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Friday, December 13, 2024

Attack of the Best Lists 2024: A Year in Reading via The Millions and Thinking Outside the "Best" Box

This post is part of my year end "Attack of the Best Lists" coverage. To see every post in my "Attack of the Best Lists 2024" coverage [and more backlist best of the year options] you can click here. 

One of my favorite end of the year, "best" events is The Millions' annual essays on "A Year in Reading." From the editor's landing page for this year's 20th installment of the series:


Welcome to the 20th (!) installment of The Millions’ annual Year in Reading series, which gathers together some of today’s most exciting writers and thinkers to share the books that shaped their year. YIR is not a collection of yearend best-of lists; think of it, perhaps, as an assemblage of annotated bibliographies. We’ve invited contributors to reflect on the books they read this year—an intentionally vague prompt—and encouraged them to approach the assignment however they choose. 
In writing about our reading lives, as YIR contributors are asked to do, we inevitably write about our personal lives, our inner lives. This year, a number of contributors read their way through profound grief and serious illness, through new parenthood and cross-country moves. Some found escape in frothy romances, mooring in works of theology, comfort in ancient epic poetry. More than one turned to the wisdom of Ursula K. Le Guin. Many describe a book finding them just when they needed it. 
Interpretations of the assignment were wonderfully varied. One contributor, a music critic, considered the musical analogs to the books she read, while another mapped her reads from this year onto constellations. Most people’s reading was guided purely by pleasure, or else a desire to better understand events unfolding in their lives or larger the world. Yet others centered their reading around a certain sense of duty: this year one contributor committed to finishing the six Philip Roth novels he had yet to read, an undertaking that he likens to “eating a six-pack of paper towels.” (Lucky for us, he included in his essay his final ranking of Roth’s oeuvre.)
The books that populate these essays range widely, though the most commonly noted title this year was Tony Tulathimutte’s story collection Rejection. The work of newly minted National Book Award winner Percival Everett, particularly his acclaimed novel James, was also widely read and written about. And as the genocide of Palestinians in Gaza enters its second year, many contributors sought out Isabella Hammad’s searing, clear-eyed essay Recognizing the Stranger. 
Like so many endeavors in our chronically under-resourced literary community, Year in Reading is a labor of love. The Millions is a one-person editorial operation (with an invaluable assist from SEO maven Dani Fishman), and producing YIR—and witnessing the joy it brings contributors and readers alike—has been the highlight of my tenure as editor. I’m profoundly grateful for the generosity of this year’s contributors, whose names and entries will be revealed below over the next three weeks, concluding on Thursday, December 19. Be sure to subscribe to The Millions’ free newsletter to get the week’s entries sent straight to your inbox each Friday.
Sophia Stewart, editor
They ask a diverse list of writers, most of them "up and coming" or a little under the general radar to write an essay for which the only requirement is that it is on the topic of their personal year in reading. The result is an enjoyable series of essays that are united by theme but vary in style and content, as noted by Stewart above.
They also have a YIR tab at the top of The Million's homepage to access these valuable essays from the current year and any and all past years in one easy to find place at all times, making this not only one of the most interesting takes on the entire concept of "best" lists, but also the most easy to access as a resource year round. From the bottom of 2024's landing page:
A Year in Reading Archives: 20232022202120202019201820172016201520142013,  2011201020092008200720062005
These "A Year in Reading" pieces are also super fun to read. Any reader will enjoy perusing these essays because they are all personal accounts of what reading meant to the author in the year that just passed. Yes there are lists of books, but it is through the author's exploration of why they chose these titles, what they meant to that person, and just in general, what reading meant to them in their life over the past year that these essays viscerally communicate the power of reading. And reading about others being positively affected by the act of reading is a joy for all readers to read. [So many "reads" in that sentence.]
However, besides the personal joy you will get from reading this, there are also tangible RA and Collection Development elements to these essays.
First, there is the training you get on appeal: why different readers like different books. One of the hardest things to get practice on in our field, is hearing readers talk about what they like to read and why. We need to gather voices from across all experiences in order to have more examples of why people like the books they like. The more examples we have experience with, the more easily we can help readers as they approach us with their inquiries. It also allows us to think more broadly about readalikes, which is one of the drums I beat frequently. This archive is a treasure trove of dozens of readers sharing their feelings on appeal.

Second, and most obvious, the lists of books that come out of the series. These are not all books that came out in 2024. These are simply the books other authors read in 2024. You will expose yourself to many titles you either haven't heard of or haven't thought about in a while, through these essays. You can even turn the entire series itself into a display using the books. "A Year in Reading" can be your title. Make a quick note about the source of the display topic and then fill it with books from the series series. Use past year's titles if you run out. It will be inclusive, diverse, and whole collection by default. 
Third, make it interactive by asking patrons to add their "Year in Reading" titles. Use this as a fun conversation starter with your patrons and staff. Instead of asking for "favorites," ask people to share their Year in Reading. Just that. Leave it open and see what you get back in response. You can even start with staff. Send out an email to all staff and ask for 5 titles that represent their year in reading. Then make small displays in the building and in all of your online spaces. This can run for weeks. Then use my conversation starter to displays directions to ask patrons to add their "Year in Reading." Put those up throughout January.
Fourth, the authors that are chosen to participate themselves are a great resource. As I mentioned above, The Millions tends to ask a diverse group of up and coming authors from across the entire landscape of writing today. Use this series to discover new authors, both to add to your collections and to suggest to patrons.

Remember to think outside of the "best" box if you want your patrons to really notice and understand how you help them to discover books they would never find on their own. Yes, we need to have the more traditional "best books" displays up, but make room for some less traditional displays that not only capture those "end of the year" feels, but also, allow them to participate in a more meaningful way.

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