with the family, here is great, diverse Summer Reading list of 15 books that will satisfy just about every reader via the NPR Books We Love Team of staffers and critics.

Hope you have a good book to read this weekend. I am very lucky to have the upcoming Alma Katsu and Rachel Harrison both on deck with reviews due to Booklist next week.

Back Tuesday with new posts.

Books to Films: Behind the Scenes of the Discovery

Books into Movies is a major event for libraries. I have an entire tag for it. But how does a book go from the page to the screen? That is something we know a lot less about.

The other day, LitHub shed some light on this question with this article: The Man Who Reads Books For a Living (One Every Two Days)

The "man" in question Clarke Speicher and the writer who sat down with him is Julien C. Levy. From the intro of the article:

When Clarke Speicher (spike-er) asked how I liked the screen adaptation of Train Dreams, Denis Johnson’s novella following the solitary logger Robert Granier in the early 20th-century American West, he was actually asking whether it measured up to its source material. That is, after all, the question about adaptations. Still, it felt loaded. If it had been anyone else, I would’ve felt at liberty to prattle without worrying whether I’d arrived at any kind of thesis. That I love the book was beside the point. I felt caught out because it was Clarke doing the asking. But he isn’t an author, screenwriter, director, producer, critic, agent, or editor. He isn’t a journalist or influencer.

Clarke is something much more specific and much rarer: a professional book reader who evaluates literature specifically for screen adaptation. So after a few seconds of mealy-mouthed equivocation about Train Dreams, I came to my senses and flipped the question back on him. A few drinks later, we were talking about his profession, how it works, and what adaptation really means. 

Click here to read the rest of this fascinating article.

Share it on your socials and website as well. Do you have lists of Books to Screen titles? Add this link there as well. This is an article your patrons will be interested in as well. When we anticipate our patrons' wants, we demonstrate our worth.

Join Me and Others at the Library Insights Panel in Chicago on June 26th

For the second year in a row I am pleased to be a part of the Library Insight Summit. From their About page:

Library Insights Summit 2026 - Connecting Publishers & Librarians

Register Today!

LIS is the only conference designed to bring established publishers, author-publishers, and librarians together for a full day of smart, actionable, and future-focused programming.

Spend your morning in targeted breakout sessions for your community—then come together in the afternoon for conversations that matter to everyone working along the path from book creation to reader access.

Scheduled for the day before ALA Annual in Chicago, at McCormick Place, LIS will feature morning breakout sessions for three communities: established trade publishers, author publishers, and librarians. In the afternoon, we’ll bring everyone together for programming relevant to all sectors.

If you work anywhere along the path between book creation and reader access, you belong at LIS! 

Also here is info I received form a marketing email:

At a time when so much of our work happens digitally, there is still enormous value in gathering together in person.

Ideas sharpen.
Relationships deepen.
Perspectives widen.
Inspiration ignites.

The Library Insights Summit was created to foster exactly those moments. It brings publishers and librarians into the same room for practical conversations, collaborative thinking, and the kind of networking that strengthens business relationships and enriches the literary community.

We hope you’ll join us in Chicago on June 26.

Register today at https://libraryinsightssummit2026.sched.com/

This event is only $199 and you get breakfast and lunch. It is the day leading up to the late afternoon opening session of ALA. This means you can join us if you are going to ALA but also, even if you are not.

I will be there all day as an attendee and a presenter. Here are the detail on my panel:

Smarter Marketing for Maximum Library Impact:

As library supply chains and discovery systems evolve, publishers are facing new challenges in getting their titles seen and ordered. At the same time, librarians are navigating a fragmented marketplace to find trustworthy, complete information on forthcoming books. This session brings together marketing and distribution experts to show how publishers can sharpen their strategies, stretch their budgets, and strengthen relationships with this vital audience. Learn how to optimize metadata for library visibility, coordinate publicity with wholesale and discovery platforms, and build long-term awareness among collection development professionals.

I am the moderator and my panelists are:

• Lila Denning: Acquisitions Coordinator, St Petersburg Library System 
• Kaycie Hoffman Blaylock: Library & Resource Coordinator, Alexandria City Public Schools
• Rebecca Vnuk: Executive Director, LibraryReads

I can't wait to share our marketing tips with such an accomplished group of library workers from school to public settings. We are at 10:30, but I urge you to see the entire list of programs available here. As an attendee last year, I can tell you with confidence, that this event is worth your time. The amount of learning, idea sharing, and networking I got in that single day last year rivaled what I got from the entire conference to follow. I think the quote in the image above sums it up perfectly:

"Creates a much needed quiet space to dive deep and focus in the connection of publishers and librarians before the loud and invigorating energy of everything that the ALA Conference is!" 

Please consider joining us, especially if you are a library worker in the Chicago area who doesn't plan to attend the entire conference. I know not everyone can be there every day, but this is a nice option before it all begins.

(Also RAILS libraries, head over to their site to grab your $40 Exhibit Passes and use them on your day off to wander the Exhibit Hall. Also hot tip for all-- I will be at the S&S Booth on Saturday signing copies of WHY I LOVE HORROR. More details soon.)

 As I said, I will be there the entire time, not just for my panel. Maybe I will see you there.

Click here to register now.

NYT Shares How A Book Gets on Our Library Shelves Considering Post B&T Collapse Issues and Why This is All Part of Our Inability to Communicate Who We Are and What We Do

I talk at length about how bad we, as a profession are at communicating with the general pubic. I have a longer, more general post about that here. But I also have a tag for "communicate better" because whenever there is a big library issue, we DO NOT GET AHEAD OF IT and that hurts us.

My most recent example (before today) is the eBook pricing issue that I have been working on fixing here in IL-- for years, but it is finally going somewhere. Click here and here for that. That second link includes my letter that was filed as part of our hearing for the House. We got through the IL House with a 99-0 vote and are awaiting the Senate to move on it. 

When we communicate our needs and how our processes work clearly, people listen. Even when they are frustrated. And today I have a perfect example, except it was not US who stepped up to communicate it was the NYT.

Let me back track. 

As we all know, last year, B&T imploded. Yes I know many of you were too busy scrambling to communicate what was going on to your patrons, even as it led to delays in books getting on the shelf. This was our first mistake, to not designate someone to get the word out far and wide using the same energy we use to get the word out about a program we want to succeed. This is our bread and butter. The books we collect on our shelves.

Putting that aside, even though I should not. I need to call everyone out a bot further here because every single one of us who used B&T has known for years that there were serious problems with B&T. Yes some was from when they were hacked during the pandemic, but they were doing badly before that and it never improved after. Yes it was shocking when they simply shut down and stop serving us with no warning...BUT, come on, it was not like they were fulfilling our orders in a timely fashion, and forget about seeing new books for months if you used their cataloging services.

We should have not only been ready for them to implode, but we should have also been hiring staff to help us process what books we did get and shed their shoddy service.

But I digress. 

Months later, many libraries are still struggling to fill the hole. And look, I am not trying to minimize how devastating this was to libraries everywhere and of every size. BUT we have stayed silent about what it looks like on the ground. As libraries are dealing with book challenges, a call to provide more and more community services, so many other things, our inability to get the bestsellers people want on the shelves- that we stayed silent about.

This was our chance to make it clear that we are doing our best, that what it takes to get a book from ordered to on the shelf is complicated. We did not do that, and as a result, people who would have been our supporters, have been angry that they aren't getting our books. BECAUSE WE STAYED SILENT. BECAUSE WE DID NOT TEL OUR STORY FOR OURSELVES. We lost a chance to garner more goodwill. 

But thankfully the book reporters at the New York Times worked with Iowa City Public Library to tell our story to a wider audience. 

Here is the excellent, clear, and full of photos article they published. I have provided a gift link for you all.

And the article goes above and beyond the basics. For example, they explain in clear and easy language, how B&T was not just a place to order the books, nor was it only the place to order and have things processed, but also many libraries used their suite of services to help them get the right number of bestsellers on the shelves, whether that was predictive ordering or even standing order author plans. 

When I did collection development we had the 250 standing order author plan. Those were 250 authors (we updated it each year) that I never had to even think about. Their books just came to my library. Now, libraries have to remember to order every single James Patterson, Stephen King, Nora Roberts etc...

I have heard library people tell me that some of these more nuanced things are too complicated to explain to the public. Well, this article just proved that argument wrong. 

Please, please, please...I am begging all of you, as a library, prioritize communicating who we are and what we do with your community on a regular basis. Share how the sausage is made. Make it a part of your normal marketing. Again, use the same strategies you use to get people to come to your biggest program. Be clear, open, and communicative with your community and they will be hairier with our services while we will get taken advantage of a lot less often.

Thank you to the NYT for telling a story all of us needed to be shared with a wider audience.

Using Awards Lists As a RA Tool: Eisner Awards Edition

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.   

Last week the Will Eisner Comic Industry Award Nominees were announced. From the Awards Landing Page:

Comic-Con is proud to announce the nominees for the 2026 Will Eisner Comic Industry Awards. The nominations are for works published between January 1 and December 31, 2025 and were chosen by a blue-ribbon panel of judges.

Once again, this year’s nominees in 32 categories reflect the wide range of material being published in the U.S. in comics and graphic novels, representing over 170 print and online titles from some 75 publishers, produced by creators from all over the world.

Among publishers, DC Comics has 16 nominations (plus 10 shared), led by Absolute Martian Manhunter with 6 (3 standalone and 3 shared) and Absolute Batman with 5 (2 standalone and 3 shared). Image Comics has 12 nominations plus 9 shared, including 5 for Deniz Camp and Eric Zawadski’s Assorted Crisis Events (3 standalone and 2 shared) and 4 for James Tynion IV and Martin Simmonds’ Department of Truth.

Fantagraphics’ 14 nominations include 3 for graphic memoirs, 3 for U.S. editions of international material, and 3 for archival collections. Abrams imprints account for 9 nominations, spanning eight different categories, while Drawn & Quarterly has 6 nominees, followed by Random House with 5.

Other publishers with multiple nominations include Dark Horse (4 plus 4 shared), Henry Holt (4), First Second (4), VIZ Media (4), Marvel (3 plus 5 shared), and Top Shelf (3 plus 1 shared). Publishers with 3 nominations include Andrews McMeel, New York Review Comics, Pantheon, Peow2, Stacked Deck, and Yen Press. IDW has 2 plus 5 shared, while BOOM! and Oni both have 2 plus 1 shared. Nine companies have 2 nominations each, and another 41 companies or individuals have 1 nomination.

In addition to Absolute Martian Manhunter, Absolute Batman, Assorted Crisis Events, and Department of Truth, works with the most nominations include Jesse Lonergan’s Drome (Best Graphic Album–New, Best Writer/Artist, Best Coloring) and Linnea Sterte’s A Garden of Spheres (Best Graphic Album–New, Best Writer/Artist, Best Painter.

When it comes to creators, Deniz Camp leads the pack with 5 nominations: Best Limited Series (Absolute Martian Manhunter), Best New Series (Assorted Crisis Events), 2 for Best Single Issue, and Best Writer. James Tynion IV follows with 4 nominations, including Best Writer. Those with 3 nominations include Juni Ba, Javier Rodriguez, Jesse Lonergan, Linnea Sterte, Kelly Thompson, and Eric Zawadski. Another 17 creators have 2 nominations.

Named for acclaimed comics creator Will Eisner, the awards are celebrating their 38th year of bringing attention to and highlighting the best publications and creators in comics and graphic novels. The 2026 Eisner Awards judging panel consists of writer Regine Sawyer, librarian Jerry Dear, reviewer/journalist Tiffany Babb, comics retailer Katie Pryde, and comics scholar Randy Duncan.

Voting for the awards is being held online. All professionals in the comic book industry are eligible to vote. Those who voted in 2025 or who registered to vote by May 14 will automatically be invited to fill out the new ballot. The deadline for voting is June 5.

The Eisner Award trophies will be presented in a gala awards ceremony to be held at the San Diego Hilton Bayfront Hotel during Comic-Con on the evening of July 24.

Click here to see the nominees for this year. That page also has the links for past nominees, winners,  judges, and the Hall of Fame. Everything for this, the biggest awards in comics and graphic novels, is all available with one click.

Yes you can use the current slate of nominees for your collection development, but also peruse the last few years of backlist nominees because those comics that were honored, they might be in bound volumes now, meaning you need to add them to your collections as well. 

Graphic novels and comics are great reads any time of year, but as we inch toward Comic Con, interest definitely pique's with those who aren't regular readers. Make it easier for all patrons to find them by pulling them out for display.

LibraryReads: June 2026

      

 It's LibraryReads day and that means four things here on RA for All

1. I post the list and tag it “Library Reads” so that you can easily pull up every single list with one click.
2. I can remind you that even though the newest list is always fun to see, it is the older lists where you can find AWESOME, sure bet suggestions for patrons that will be on your shelf to actually hand to them right now. The best thing about LibraryReads is the compound interest it is earning. We now have hundreds and hundreds of titles worth suggesting right at our fingertips through this archive OR the sortable master list allowing you to mix and match however you want.
3. You have no excuse not to hand sell any LibraryReads titles because there is a book talk right there in the list in the form of the annotation one of your colleagues wrote for you. All you have to say to your patron is, “such and such library worker in blank state thought this was a great read,” and then you read what he or she said.
4. Every upcoming book now has at least 1 readalike that is available to hand out RIGHT NOW. Book talk the upcoming book, place a hold for it, and then hand out that readalike title for while they wait. If they need more titles before their hold comes in, use the readalike title to identify more readalike titles. And then keep repeating. Seriously, it is that easy to have happy, satisfied readers.

So get out there and suggest a good read to someone today. I don’t care what list or resource you use to find the suggestion, just start suggesting books.

Please remember to click here for everything you need to know about how to participate. 

And finally, here is LibraryReads' extremely helpful Resources page.

Now let's get to the June 2026 list.... 

MaggieMaggie O'FO'Farrarrell

Land: A Novel

(Knopf(Knopf)

A breathtakingly beautiful story of one Irish family and the fates of its members as they navigate the world in the years just after the Great Famine. O'Farrell's rich writing vividly captures both the characters and the wild beauty of the Irish landscape, creating an unforgettable and emotionally riveting narrative that will have readers rapt.

—Mara Bandy Fass, Champaign Public Library, IL

NoveList read-alike: Clear by Carys Davies

Now the rest of the list...

The Children

Melissa Albert

(William Morrow)

Childhood in their family's isolated Vermont farmhouse was magical for siblings Guin and Ellis, until it wasn't. Years later, facades and a carefully curated life begin to crack, and they must face the truths of what happened two decades ago. This page-turning novel is full of magic and heartbreak.

—Jennifer Winberry, Hunterdon County Library, NJ

NoveList read-alike: The Book of Love by Kelly Link

The Housewife

Natalie Barelli

(Poisoned Pen Press)

Jodie can't go to the police with suspicions about how her husband’s first wife died, because she's hiding

something too. The secrets are on a collision course, with an early twist that only breeds more questions. The suspense builds steadily and the payoff genuinely delivers, keeping readers second-guessing right up to the last page.

—Lupe Herrera, Mount Pleasant Public Library, TX

NoveList read-alike: The Soulmate by Sally Hepworth

Villa Coco: A Novel

Andrew Sean Greer

(Doubleday)

“Our young man" narrates this quirky story of falling in love with Tuscany while doing all manner of work (except the work he was actually hired for, cataloging her belongings) for the wealthy 92-year-old

Baronessa. Odd developments, interesting relationships, and excellent storytelling combine for a winning summer read.

—Crystal Faris, Kansas City Public Library, MO

NoveList read-alike: One Italian Summer by Rebecca Serle 

The Shampoo Effect: A Novel    

Jenny Jackson

(Pamela Dorman Books)

Caroline receives a scholarship and moves into a cottage near the shore of Massachusetts. There, she meets an attractive young man and is drawn into his friend group. Caroline finds it challenging to fit in and discovers there’s a lot of baggage among these friends as well as a few secrets. This novel is a fantastic character-driven read.

—Toni Nako, Cincinnati Public Library, OH

NoveList read-alike: So Old, So Young by Grant Ginder

Tropesick

Lauren Okie

(Avon)

A clever, wink-and-a-nod masterpiece that is as much a puzzle as a romance. Katie and Tyler find that the

romantic conventions they are writing for a reclusive author are manifesting in their real lives. The novel playfully deconstructs the mechanics of fate and storytelling. A joyful celebration of the genre that manages to be both self-aware satire and deeply felt love story.

—Lee V., New York Public Library, NY

NoveList read-alike: How to End a Love Story by Yulin Kuang

The Disaster Gay Detective Agency    

Lev AC Rosen

(Poisoned Pen Press)

When Brandon leaves his front desk duty and sleeps with a handsome hotel guest who then disappears, his campy group of friends gets pulled into a murder mystery they might just regret. This is a light- hearted wild goose chase with spying dog walkers, tattooed assassins, and a lovelorn desk clerk certain that his one night stand was anything but.

—Kimberly McGee, Lake Travis Community Library, Austin, TX

NoveList read-alike: A Murder Most Camp by Nicolas Didomizio

Marion: A Novel    

Leah Rowan

(St. Martin's Press)

This gripping and darkly entertaining reimagining of Psycho will keep readers hooked from start to finish. The story is fast-paced, unpredictable, and full of twists, with a protagonist who is messy, morally complex, and impossible not to follow. Rowan balances suspense, dark humor, and chaos in a way that makes the book both thrilling and oddly fun.

—Amanda Ladd, DeRuyter Free Library, NY

NoveList read-alike: Molka by Monika Kim

Scandal of the Summer        

Alexandra Vasti

(St. Martin's Griffin)

Three ladies masquerading as royal staff at a secluded villa clash with a band of smugglers posing as the

actual servants. When Captain Malcolm Archer tries to scare them off, the clever Lady Ruby refuses to budge, sparking a fierce, witty battle of wits in this spicy grumpy/sunshine Regency romance.

—Nicole Guerra-Coon, Morrill Memorial Library, MA

NoveList read-alike: Romancing the Duke by Tessa Dare

The Jellyfish Problem        

Tessa Yang

(Berkley)

Blaming herself for her co-writer’s fatal diving accident, a heartbroken scientist studying jellyfish accepts an invitation to a troubled Maine island. When she discovers an unknown creature that locals want to exterminate, she is plunged into a mystery of loss and connection. A book readers will savor and remember.

—Di Herald, Mesa County Libraries, CO

NoveList read-alike: The Invisible Husband of Frick Island by Colleen Oakley

Board Bonus pick:

Sublimation

Isabel J. Kim

(Tor Books) 

Notable Nonfiction: 

   

The Book of Birds: A Field Guide to Wonder and Loss  

Robert Macfarlane

(W. W. Norton & Co)

See our social media for annotations of the bonus picks

Click here to see the entire Hall of Fame

The LibraryReads Hall of Fame designation honors authors who have had multiple titles appear on the monthly LibraryReads list since 2013. When their third title places on the list via library staff votes, the author moves into the Hall of Fame. Click here to see the Hall of Fame authors organized in alpha order. Please note, the current year's Hall of Fame lists are pulled out at the top of the page.

Andrews, Mary Kay    

Road Trip      

St. Martin's Press    

 

Arden, Katherine    

The Unicorn Hunters: A Novel    

Del Rey      

Benedict, Marie and Victoria Christopher Murray    

A Pair of Aces        

Berkley           

              

Hall, Alexis    

Father Material        

SOURCEBOOKS Casablanca       

                   

Jewell, Lisa    

It Could Have Been Her    

Atria Books         

Patchett, Ann    

Whistler: A Novel    

Harper     

Poston, Ashley   

The Someday Garden        

Berkley            

 

See, Lisa    

Daughters of the Sun and Moon    

Scribner