RA FOR ALL...THE ROAD SHOW!

I can come to your library, book club meeting, or conference to talk about how to help your readers find their next good read. Click here for more information including RA for All's EDI Statement.

Friday, October 11, 2024

Using Awards Lists As a RA Tool: The Nobel Prize Edition (AND IT'S HORROR)

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.


The Nobel Prize in Literature 2024 is awarded to the South Korean author Han Kang, “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.” In her oeuvre, Han Kang confronts historical traumas and invisible sets of rules and, in each of her works, exposes the fragility of human life. She has a unique awareness of the connections between body and soul, the living and the dead, and in her poetic and experimental style has become an innovator in contemporary prose. 

Press release

Biobibliography

Before we get to using the Nobel Prize as a RA Tool, we all need to stop for a moment and have some real talk about Han Kang and specifically, her most popular work here in America-- The Vegetarian. It is a masterpiece of modern Horror. They can write up her biography and leave the H word out, but we al know that her work is the perfect example of today's brand of intense, psychological Horror.

I can yell until I am blue in the face about the Horror Renaissance (I have done it many places but here is the latest version), but awards like this prove it. There is no more hiding the fact that Horror is not only an important genre, but vital to our storytelling traditions as humans. 

Of course, I have stood on my soapbox about this for years, but I am so filled with joy that it is becoming impossible for other to ignore as well.

Not only is The Vegetarian an often recommended book in many American libraries, but also We Do Not Part, coming in January 2025, was already on all the most anticipated lists. This is a Nobel Prize winner we already know is a good read for our patrons. 

But that is about this particular award winner. The reason I have these posts about using awards lists as a RA tool, is to write about how to use awards to help readers. In this case though, we have an award that does not include a long list, and I am sure some of you are asking why I posted this under that series.

Great question. Thanks for asking. 

It is because the list of past winners is a wonderful resource to dig into, especially for fans of world literature. 

You could make an excellent display of past winners and readalikes for them. There is a great landing page of the Literature Prize here. You can also make online lists where you highlight each author, their work, and other things to try. 

And because the list is international, you can use it outside of the time when the prize is awarded. Make lists and displays that focus on the author's country of origin and use it as a springboard to offer more reading options.

Or simply use the announcement of the Nobel Prize as a chance to put up a display of books in translation, include Kang's books, and add an interactive element asking your patrons their favorite books in translation. (remember to go here to learn how to use conversation starters to fill your displays)

In this case, it is easy because South Korean and korean American authors are very popular here, especially those who write Psychological Suspense and Horror. Click here to get started.

And long live HORROR!

Tuesday, October 8, 2024

RA for All at the Illinois Library Association Annual Conference Through Thursday


The Illinois Library Association's Annual Conference is this week in Peoria. I am on the Executive Board and am presenting on Tuesday and Thursday. RA for All is a sponsor and will be providing coffee on Tuesday.

You can see more about our state conference here, including using this link to not only see all of the programs but also to get access to the handouts without a log-in. 

As a result, I will only be posting on the Horror blog from today through Thursday. I will be back here Friday with a new post-- probably a wrap up of the conference. 

But do go visit 31Days of Horror in the meantime because it running every day, rain or shine, conference or no conference, and  I have 6 books to giveaway this Thursday! And there are some big names in the stack.

Monday, October 7, 2024

What I'm Reading: October 2024 Horror Review Column in Library Journal

   

October 2024 Horror Review Column is now live! In this post I have gathered the titles with my three words and links to my full draft reviews on Goodreads. Click through for readalikes and more appeal information.

First this month's STARS:

And the other 5 excellent titles:
Check back on Thursday as I will have 4 of the books from this column and the Lansdale book I reviewed for Booklist all for giveaway to 5 winners. Head over to the Horror blog to enter now.

Friday, October 4, 2024

What I'm Reading: 2 Online Only Reviews from Booklist

I have reviews of a collection by a bestselling author and an anthology highlighting the work of a forgotten classic author, both as e-only reviews out for Booklist right now. As always, draft reviews are below. I highly recommend both for all library collections.

Please note, online reviews have a much higher word count so I don't have much in my "further appeal" section for these books.

In the Mad Mountains: Stories Inspired by HP Lovecraft

By Joe R. Lansdale

Oct. 2024. 256p. Tachyon, paper, $16.95 (9781616964245)
First published September 27, 2024 (Booklist Online).

Lansdale has captured the hearts of readers with his quirky characters, sardonic wit, and gritty tone. His latest collection gathers 8 stories, published in various anthologies since 2009, stories he describes in the book’s introduction as the “best” inspired by Lovecraft that he has written. Taking on the troublesome racism and sexism of the classic author head-on, Lansdale also actively eschews Lovecraft’s use of cumbersome prose, instead employing his trademark direct and folksy narrative voice to the Lovecraftian concept of “the Old Ones,” terrifying but also alluring beings from another realm, trying to intrude upon our world. The result is a collection that makes the enduring appeal of Lovecraft’s brand of existential dread and terrifying nihilism more accessible to today’s readers. Looking into well mined tropes such as selling your soul, the supernatural detective, and a stranded polar ship, Lansdale adds a layer of Cosmic Horror which makes these stories both familiar and fresh at the same time. There are even characters from across the literary landscape that make some fun appearances from Huck Finn to Auguste Dupin to his own Dana Roberts and more. Readers new to Lovecraftian Horror should start with “The Tall Grass,” the shortest story in the volume, and one that perfectly captures the visceral and immersive pull of Cosmic Horror as a subgenre. A man steps off a train, gets lost in a field, and experiences a terror like he has never known. Lansdale has a wide fan base for good reason, but this book presents a wonderful opportunity to expand it even further by suggesting this collection to fans of 21st Century Cosmic Horror authors such as Hailey Piper and Lucy Snyder.

Three Words That Describe This Book: Quirky Characters, Sardonic, Direct and Folksy Narration

Further Appeal: Lansdale is very popular. Readers, even those who do not read Horror will be interested int his one. Also every story has a great introduction setting it up by Lansdale himself writtenin his distinctive voice.

Readalikes: Any cosmic horror or Lovecraftian story is a good read here. The House of Bone and Rain by Gabino Iglesias and The Ballad of Black Tom by Victor LaValle. But use any resource to find more options for readalikes. This may introduce new people to Lovecraftian Horror, so be ready. (click the link for more titles from me)

Side note: one of the stories here was first published in The Gods of H.P. Lovecraft, an anthology I reviewed for Booklist back in 2015. 

Also, I will have a giveaway of my review copy on the Horror blog next week. Stay tuned.

Where the Silent Ones Watch: Stories of the Borderland, the Night Land, the Sargasso Sea, and More!

Edited by James Chambers

Oct. 2024. 278p. Hippocampus, paper, $25  (9781614984436)
First published September 27, 2024 (Booklist Online).


William Hope Hodgson may be the most powerful and the most neglected fantasist and horror writer of the twentieth century, argues Chambers, the Bram Stoker Award Winning editor of this collection of 26, original to this volume, stories and poems that celebrate the author and his legacy. Using the ideas, themes and narrative devices of the classic author, one of the foundational voices in Weird Fiction, as their springboard, the contributing authors showcase how his style of wildly imaginative, atmospheric horror, featuring malevolent, unexplainable, supernatural forces as they enter our known world, told in a confessional first person narration that heighten the unease with every word, still resonates today. Readers can expect strange happenings on trains and boats, in space or isolated towns, even in the shadow of Elvis Preseley’s death and amidst Black Lives Matter protests– some places Hodgson set his own stories and others which he could never have imagined. However, what elevates this collection is in how the authors place Hodgson-esque ideas into modern settings while eschewing the classic author’s tendency to use distractingly ornate prose. These choices work in tandem to heighten the fear for a 21st Century reader both in these 26 pieces and Hodgson’s own tales as well. The table of contents includes a nice mix of authors whose works are already widely available on library shelves such as Steve Rasnic Tem, Linda D. Addison, Wendy N. Wagner, John Langan, and Andy Davidson, but there are also plenty of up and coming voices worth checking out. For example, Todd Keisling’s “Little House on the Borderland,” takes the themes and fear inherent in Hodgson’s own classic novel, House on the Borderland, but frames it in the world of podcasts and social media while the anthology’s unforgettable opening story, “The Events at Apoka Station” by Pete Rawlik and Sal Ciano uses a fateful train ride to tell an unsettling story that is both timelessly terrifying and yet clearly set in our present. A great option for Weird fiction fans new and old.

Three Words That Describe This Book: confessional narration, malevolent forces, fantastical Horror


Further Appeal: This anthology gave me a brand new appreciation for Hodgson. Just as the Lansdale Collection above will draw people to Lovecraft, this book will bring people back to Hodgson.


Also, Hippocampus Press is a very trustworthy press. Click here to learn more about them.


Readalikes: Any books by Chambers, the editor, or anyone in the TOC will be a great place to begin-- besides Hodgson himself. I have reviewed books by many of the authors.


Here is the list of authors from the publishers website:

Linda D. Addison • David Agranoff • Meghan Arcuri • Sal Ciano • Michael Cisco • L. E. Daniels • Andy Davidson • Aaron Dries • Patrick Freivald • Teel James Glenn • Maxwell Ian Gold • Nancy Holder • Todd Keisling • John Langan • Adrian Ludens • Lee Murray • Lisa Morton • Peter Rawlik • Sam Rebelein • Ann K. Schwader • Steve Rasnic Tem • Tim Waggoner • Wendy N. Wagner • Kyla Lee Ward • Robert E. Waters • L. Marie Wood • Stephanie M. Wytovich

Thursday, October 3, 2024

RA For All Off for Rosh Hashana

Today is Rosh Hashana, the Jewish New Year. I am off work today for that reason. 

There is a 31 Days post on the Horror blog however, it was set before-hand (like this post). It's a good one too, my latest column for The Line-Up on the return of scary vampires.

Back tomorrow with some book reviews!

Wednesday, October 2, 2024

Display Idea: Historical Fiction is Popular, Consider Displaying Titles That Are NOT Set During WWII

Look, we all know readers love Historical Fiction. There are many reasons why. The most common appeal factor for readers who seek out historical fiction is that it is a way to learn something about history while reading. These readers know their books are not the absolute truth, but they enjoy how they can immerse themselves in a real time and place and learn about it through a story.

I include myself in this. In fact, I go even further in understanding the personal appeal of Historical Fiction. For me, I most enjoy historical fiction that is set in times and places that I don't know much about already. As a Gen Xer, WWII is not one of those topics.

All of this is leading up to the fact that we know there is a glut of Historical Fiction about WWII. We know people like it, but I would argue that they would like other settings if they were available.

And I have proof. Kristin Hannah, the best selling Historical Fiction author right now, who has written MANY WWII set novels, has had one of the biggest books of the year in any genre-- The Women-- this year and it is set during....The Vietnam War.

One of my mantras about displays is: Promote the books patrons will not find on their own. When we remind people of the books we have that they did not know about, that is when our worth is noticed and appreciated.

In this vein, do we need lists and displays of Historical Fiction dominated by WWII titles? No. One or two are probably enough. And the titles you pick should be by a marginalized voices and not only on the topic of Japanese Internment-- which quite honestly is the only way we get "diverse titles" into the WWII category. (I suggest this and this

But, I digress. There are so many other times and places to promote and recently, the AARP had this post entitled-- "10 Historical Novels NOT Set During WWII." 

Steal this idea! Make your own online lists and displays using that title. Then make it interactive by asking your patrons to share their favorite Historical Fiction titles that are not set during WWII. [Reminder: use my conversation starter to display post to help you do this.]

Look, this is why I tell people to read about books every day. I was alerted to this list via recent Book Pulse from LJ. We need to know what our patrons are seeing about books out there in the non-book world. If AARP (which does an excellent job covering books here FYI) of out there proclaiming that people want Historical Fiction from other time periods, I am confident others will love it if you acknowledge this as well. 

Get those displays up. Any time you are looking for an idea, Historical Fiction is evergreen. And make it interactive. Ask your patrons to share their favs as well.

Tuesday, October 1, 2024

31 Days of Horror Begins on the Horror Blog

[Note: October 1, begins the 31 days period when I post daily on the Horror blog as well as my 5 days a week here. Please remember that all Horror content (except for book reviews) will only appear over there for this month.]

Hello and welcome to 31 Days of Horror, a blog-a-thon series entering its 14th year. Every single day for 31 straight days, I will have a post here focused on Horror during its most popular season.

While we all know that people read Horror all year long, I spend this, our spotlight month, where the rest of the world and media pays closer attention, intensely focusing on Horror as it is right now. 

This is NOT the place to find long thought pieces about the history of the genre or list of books by dead writer. Rather, it is the place to find out about today's writers, what today's readers are looking for, and most importantly, conversations about why I love Horror. My entire focus here on 31 Days of Horror is to give you a snapshot of Horror and its appeal. In fact, the entire point of the "Why I Love Horror" essays is to offer you, the library worker, an example of why someone loves horror so that you can understand even if you are not a fan yourself. It is also to give you a chance to get to know a current author, add their books to your collection, and/or suggest them to a reader.

Recently, I did a live event with my publisher, a book discussion of my library textbook, The Readers' Advisory Guide to Horror, third edition. It was me, writer/poet Linda Addison, librarian Lila Denning, writer Gabino Iglesias, writer Hailey Piper, and writer Matthew Salinas. The video of that 60 min event is now available here for free. I think it does a very good job explaining the current state of Horror and what I see as my part in it. You can watch it here or below


 

Now, what can you expect day to day here during 31 Days of Horror? Well, it will be similar to previous years, with a few changes to note:

First, I am going to move my links roundups to every Sunday. Mostly you will not see lists and posts from other places here on 31 Days of Horror as I tend to focus on original content, but I don't want those awesome lists and articles to get lost either. Expect those on 10/6, 13, 20, and 27.

Second, giveaways will not happen on Thursdays only. During this month, giveaways can be offered on any day of the week, but all winners are pulled Friday after 5pm. For example, I have already announced one giveaway this week and there will be another one tomorrow. So, if you want to be eligible to win, enter now. Click here for the rules.

And third, and this is the biggest change. I normally have over a dozen new entries into the Why I Love Horror essays that debut this month. But good news, bad news here. As was announced back in June, next Fall I will have a a book of new essays, by 18 authors, on why they love horror, edited by me. Currently, I have those essays and am actively working to turn it into a draft of that book (due before the end of the year). Click here or on the book announcement below for more details

Now, I want to be clear, this does NOT mean that I will not have new essays this year. I do have some very good new entries, including one tomorrow, but I will also be reposting essays from the past 10+ years. I want to pull out some of the very best essays that have appeared here on the blog over time and highlight them for you in 2024. 

As I was working on the pitch for my book, I spent time combing through the backlist of Why I Love Horror essays (which you can access anytime here), and I realized there are some amazing essays worth revisiting. But you will have to wait to see what I pick out.

In the meantime, I also have all of the resources that are here all year long. See the pages in the side bar for lists, resources, approved publishers, and of course the link to  my reviews of hundreds of horror books.

I can't wait to do this with you-- 31 Days of Horror 2024!

Monday, September 30, 2024

31 Days of Horror Begins Tomorrow: Here is a "Fragile" Preview With Special Giveaway

[This is a cross-post with RA for All: Horror]

It is September 30th, but it is also a Monday. What does this mean? Well for me it means I get a bonus 31 Days of Horror post. I could start tomorrow, but it is a Tuesday. Monday feels like a better day to start, and since I am in charge of this madness, I a going to do what feels best to me.

And I have the perfect post to mark the start of my 31 days blog-a-thon.

Fragile Anthology is a high concept anthology by a brand new micro press, run by Michael Allen Rose, a library worker here in the Chicago burbs, a dear friend, multiple Wonderland Award winning author himself, (for context., Gabino Iglesias has won this award), and President of the Bizarro Writers Association. Before I get to a review of the book itself, I asked Rose to talk about his press. Here is what he had to say:

RoShamBo Publishing takes its name from RoShamBo Theatre, the little theatre company I started after moving to Chicago around 2019. Coming from a theatre background, community and collaboration are core values for me, and it makes sense to bring the sensibility that a rising tide raises all ships to this new publishing venture.

My plan is to release things as they happen, carefully curated, high concept books, one at a time as I see fit. I have seen so many wonderful small presses over the years come out with a fiery statement of purpose, release a load of books, and burn themselves out. The plan is to take it slow and just put cool things out into the world. I have a tattoo on my shoulder that's a sigil meaning "Make Art Happen amidst chaos." We're going to try to do that.

My approach to conceptualizing an anthology is really encapsulated in Fragile Anthology, so it serves nicely as a first declaration of intent. You'll find everything in here from psychological horror, to 1980's Short Circuit/Batteries Not Included sci-fi, to cosmic horror, to metafiction, to gross-out humor, to deeply philosophical literary fiction. You'll find big authors and small ones, established names and underground stalwarts. I've always believed in kindness, honesty, and not being an asshole. I've been very lucky to develop that reputation in my career thus far, and so when I asked these authors to write a story for me, every single one of them said yes, including some of the big names that never need to write anything for free again. When I asked, I heard a lot of "For you? Hell yeah." To me, that demonstrates that my long term plan of being someone that's nice and fun to work with seems to have worked

Now back to this book specifically. From the Goodreads page:
A box is an interesting thing. It contains the essence of mystery. What could be in it? Endless possibilities. For one moving company employee, this question takes on a razor-sharp significance, when the box begins to act in a way no box should. Could it be alive? Dead? Something intelligent? Or just some old clothes? Something terrible? Something beyond description? In the Fragile anthology, 20 different authors present 20 brand new stories of horror, bizarro, sci-fi and speculative fiction all based on a single A hapless mover knows better than to open a client's boxes, but when one of them moves by itself, choices need to be made. Reality explodes with the roll of a die and fragments into myriad possibilities. 

What's in the box?

Featuring new stories by Brian Keene, Cynthia Pelayo, Christine Morgan, Christopher Hawkins, David Scott Hay, Bridget D. Brave, Garrett Cook, Laura Lee Bahr, Brian Pinkerton, Matthew Henshaw, Mykle Hansen, John Wayne Comunale, Chris Meekings, John Baltisberger, J9 Vaughn, Lauren Bolger, Susan Snyder, Eric Hendrixson, Ben Arzate, and Emma Alice Johnson. Conceived and edited by Wonderland Award winner Michael Allen Rose.
Three Words That Describe This Book: Original, Range of Scares, Gaming Frame

I was scheduled to review this book for Booklist. A few weeks ago when I went to read it, I noticed that I was thanked in the opening pages, very publicly. This is sweet. I have been friend with the editor (Michael Allen Rose) for a few years. We work at neighboring libraries as well. But this disqualified me from reviewing the book in any trade journal. However, we pivoted and I made plans to read it to kick off my 31 Days of Horror 2024 blog a thon. 
This is a "premise" anthology that works perfectly. The set up is a mover is working and the box he has moves on its own. He rolls a 20-sided die and the 20 storied that follow answer what is in the box. The mix of authors goes from HUGE names -- Brian Keene-- to big names-- Cynthia Pelayo and Christine Morgan-- to rising stars-- Christopher Hawkins-- to new to you names-- J9 Vaughn (not new to me though, another awesome library worker here in the Chicago burbs). 
I love the connection to table top gaming as well. This is a great handsell for anyone who likes an original idea for a themed Horror anthology, but also, recommend to anyone who also likes D&D and the like. 
However, what makes this anthology stand out over an above the average indie press Horror anthology is Rose himself. He is a multiple Wonderland Award winning author (For context., Gabino Iglesias has won this award) and he is the President of the Bizarro Writers Association. He has put together a solid book-- from the contraction (he knows how tough people can be on books because he is a library worker) to the editing and everything in between. You need this book because of the bigger names in it, but you will want it because it is worth it. 
Since it is not out yet and there really were no advanced copies, I am not going to ruin any of the stories. I will let readers discover them. I am excited for all of you. This one is worth your time-- and for my libraries-- your purchase.
This anthology comes out tomorrow-- October 1, 2024. If you get your pre-order in today from Rose directly here, you get the bonuses: an exclusive zine by Matthew Henshaw, a bookmark, and a 20-sided die to help them navigate the box.

And as a bonus add on to this week's planned giveaway, the first name pulled on Friday will get this special pre-order set as well. I love the idea of using the die and rolling it to read the book in a totally different order. 

If you don't know how to enter the #HorrorForLibraries giveaway, click here for the rules at the top of last week's giveaway.

And come back tomorrow for the official start to 31 Days of Horror, 2024

Friday, September 27, 2024

What I'm Reading: Wake Up and Open Your Eyes

October is just on the horizon, and the spooky posts, books, ideas, articles, and displays are coming. That is both a threat and a promise.

Speaking of a threat and a promise, that is a great way to describe the title of the book I am presenting today. The October 1, 2024 issue of Booklist has my STAR review of Clay McLeod Chapman's Wake Up and Open Your Eyes, and let me tell you now....this book is a threat and a promise precisely because waking up and opening your eyes in the plot of this book has TERRIFYING consequences AND you cannot help but have your own eyes opened up after reading it.

I cannot wait for more people to read this book so that I can talk about it. I especially want to share my colleague Konrad Stump's awesome comment about the ending and why it is perfect. BUT I CANNOT UNTIL YOU READ IT!

STAR
Wake Up and Open Your Eyes
By Clay McLeod Chapman
Jan. 2025. 320p. Quirk, $21.99 (9781683693956)
REVIEW. First published October 1, 2024 (Booklist).

With his most ambitious novel yet, Chapman (What Kind of Mother), leans on established possession and zombie tropes and spins them into an original tale that hijacks readers’ nervous systems. It’s a few days before Christmas and Noah cannot reach his conservative parents in Virginia. Worried, he reluctantly leaves his family behind in Brooklyn to race south arriving at a disaster scene. His parents are clearly not well, and Fax* News is blaring in every room. But this opening is a brilliant red-herring, lulling readers into thinking they know what is coming. They do not. Told in three “phases” each with a distinct writing style, from Noah’s perspective to flashbacks of from his brother's family to a race through an apocalyptic landscape as Noah desperately heads home, incorporating social media, video transcripts, and news reports throughout, Chapman, chronicles The Great Reawakening– a virus that has patiently threaded its way through screens to infect half of America. A compelling, cinematic, visceral, and disturbing tale, driven by fully realized, sympathetic characters, this is a memorable novel that implicates all, regardless of where they stand on “the issues. A terrifying update to King’s classic Cell, for fans of discomforting, social commentary Horror like Wendig’s Wanderers duology, Felker-Martin’s Manhunt and Leede’s American Rapture.

*Fax is not a typo


Three Words That Describe This Book: visceral, nuanced, discomfitingly realistic


Further Appeal: I normally just give my editor, Susan, a sentence or two about my overall feelings about the book, to help as she edits, but for this one....oh boy, I gave her a paragraph. Here it is without spoilers (because as an editor, she often needs spoilers to make sure the tone of the overall books comes through in the review):
This book is bleak and cuts hard on liberals and conservatives. It is really a wake up call but I was not going there in my review. I mean, I will when I promote the review. Also it is GROSS. It is an all 5 senses horror book, but feels real– I tried to capture all of that with “A compelling, cinematic, visceral, and disturbing tale.”  [I gave her actual examples but I have reacted them here]. Also it uses great storytelling devices common to horror like the flashback [more reacted examples] and it uses found footage really well– a lot in section 3. As Noah is walking home from VA to Brooklyn to fill in the gaps but keep the pacing up. 
This novel is a straight up warning to everyone– no one escapes Clay’s wrath here. Not just conservatives. You can’t look away, even if you want to– hence the title. Eye opening– pun intended– especially for those who think they are most immune to the vitriol. Liberal doesn’t help you. Are you online at al?. Are you in any communities? Have you ever clicked on a link? Does your kid watch youtube?  The hook seems easy here, but the book is anything but easy. You will be implicated. If you are not, you aren’t paying attention.

It is presented in "Three Phases"– 3 different narrative choices– makes sense because three different situations. Use of social media posts and videos. 


Cinematic. It is a movie that writes itself– the book utilizes all 5 senses perfectly so that you can see and feel and hear and smell and touch everything. 


As I take notes, I keep a running list of candidates for my "three words." Here is the list for this book: 

barely fiction, squirm inducing (in every way, with your brain and your gut), visceral, triggers a full body anxiety response, possession/zombie/social commentary, nuanced, bleak.

This novel will  elicit a full body response. 

The characters here are relatable, and as they make bad choices or are put into horrible situations, readers are unable to look away, compulsively turning the pages while resisting a full body squirm. 


Final thoughts here: Chapman is a must read horror author at this point....every book. But this book specifically, it is a novel that every American needs to read. This should become a classic novel about wanting us– dystopian like The Handmaid’s Tale.


Readalikes: I came up with so many and yet, this book stands alone. First, Chapman treads the same ground Stephen King’s Cell– but updated for 21st Century. The other 3 books in the review above all have the same feel as this novel; all of them do the thought-provoking, social commentary, without sacrificing it being a good horror novel thing well.


One of the other things I love about Chapman's novels, he always shouts out all of the books he read or consulted while writing each book That is in the acknowledgements, and you can use it as a way to find readalikes as well. He does it for EVERY BOOK.


In this case it really helped me because while I was reading Wake Up and Open Your Eyes, I kept thinking

it had a similar feel to Incidents Around the House by Josh Malerman but I could not explain why. And then I got to the acknowledgements he mentions it as well. Ion the same paragraph he also shouts out We Need to Do Something by Max Booth III.


I also think this is a great next generation read for fans of Mira Grant's Newsflesh trilogy. Get those copies out and promote that series as a "while you wait" option for this book.

This book comes out in January. Order it now!

Thursday, September 26, 2024

Booklist Reader is Available To Help You Help Your Readers

Recently, I have been fielding questions from library workers about the difference between Booklist, the magazine for us library workers, and Booklist Reader, the publication for us to share with patrons.

Well, Booklist Online has answers for you with the below toolkit to explain what it is, what you can expect highlighted in each month, and how much it costs.

I hope when you look at the information packet here that you notice how 2 months after a Booklist Spotlight issue the spotlight content is there in Booklist Reader. In other words, they alert you to the information and give you time to place your orders and have the books ready before they tell your patrons to seek out those books.

It is a great resource for your patrons. Similar to Book Page in the way it looks, but way different in the content. This is all of the readers' advisory goodness from issues of Booklist, repackaged for the library patron audience.

Click here or use the links below from Booklist's homepage.

Download the Booklist Reader Toolkit and Enhance Your Reader Services

Curious about Booklist ReaderBooklist’s patron-facing magazine? Learn about our features, read testimonials, and see how Booklist subscribers can share Booklist Reader digitally (for free!) by checking out our Booklist Reader information packet.

 

Ready to share print copies of Booklist Reader with your patrons? Order in bulk here



Click here to read the 
information packet

Wednesday, September 25, 2024

How to Effectively Message Against Book Bans via EveryLibrary and Library Journal

It is still Banned Books Week, so I am still talking about it. Today, I am passing on the full text of an article from EveryLibrary focused on how to respond and message and deal with a challenge when it happens.

It is hard in so many ways to message against book bans as they are happening, but since EveryLibrary has been fighting this fight on the front lines for the last 4 years, they have a lot of data about what works best.

I normally send you to the source to read an entire piece-- that link is here-- but this is too important. I want this information front and center and searchable in its entirety here on the blog.

Please read it. You may think you don't need this information at your library, but we all need it. Whether or not you have to use it at your specific place of work, you will be called on top speak out and act on this issue at some point. I get asked about the current state of book banning at just about every social situation I find myself in. Be ready with the right messaging.

Also, use this time to find libraries you need your help and support. I have and will continue to show up at the board meetings of other libraries-- in person and by sending comments in as well. We all can and should do this. 

If nothing else comes out of Banned Books Week for you, my reader, it should be that it is past time for you to find a way to act, beyond shaking your head in disappointment and frustration.

How to Effectively Message Against Book Bans

by P.C. Sweeney

For the past four years, EveryLibrary has been working to fight the book-banning movement. A large part of that fight is developing effective messaging against book bans, as well as conducting extensive message testing, surveys, and focus groups to understand the impact of messaging and determine which messages perform best.

THIS IS NOT A GOOD-FAITH DISCUSSION

The first thing we need to understand when we’re messaging about book bans is that we are not operating in a good-faith discussion, and we need to stop acting as if we were. In a good-faith discussion, both parties agree to an honest, respectful dialogue with the willingness to change their view if facts and data are presented. However, book banners are neither acting honestly nor respectfully. They will not consume new information and change their minds once educated on the issue. The individuals and organizations banning books are not looking to be educated. They don’t care about learning about the Miller Test for pornography, they are not interested in reading the books to put their propagandist images of a handful of pages into proper context, and they aren’t going to change their minds about books being banned. We have to stop acting as they will do any of these things.

We also need to understand that the messaging used by the book banners to engage with the public is pure propaganda. The books in question are not pornography, and in every case where the Miller test has been applied or the books have been read by the review board to put them in context, they are not removed from school or public libraries. We also know that these books are not tools for grooming and the books being removed often teach children how not to be groomed, about body autonomy, that it's okay to say no, and how to report someone acting inappropriately toward them. That’s the opposite of grooming.

Pro–book banning messaging and propaganda is used as a tool to build political power and influence for people and organizations to elect or appoint individuals to positions that allow them to govern and control Americans. We’re seeing school board candidates, gubernatorial candidates, and state and federal legislators run with book bans as part of their platform.

Political power only comes from two places: people and money. If you have either of those on your side, you have the power to influence politics. While it would be nice if legislators supported things because they were good for America, they support things with political power and influence over their own issues.

PEOPLE POWER

People can drive politics, and whoever has the most strategic access to American voters has the power to influence political outcomes. For example, the reason we can’t discuss First Amendment rights in the United States is because the National Rifle Association (NRA) can immediately send an email to a million voters in a legislator’s district and create an incentive for that legislator to support the NRA’s agenda. If the legislator says something against the NRA, they risk losing the next election, thanks to an NRA email. Conversely, if the legislator says something in favor of the NRA’s agenda, they have the benefit of winning the next election.

One of the scariest aspects of people power is that a movement for change does not require that most people favor the change. In fact, research by Erica Chenowith found that no movement has ever failed that activated just 3.5 percent of the community . So if the individuals who are seeking to regulate American’s access to books can engage with just 3.5 percent of the public in a meaningful way, they will have the political power they need for lasting change.

FINANCIAL POWER

The other side of building political power is through money. For example, the American Legislative Exchange Council (ALEC) is a lobbying group that uses corporate money to lobby on behalf of corporate interests. Since a large portion of their agenda would not be palatable to the American public, and because they have access to a vast network of corporate money, they are using corporate funding to push their agenda. They use this money to make candidate contributions and partisan donations, and have a number of legal ways to move money to individuals in positions of power in government. These monetary incentives give them more opportunities to persuade legislators to make decisions that favor ALEC’s agenda. If a legislator comes out against their agenda, they can withhold money, and if a legislator supports their agenda, the legislator can gain access to those financial resources.

Unfortunately, there are not any organizations within the library space that have the financial resources to create and use political power through the use of money. In fact, EveryLibrary is one of the only organizations in the industry that has the legal structure, as a 501c4, to spend money in such a way that it can be used to influence politics, and EveryLibrary would need tens of millions of dollars annually to be effective.

THE BAD NEWS

The bad news is that the book banners understand political power. They are using their messaging as an opportunity to raise money and identify supporters and build influence. They have a major financial incentive to fundraise off the false narrative that they’re banning books about pornography in order to protect children. They can send an email to their supporters that claims they “protected children from pornography, so please make a $5 donation today,” raising millions of dollars by banning books. They are also building audiences, identifying supporters, and engaging communities by creating state and local chapters. This means that they are building political power and influence through both money and people. As an industry we need to understand this if we want to push back.

THE GOOD NEWS

The good news is that, by far, the majority of Americans are on our side. In survey after survey, between 70 and 80 percent of Americans on both sides of the aisle oppose book bans . However, we don’t know who those people are. That means we have the opportunity to win, but only if we understand that we need to use our messaging to identify individuals on our side and cultivate them into action to build a national network of Americans who are willing to take a stand against censorship. The way that most political organizations identify their supporters is through petitions, email campaigns, and events. These are the same tools that EveryLibrary uses to identify library supporters and build a national voter file of library supporters.

WATCH YOUR LANGUAGE

How do we effectively message in this environment? In 2022, EveryLibrary conducted political polls with the national firm Embold Research. This research included focus groups with message testing and message testing within the polling itself. Throughout the previous four years, we also conducted internal A/B testing of various messages for virality, engagement, and persuasion. Through this internal and external research, we were able to identify a number of highly effective messages against book bans.

One of the things we found throughout this testing is that the most effective messages are ones that use the fewest words or need the least amount of explanation. The reason that book banners are gaining traction is because “protecting children from porn” (even though that’s not what they’re doing) is an effective message that doesn’t require explanation. Understandably, the majority of the public is against exposing children to porn and immediately understands that message without explanation. However, our response has often been to explain the Miller Test in detail, long discussions about how it’s not pornography, the Pico ruling , how collection development policies work, and academic writings on the benefits of comprehensive sexual education. These messages are far too long, complex, and academic to be effective with the general public.

We also found that messages that reinforce the language of the book challengers allow them to control the message. The more often we repeat their language and messages, the more we solidify their messages in the minds of the public. Messages that don’t repeat the false narrative about pornography in libraries are the most effective ones.

The messages I present below are clear and concise and, according to our data, are effective at engaging 70 to 80 percent of the public and moving them into favorable action for libraries.

GOVERNMENT REGULATION

To be clear, the book-banning movement is leading to real outcomes in state legislatures across the country. Many states are creating government legislation that would regulate what Americans are allowed to read. When we tested the message “don’t let the government regulate your reading,” we found significant support from both Republicans and Democrats. Americans generally do not want the government making decisions for them about what books they are allowed to choose for themselves and their families.

We also found that messages around the legislation being enacted in dozens of states that would allow for the incarceration of library workers are very effective. Americans do not want to see librarians dragged to prison just because a legislator decided a book was inappropriate. Americans seem to understand that countries that begin arresting librarians and educators are on the path to dictatorship and fascism. Therefore, messages like “liberty and freedom have never begun by arresting librarians” are effective at inciting people to action.

RIDICULING THE MOVEMENT

I often fear that we take the book banners more seriously than necessary. Facing them head-on often just repeats and reinforces their messages with the public. The public is taking their messages seriously, mainly because libraries are.

While there are real damaging outcomes stemming from this movement, it is still not a serious movement among people who are truly concerned about the welfare of children. Their hyperbolic and ludicrous messaging that librarians are groomers and pedophiles does not deserve our serious attention. When we tested messages that lampooned the book banners, made them look weird and strange, and cast them as out-of-touch outsiders, we found that those messages were extremely effective at disarming them. If we can make a joke at the expense of the censors or otherwise make them appear inept, corrupt, or silly, they lose their power. If we take their messaging seriously, so will the public, and we will only reinforce their messaging instead of ours.

An effective way to do this is to make an example out of the ludicrous nature of book bans or point out some of the most absurd book bans that have occurred. According to our own tracking , more than 4,000 different titles have been challenged in the last two to three years alone. Yet the only ones the public sees are a handful of pages out of context from three or four books that are not at all representative of the kinds of titles that are actually being banned.

Some real-life examples of this absurdity of book banning include the banning of a book about seahorses because a Moms for Liberty activist at a school board meeting said it was too sexy . They’ve tried to ban books about crayons , tried to ban books about butts , forced librarians to draw pants on goblins , and had the dictionary removed from some schools for review because it has bad words in it.

Our testing found that when we expose the public to some of the most egregious examples from the other 4,000 books that have been targeted, they realize the true nature of the book banning movement.

THE BANNING OF CHILDREN’S AND YA CLASSICS

By far, most of the public opposes banning classic children’s books and literature, especially the popular books that people have read as children. When we talk about books like Catcher in the Rye, The Diary of a Young Girl, To Kill a Mockingbird, or Lord of the Flies being banned, we see a significant increase in opposition to book bans. The most interesting thing about this messaging is that the book bans do not need to be current. The discussion of classic books being contested over the span of the last 50 years helps the public put book bans into a historical context and envision a world with more bans. However, we are still seeing many classic children’s books being challenged and we are seeing books being banned that teach about historical figures like Rosa Parks and Martin Luther King . We should be highlighting the banning of these books in our messaging.

LEAST EFFECTIVE MESSAGES

Not all the messages we tested were effective. In fact, some tested below 30 percent of public support, and a few of those surprised us. But generally, the least effective messages were ones that took the censors seriously, were overly academic, or required long-winded explanations. Unfortunately, we were extremely surprised to see that the most support for book bans occurred when messaging was about LGBTQIA+ issues, comprehensive sex ed, or issues around Critical Race Theory, politics, and fascism. The public either didn’t care about such messaging or they were outright supportive of book bans in those areas. Discussions of those marginalized communities moved the most people to actually support book bans.

FIGHTING BACK

Messaging is great, but it’s nothing unless we can use it to identify our supporters and call them into action. Simply putting these messages into the world will not ensure that we triumph over book bans. Winning against censorship means sophisticated community organizing, building relationships of power with organizations, identifying supporters and cultivating them into action, and ultimately electing leaders who support libraries and the freedom to read.

Unfortunately, most libraries, as government organizations, don’t have the tools, resources, or legal authority to build the movement they need to fight off the activists attacking them. The most effective defense against book banners comes from members of the local community who are willing to fight back. Platforms such as figthforthefirst.org allow community members to launch petitions and communicate with supporters to help them organize the community against groups who are seeking to censor the library and eliminate the community’s right to read.

If your library is facing book bans, you can fight back.

P.C. Sweeney, a former administrative and school librarian, was Executive Director of EveryLibrary California and is currently Digital Director of EveryLibrary, a statewide initiative to support library propositions. He was a 2015 LJ Mover and Shaker, and was recognized with a “40 Under 40” award by the American Association of Political Consultants for his work at EveryLibrary. He is coauthor of Winning Elections and Influencing Politicians for Library Funding and Before the Ballot; Building Support for Library Funding (both ALA), and teaches courses on politics and libraries at the San José State University School of Information.