This is a cross post with RA for All Horror.
Over the next two days, I will be posting access to my draft reviews in the October issues of Library Journal and Booklist. In all I have 12 reviews that are going live this week. Sorry not sorry about exploding your TBR. I begin today with Booklist and my draft reviews with bonus appeal information.
Datlow, the most award winning editor in speculative fiction, comes through once again, with an anthology of 18, original stories by some of the biggest names in Horror today. The contributors were asked to add their voice to the human tradition of telling ghost stories during the darkest days of the year. The resulting range of scares is as wide as the topics considered. From a gory tale of Austrian folklore to open the book by Christopher Golden, to Cassandra Khaw’s defiant stand against the world, to the existential dread and wood demons of Josh Malerman’s Finnish solstice rituals, and even a few hot and bright, Australian set nightmares, there is something here for every reader. However, it is the gut punch of Tananarive Due and Stepen Graham Jones’ stories which tower above the rest and cannot be missed. The inclusion of a note by each author at the end of each story and the creepy illustrations at the start of each tale, both enhance the reading experience. Pair it with Hark! The Herald Angels Scream, edited by Golden to spice up your Winter Holiday themed displays for years to come.
Further appeal: This is a holiday anthology that completely embraces the spirit of the season without being Christmas focused. Most of the series's are set around Dec 20- early January. I really did love the multiple southern hemisphere set stories as a northerner. So cool to have hot holiday stories.
The TOC is diverse in every way from identity of writers to how they write to what themes are explored. Every story was solicited by Datlow and they are ALL original to this anthology. It features some of the best and most popular Horror authors right now and will be in high demand by fans of hose authors and those looking for a different type of holiday season read.
I cannot get Due or Graham Jones' stories out of my head. Due's story in particular is set in the world of the story she wrote for Other Terrors and in her story notes, she hints that these characters need a novel (!!!). Graham Jones' story is perfect for fans of The Babysitter Lives.
I am very tough on Datlow edited anthologies and do not give them all a star, but this one is worth all the stars. It will be a library holiday season and Halloween staple for years to come.
Three Words That Describe This Book: Holidays, All Original Stories, Range of Scares
Readalikes: Every person in the TOC, you can suggest their books. Golden's Road of Bones specifically, is an excellent winter set story. The link above goes to my review of the other holiday anthology.
Also, see this post by me about the tradition of reading Horror during the Winter Solstice.
Horror poetry is having a moment. Readers are discovering the format as their go-to place to elicit the dark emotions of the genre that they crave. With its brevity and free form style, poetry twists words in ways that viscerally amplify the terror. Award winning editors, Ryan and Murray, have taken the unease up another notch by inviting 112 poets, all women and nonbinary femmes, to contribute a poem focused on domestic violence, Horror in what should be the safest spaces. The individual poems are brutally honest and poignant. Ranging in length, style and topic, each gives readers more than they expect, over and over again. Three standouts are by Ali Jiang, EF Schrader, and Emily Ruth Verona, whose “Prime Real Estate Opportunity,” uses footnotes to chilling perfection. The volume benefits the Pixel Project, a global non-profit whose mission is to raise awareness for the cause to end violence against women. They have provided a list of resources in the back of the book which raises its stakes from merely providing a good read to offering a lifeline and hope to those suffering in silence. Consider shelving a copy in the 300s and one in your Horror collections.
Blake heads to Block Island, 14 miles off Rhode Island, to confront her birth mother. Arriving in a winter rainstorm, she heads to a haunted mansion, now a Bed and Breakfast, where she sets out to untangle the complicated history of her family. Blake feels like the heroine in a Gothic novel, that is, until she is murdered, but not before she got a letter off to the sister she never knew. A few weeks later, Thalia returns to Block Island, the home she left behind ten years ago, to finish what the sister she never met started. However, whoever silenced Blake will stop at nothing to keep the secrets of the island and its generations of sisters quiet. Told in two parts, from Blake’s and Thalia’s perspectives, no one is safe in this compelling and atmospheric thriller that pays homage to classic Gothic novels while still adding something fresh to the beloved genre. An easy sell to fans of the Brontes but also, those who enjoy the creepy, psychological suspense of Simone St. James or Gwendolyn Kiste's LAMBDA award-winning Reluctant Immortals.
Bram Stoker Award winner Read returns with a collection that more than lives up to its promise of providing “grim tales,” 18 stories that use both fairy tale frames of yore like dark woods and wishes granted and familiar tropes from science fiction and fantasy such as parallel worlds or an uninhabitable NYC. Each story is original, terrifying, and compelling but when Read pits what readers think is coming against the extremely sinister tone at the heart of each tale, it is as if she is stabbing their tender spots* with a knife, twisting it, and leaving it to dangle long after the last page is turned. Two of the best examples are “Root Rot,” which presents the Tooth Fairy in her full body horror glory and “Terror Bay Resort '' set in the 26th Century, in a heated Arctic, at the Franklin Expedition museum. Suggest freely to those who enjoy dark, immersive, and character driven speculative fiction that firmly grabs its readers as written by Cynthia Pelayo, Cassandra Khaw, and Lauren Beukes.
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