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Monday, March 7, 2022

Using Awards Lists As a RA Tool: Thriller Awards Edition

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.  

Click here to see the current nominees

Last week the International Thriller Writers announced thee nominees for their annual awards. From their about page:

ITW represents professional thriller authors from around the world. 
The International Thriller Writers is an honorary society of authors, both fiction and nonfiction, who write books broadly classified as “thrillers.” This would include (but isn’t limited to) such subjects as murder mystery, detective, suspense, horror, supernatural, action, espionage, true crime, war, adventure, and myriad similar subject areas. [emphasis by Becky]
ITW’s mission is “To bestow recognition and promote the thriller genre at an innovative and superior level for and through our Active members; to provide opportunities for mentoring, education and collegiality among thriller authors and industry professionals; and to grant awards for excellence in the thriller genre.”

I highly recommend the ITW as a resource because as you can see in the section I bolded, this writers association  represents a huge swath of popular authors and genres.

As a result, their awards lists are very helpful. Here is the current crop of nominees in 7 categories.

There also have a nice archive page linking to past nominees and winners here.

I have reposted the first 4 categories below, to help you see how immediately useful these awards are as a way to understand a wide swath of books that are popular with a wide swath of readers across many genre preferences:

 BEST HARDCOVER NOVEL

Megan Abbott – THE TURNOUT (Penguin/Putnam)
S. A. Cosby – RAZORBLADE TEARS (Flatiron Books)
Alice Feeney – ROCK PAPER SCISSORS (Flatiron Books)
Rachel Howzell Hall – THESE TOXIC THINGS (Thomas & Mercer)
Alma Katsu – RED WIDOW (Penguin/Putnam)
Eric Rickstad – I AM NOT WHO YOU THINK I AM (Blackstone Publishing)

BEST AUDIOBOOK

S. A. Cosby – RAZORBLADE TEARS (Macmillan)
Narrated by Adam Lazarre-White
Samantha Downing – SLEEPING DOG LIE (Audible Originals)
Narrated by Melanie Nicholls-King and Lindsey Dorcus
Rachel Howzell Hall – HOW IT ENDS (Audible Originals)
Narrated by Joniece Abbott-Pratt
Gregg Hurwitz – PRODIGAL SON (Macmillan)
Narrated by Scott Brick
Nadine Matheson – THE JIGSAW MAN (HarperCollins)
Narrated by Davine Henry

BEST FIRST NOVEL

Abigail Dean – GIRL A (HarperCollins)
Eloísa Díaz – REPENTANCE (Agora Books)
Amanda Jayatissa – MY SWEET GIRL (Berkley)
David McCloskey – DAMASCUS STATION (W.W. Norton & Company)
Eric Redman – BONES OF HILO (Crooked Lane Books)

BEST PAPERBACK ORIGINAL NOVEL

Joy Castro – FLIGHT RISK (Lake Union)
Aaron Philip Clark – UNDER COLOR OF LAW (Thomas & Mercer)
C. J. Cooke – THE LIGHTHOUSE WITCHES (Berkley)
Jess Lourey – BLOODLINE (Thomas & Mercer)
Terry Roberts – MY MISTRESS’ EYES ARE RAVEN BLACK (Turner Publishing Company)

Click here to see all of the nominees for 2022.

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