This post is part of my year end "Attack of the Best Lists" coverage. To see every post in my "Best Books 2022" series [and more backlist best options] you can use the best lists tag.
Two of my favorite, non traditional, best lists were just released and BOTH are favorites because they take the idea of what is "best" and look at it differently. And let me tell you, when we talk about the most useful resources for readers this time of year, those that attack the "best" idea from a different angle are the "best" resources for you to use to delight and surprise your patrons.
The first is the annual round up of Book Riot writers' favorite book covers of 2022. This list includes my personal favorite, Vagina Obscura by Rachel E Gross which I gave a star review in Booklist to here.
Now many of you may be confused, asking, Becky, how the heck can a cover help me match books with readers. Well, they can, and this is a topic I have written about many times. You can see all of the times I have written about using covers as a RA tool with my "covers" tag, here, but if you want the summary post, click here.
In general, covers make for a great conversation starter. You can not only use the book and its cover as a prop to talk about what the publisher wants you to know about the book based on the images, but you can also use the blurbs, appeal language, all of the words they also include on the cover and the inside cover flap to book talk a title.
And, when you use the books on the "best" covers list, they have already been declared "best," by someone for some reason. Your readers don't care what that reason is, they just want to know someone thinks this book is worth their time. It helps them to narrow down the vast universe of books into a smaller list, one they can manageably peruse. And remember, some people are more visual learners, so this consideration of the cover will greatly appeal to them.
Next up, the 18th installment of The Year in Reading from The Millions. I love the Year in Reading and I wrote about why at length last year. You can click here (or see below) for my reasons which include how to use it to help readers. But first, visit the landing page for this year's series. The editor makes some general comments about the process and trends that will emerge across the essays as they are introduced. And like every year, the landing page ends with easy access to every previous installment.
Here is the post from last year, however, please note, I changed the links to go to 2022.
THURSDAY, DECEMBER 9, 2021
One of my favorite end of the year, "best" events is The Millions' annual essays on "A Year in Reading."
They ask a diverse list of writers, most of them "up and coming" or a little under the general radar to write an essay for which the only requirement is that it is on the topic of their personal year in reading. The result is an enjoyable series of essays that are united by theme but vary in style and content.
The archive of every essay from throughout the years is accessible on the current year's page [scroll down].
These "A Year in Reading" pieces are fun to read. Any reader will enjoy perusing these essays because they are all personal accounts of what reading meant to the author in the year that just passed. Yes there are lists of books, but it is through the author's exploration of why they chose these titles, what they meant to that person, and just in general, what reading meant to them in their life over the past year that these essays viscerally communicate the power of reading. And reading about others being positively effected by the act of reading is a joy for all readers to read. [So many "reads" in that sentence.]
However, besides the personal joy you will get from reading this, there are also tangible RA and Collection Development elements to these essays.
First, there is the training you get on appeal, and why different readers like different books. One of the hardest things to get practice on in our field, is hearing readers talk about what they like to read and why. We need to gather voices from across all experiences in order to have more examples of why people like the books they like. The more examples we have experience with, the more easily we can help readers as they approach us with their inquiries. It also allows us to think more broadly about readalikes, which is one of the drums I beat frequently. This archive is a treasure trove of dozens of readers sharing their feelings on appeal.
Second, and most obvious, the lists of books that come out of the series. These are not all books that came out in 2021. These are simply the books other authors read in 2021. You will expose yourself to many titles you either haven't heard of or haven't thought about in a while, through these essays. You can even turn the entire series itself into a display using the books. "A Year in Reading" can be your title. Make a quick note about the source of the display topic and then fill it with all of the books. Use past year's titles if you run out. It will be inclusive, diverse, and whole collection by default. And, make it interactive by asking patrons to add their "Year in Reading" titles. How can they add? Up to you. If it is an online display [pic on Instagram or a Facebook discussion, eg] they can use the comments. If it is an in library display, they can use a post-it to add a title to the display or a board, or put a slip into a box. Whatever you do to make it interactive, you can then use the additional titles to extend the display and make it more local.
And third, the authors that are chosen to participate themselves are a great resource. As I mentioned above, The Millions tends to ask a diverse group of up and coming authors from across the entire landscape of writing today. Use this series to discover new authors, both to add to your collections and to suggest to patrons.
Remember to think outside of the "best" box if you want your patrons to really notice and understand how you help them to discover books they would never find on their own. Yes, we need to have the more traditional "best books" displays up, but make room for some less traditional displays that not only capture those "end of the year" feels, but also, allow them to participate in a more meaningful way.
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