RA FOR ALL...THE ROAD SHOW!

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Tuesday, March 17, 2026

Flashback Post: Allow People to Dislike the Books You Suggest

Today I am reposting something from 2017. There are a few reasons why I am doing this.

First, I know there is a lot of good content buried on the blog, content that I use in my live training programs, so I think more people are seeing it than they really are. I need to be better about pulling out older content that is foundational to everything I teach.

Which leads to second, in 2023 I debuted the idea of using "conversation starters" as the basis for all of your service to readers but again, the foundation for this goes back much further. Here is one of those examples of where I worked through these ideas in real time with all of you.

Third, I get new people on this journey with me all of the time. By pulling out older posts, you can see examples of what is there to find if you dig through the archives and use the tags to guide you.

So here is today's flashback post.

Call to Action: Allow People To Dislike The Books You Suggest

For today’s Call to Action, I want to remind you of something very important, something that can derail library workers as they begin to help more readers...

If patrons don't like every book you suggested to them, that’s not only okay, it is actually a good thing!

Failure in general teaches you way more than success.  But in particular, why is getting a book suggestion wrong a good thing in our work with leisure readers? Well, honestly, we learn so much more from patrons when they don’t like something. They share much more detail about what they want to read and why when they are talking about what they did not enjoy. Think about yourself. It is much easier to articulate why you disliked a book than why you liked it. And, this information helps us to fine tune future book suggestions.

Take the example from my own reading that I include on my staff reader profile exercise:

This is a screen shot from my Reader Profile exercise PDF and it says: Tell me about 3 of your LEAST favorite books and why you did NOT enjoy them. These can include books you stopped reading before finishing: Ex: Outlander by Diana Gabaldon: Although I normally like historical fiction and time travel stories, there was way too much romance here for my taste. You can click on the image to enter the document.
Just about every single RA resource [from computers to people] has told me over the years that I should like Outlander, but I don’t. Understanding this nuance as to why I did not like it, has helped me to not only understand how to find better books for myself, but it has also made me more aware of the intricacies in helping readers. It has also allowed me to understand that everyone makes a bad suggestion now and again and no amount of research can stop that from happening because working with people is never predictable.

Now, while failure is both inevitable and leads to more information we can use to help our patrons better, there is actually a larger, more overarching reason why getting a suggestion wrong is helpful. In general, the biggest missing piece in established RA Service in America today is feedback. I know this from my personal experience and from the hundreds of library workers I encounter in my work.

More often that not, we suggest a book or two or three to a patron and we never hear back about how we did. Many times patrons come to us over and over for suggestions without ever letting us know what they have liked or disliked about our suggestions. We can’t even get them to tell us which methods of book discovery we are providing they like the most. Now, over the years, I have worked intensely with a few patrons [I still continue to work with one from my former library, weekly] to get very specific and detailed responses to every book I suggest. This non-scientific research has been time consuming, but I have learned a few things I want to share with you.

The best way we can encourage feedback is to make time and space for conversation at the library.

People are afraid to tell us that they didn’t like the book not because they think we will get it wrong again; no, that is not what is going on at all. I have found that more often than not, they are afraid to tell us we got it wrong because they are worried that we will have hurt feelings and won’t help them anymore.

That’s right, they still want our help when we get it wrong. This fact alone should free you up to accept more failure. They don’t want to lose you, their book discovery tool. They care much less about how much they liked your suggestion than we think they do. Add to this that we, as a group of library workers serving leisure readers, are starved for more feedback and you can begin to see one of our biggest hurdles we have to taking the next step toward more robust RA Service.

So how to stop this vicious cycle and create the space to fail on a suggestion but win at RA Service overall? One of my favorite tools is to make sure every time I suggest a book to a patron that I tell him or her something like, “Based on what you have told me about the books you have enjoyed in the past, this seems like a good option. But, if you aren’t enjoying it, bring it back and let me know. I have thousands of more options. We will find the right book for you. Besides, it’s no skin off my back, I didn’t write it.”

This mix of humor with a gentle reminder that not only do I not mind criticism, but that I have so many more books that I can substitute this one “dud” with, goes a long way toward enraging feedback and creating a space where the RA Conversation can not only live but flourish.

Of course, you don’t have a physical interaction with every patron; therefore, why don’t you start including statements like this on your digital and paper lists and bibliographies, or even stick a note at the end of some of the books. Have a statement like the one above. Something like, “Let us know if you loved this book, hated it, or fell somewhere in between. We want to know so we can help you better!” Have an email address, your phone number, your Facebook page-- multiple places where feedback can be given, but you have to make sure you are letting them know that negative feedback is okay.

When we make the RA conversation-- a truly honest back and forth sharing of ideas and preferences-- our priority and stop making the book we suggest our ultimate goal, then we are encouraging the RA journey. When you encourage the journey it doesn’t matter if your patrons love every book you give them. What begins to matter is HOW they felt about the book-- positively or negatively. Then we learn what our patrons want to read and why-- each one individually and overall as a population we are serving as a whole.

When you encourage the journey and do not put the focus on yourselves [or your employees] to get every suggestion right, you encourage the feedback we all desperately crave.

Now don’t worry about having to force a failure in order to practice this Call to Action; they will come.  The more RA work you do, the more you will get wrong. And, the more you help a specific patron the more he or she will feel comfortable telling you the honest truth about how much they liked or disliked a suggestion.

Get out there and make suggestions. Don’t be afraid of failure; in fact, let the patrons know you might get it wrong and encourage them to come back and work with you more. Let them know how helpful it is for them AND you to have the most feedback-- positive and negative-- possible. It will  help them get access to the perfect book for them and it will help you to help even more readers.

For past Call to Action posts, click here.

Friday, February 18, 2022

Graphic Novel Resource Alert: Panel Mania from The Millions and a Reminder That "New" Can Be Something Old

Today, I wanted to share a "new to me" resource, Panel Mania from The Millions.

This occasional series looks at new graphic novels and provides excerpts, background info and commentary. The excerpts in particular are awesome because excerpts of graphic novels means panels to actually see. This is a wonderful resource for suggestions and collection development for adult graphic novel collections. 

Of course it is not comprehensive, but it is a nice option for finding suggestions. I am very glad I found it, and have already identified this title to place on hold for my son.

But with this post I wanted to do more than simply share an interesting, outside the box, resource. It is important to note the importance of the first line of this post-- this resource is "new to me." 

As we are working with readers and each other, it is important to remember that just because we think everyone knows about a resource or a specific book because it  is older, they probably do not. For example, the other day I mentioned Gone Girl by Gilliam Flynn to someone in passing, figuring they had read it because they like those types of books, but they said to me, "Oh, I have heard of that and have been meaning to read it."

Just like we cannot forget to suggest the books that we know are a great read, books that were very popular 2-8 years ago, because they could easily be a new, awesome suggestion to someone today, we also need to think about resources in that same way.

Yes we all have our tried and true stable of resources that we consult regularly [mine are posted here for all to use], but you should always be on the lookout for resources that you don't know about.

My favorite way to identify "new to me" resources, is simple: I ask people what resources they consult when looking for a good read for themselves. I ask both library workers and average readers. I ask patrons. And in every general RA training I do, I ask all of you to tell each other in my Reader Profile exercise.

When I stress that RA Service is a conversation based service not a transactional one, this is a great example. Conversations require a dialog, asking questions, listening to answers and responding. You  cannot be good at this work of helping adult leisure readers if you don't ask questions. You learn a lot, and create relationships with your users. RA Service is not about tallying how many questions you get. It is about working with your patrons to help them enjoy their leisure reading-- both actively and passively.

Try it. Ask a patron or a co-worker what their favorite resources are to identify new titles or stay up to speed on a genre. You might find a "new to you" resource as exciting to you as Gillian Flynn  is to that reader above.

I am taking Monday off for Presidents Day [and I have my April Library Journal review column deadline], so back Tuesday. If you find a new resource from asking around, let me know so we can share it with everyone.

Tuesday, December 14, 2021

Resource Alert: Audiobooks

Readers of this blog know I am a big audiobook fan. As an audiobook lover, I understand that when you help listeners you also need to consider the format when matching audiobooks with readers. A book's enjoyment can be both helped and hindered by listening to it, and which it is, depends on the reader and how the book is presented on audio.

So, how do you know if an audiobook will work for a specific reader? You need to identify the correct resources, resources that give you the information to understand how the book is narrated. 

Today I wanted to provide an update list of my favorite audiobook resources for helping readers. I just finished two excellent audiobooks and I realized I haven't posted about resources for the format in a while.

But also, don't forget that I have over 120 posts tagged "audio books" here on RA for All. Some of those are about resources and audio RA but the vast majority are tags attached to books I have read in audio, reviews in which I make sure to note how the format and narration enhanced the book or not. 

And just in case you didn't figure it out, I am saying it explicitly-- Audiobooks are reading. Period. End of Discussion. You want to do this RA thing at a library, you need to accept it and move on. 

Becky's Annotated List of Favorite RA Audiobook Resources:

  • Audiofile: This is my first stop for all things audio. There are reviews and articles about audiobooks. But the very best thing about this resource is their archive of narrators. You can look up any narrator, read a profile on many, see a linked list of the books they have narrated [across genre, age level, etc], and listen to examples of their narration. Invaluable. 
  • Audible: I have feelings about this service and they are no positive, but as a resource, there is a lot of information there. Reviews by readers are audio format specific and there are many ways to do one-click searches by genre or narrator.
  • Booklist Magazine: Obviously I work for them, but I do not do audio reviews. My friend Heather Booth edits them though. Besides the reviews, her overall format coverage is EXCELLENT. Every single month there is at least one spotlight article on audiobooks to go with the issue's spotlight. And it is for every age group of reader. Click here to access Booth's audiobook articles.
  • NoveList: If you have access to the database, they have audio specific entries for many of the titles. 
Now go forth and help others discover a great read for their ears. 

Tuesday, September 14, 2021

New Booklist Reader Magazine is Live

Booklist has debuted a new publication, and this one is public facing. Booklist Reader is now a Readers' Advisory product for you to share far and wide, with your patrons. 

This month it is all about Crime Fiction and includes extensive annotated reading lists of titles by age level and format. There are also interviews with authors and every month will feature that month's LibraryReads list and Hall of Fame authors.

It is useful? Yes! 100% yes. Everything in here can be used by you immediately to help patrons.

But even more important, it looks great! This is a professional magazine crew putting out this information. Your patrons will want to click through and read it. You can print out lists to hand out to patrons of all ages. You can build displays and offer a print take away. And each list is not only filled with some of the best RA info you can find anywhere, but it also makes you look like you upped your graphics game and or budget, which will impress your patrons [or at the very least grab their attention better].

And all of it is included with your Booklist subscription. In other words, you are getting more help for the same amount of money!

When you click through to read the digital issue, you will see in the Editor's Note stating that sharing this magazine far and wide is highly encouraged. 

Click here to see the digital magazine or click the cover image below. 

I have also reposted the landing page information below. Most libraries already have a subscription, bu,m you at the desk may not know how to access everything. See below or click here for contact information on how to fix that. 

Click here to access the magazine

What is Booklist Reader?

Booklist Reader is Booklist’s new library patron–facing magazine, featuring diverse readers' advisory recommendations, in print and on audio, for readers of all ages.

Who benefits from Booklist Reader?

All library patrons and all readers’ advisory specialists, and everyone who loves to read!

Where and when can you find Booklist Reader?

Starting this September, Booklist Reader will be available monthly at www.booklistonline.com.

Why Booklist Reader?

  • Booklist Reader is now part of the Booklist and Book Links subscription: three magazines for the price of one!
  • Booklist Reader is patron friendly. Filled with high-interest, themed lists that showcase books patrons can read and check out now, Booklist Reader is designed to be a readers’ advisory tool and time-saver in one.
  • Booklist Reader is sharable: the digitalonly format means you can feature articles in newsletters or on your library’s home page— and print them to keep by the circ desk, too.
  • Booklist Reader is librarian and readers’ advisory approved! Every issue includes the LibraryReads roundup of the top 10 books published that month, voted on by library staff across the country.

How can my library offer this to our patrons?

Subscribe today! Does your professional review source publication give you additional monthly printable lists, including LibraryReads and roundups of books and audiobooks for all ages? Booklist and Booklist Reader do. Subscribe today and get:

  • 22 print and digital issues of Booklist
  • 4 print and digital issues of Book Links
  • 2 digital issues of Booklist Reader
  • Booklist Online archive access

Already a subscriber? Set up a Booklist Online profile so you can access the digital-only Booklist Reader, the perfect readers' advisory tool for your staff. Questions about how to sign up? Call 1-888-350-0949 or email info@booklistonline.com.


Thursday, January 9, 2020

Library Journal Horror Review Column: January 2020

2020 brings with it more jobs for me and expanded horror coverage for all of you. Library Journal has hired me to provide a horror review column 4x a year beginning with the January 2020 issue. I will also have columns in the April, June and August issues as well as continuing to provide a comprehensive horror preview article in July as I have done over the last two years, and continue to provide a fun list in the October issue for Neal Wyatt's Reader's Shelf column. [I like that one a lot because I get to choose the topic and the books don't have to be new.]

I am also working to include some bonus content with each column, more of a deep dive into a topic, author, or title with each column. This month I have a profile on Australian horror best seller, Darcy Coates and her flurry of titles coming to America in 2020. And, I already have a great interview planned for the April column too. The bonus content will be determined by trends, issues, news, etc... for each column; it will be flexible and give me a space to addresses timely content in the magazine.

I am very excited about this new venture and I am actively seeking titles to include in the column. Please contact me if you want to send me titles to consider for the column, especially if you are from a small press. I am NOT accepting manuscripts directly from authors at this time. Please have your publisher contact me and put "Library Journal" in the subject or go through my editor, Kiera Parrott.

I would also like to remind everyone that I am still reviewing horror for Booklist. For example, I have a review of the upcoming Grady Hendrix title combine in that publication soon. I will NEVER review a title in both places. This means some big name titles may not be in my Library Journal column but they will appear in Booklist.

Since these Library Journal horror reviews drop all at once, I will be posting the link to the column here on the blog as well as the bibliographic info for each title. This will also be the only place where my "Three Words" will appear. These reviews will also be cataloged in my Horror Review Index on the horror blog. Access is the key here. I want you to be able to find quality horror for your libraries and patrons through as many platforms as possible and as easily as possible. In my 2020 Reading Resolutions I talked about not making excuses anymore when it comes to horror coverage and I mean it.

Now let's do this. Bring on the horror...




Click here to read the column
or see below for links to individual reviews

The reviews from this column, in alphabetical order, with my "Three Words" are as follows:

  • Carson, Scott. The ChillEmily Bestler: Atria. Feb. 2020. 448p. ISBN 9781982104597. $27. Horror
    • Three Words That Describe This Book: historical, fast paced, thriller-esque
  • redstarGraham Jones, Stephen. The Only Good IndiansSaga: S. & S. May 2020. 320p. ISBN 9781982136451. $26.99. Horror
    • Three Words That Describe This Book: lyrical, revenge, heartbreakingly beautiful
  • redstarKatsu, Alma. The Deep. Putnam. Mar. 2020. 432p. ISBN 9780525537908. $27. Horror
    • Three Words That Describe This Book: menacing, historical details, occult
  • Marsh, Richard. The BeetlePoisoned Pen: Sourcebooks. (Haunted Library of Horror Classics). Apr. 2020. 400p. ed. by Chelsea Yarbro & Les Klinger. ISBN 9781492699712. $14.99. Horror
    • Three Words That Describe This Book: forgotten classic, thought provoking, bugs!
  • Parker, K.J. Prosper’s DemonTor.com. Jan. 2020. 104p. ISBN 9781250260512. pap. $11.99. Horror
    • Three Words That Describe This Book: engaging narrator, demonic possession, great world building
  • Trussoni, Danielle. The Ancestor. Morrow. Apr. 2020. 400p. ISBN 9780062912756. $27.99. Horror
    • Three Words That Describe This Book: strong world building, timely issues, claustrophobic 

Friday, June 15, 2018

What I’m Reading: We Sold Our Souls and Cross Her Heart

The June issue of Booklist features two of my reviews of two high profile, high demand, forthcoming titles. As usual, I am posting my draft reviews here on the blog with bonus appeal and readalikes for you to more easily booktalk these titles to patrons and make readalike suggestion.

Let’s start with my star review!


We Sold Our Souls.

Hendrix, Grady (author).
Sept. 2018. 336p. Quirk, hardcover, $24.99  (9781683690122); Quirk, e-book (9781683690214)First published June 1, 2018 (Booklist).
With his third novel, best-selling author Hendrix brings his quirky sense of humor and pop culture references, but this time, he positions the fear front and center, in a terrifying tale that energetically flips the well worn, Faustian bargain trope on its head. Twenty years ago, Kris was the lead guitarist and creative force behind Dürt Würk, a heavy metal band about to break into the big time, but after a night no one can fully remember, the band tragically split, leaving the music behind, except for one member, Terry, who went on to become the biggest rockstar of his generation. Now washed up and empty inside at 47, Kris is barely holding it together, night managing a motel in working class Pennsylvania, until the morning a horrific murder makes her question the nefarious power behind Terry’s success, a dark power that may have come at the cost of Kris’ own soul. Inspired to take control of her life once again, Kris goes on a road trip from hell, one that reconnects her with old bandmates and puts her on a collision course with Terry, in Las Vegas, for Hellfire ‘19, an epic music festival of demonic proportions. No one is emerging from the desert unscathed, but no matter how high a mountain of horror she is up against, as long as Kris has her guitar, she might have just enough left in the tank to save us all. This is a fast paced, yet thought provoking ride, firmly rooted in the tradition of pulp horror from the end of the last century, but with fear and social criticism spawned from today, anchored by the terrifying implication that we are a society willing to sell our souls on of the cheap. Yes, this is Hendrix’s darkest novel yet, but it will leave readers begging for an encore.
Further Appeal: The frames of midlife regret, classic metal bands, huge music festivals, conspiracy theorists, and the social commentary about commercialism will appeal to many.

Selling your soul to the devil is one of the oldest stories in the Western storytelling tradition, but in Hendrix’s hands it get a refreshing twist, someone else is selling all of our souls, and we are fine with how cheap the price is.

This story is throughly entrenched in a 21st century sensibility but it also has the pulp feel of the classic paperbacks Hendrix combed through for his award winning Paperbacks From Hell. It’s not an homage, but you see the influence, in a good way. The climax also has a Lovecraftian feel, which like the pulps of the 1970s and 80s is also a huge horror trend right now.

One of the things Hendrix learned while doing his research for the nonfiction book was how much women drove those classic pulp novels. He talks about this at length in the book and his stage version of the book too. We Sold Our Souls is female driven. Kris is the focus. Kris is the strong one. Kris will save us all, even though we don’t necessarily want to be saved.

The fear here comes in ways traditional, the demons coming to get their payment and existential, midlife crisis, but one that isn’t your fault, but also in unexpected ways. Here’s an example, much like Joe Hill managed to make Christmas the scariest holiday ever, Hendrix turns the UPS van and it’s drivers into a terrifying army. Seriously, every time I see a UPS truck now, my heart races for a moment until I remind myself that it was novel-- a made up story-- that is making me feel real fear. That is success in horror terms. It is one of the main reasons why this book got a star. To make a reader, even a seasoned horror reader like myself, feel real fear when seeing a mundane object....that is AMAZING.

Finally, like all of Hendrix's novels, their is an underlying humor to everything here. I think you can see that from the idea of making UPS drivers terrifying. It is satire and black humor. It is wink and nod humor [the rehab place in the novel is  great example]. I could go on, but just make sure you read this one.


Three Words That Describe This Book: pulp, satire, terrifyingly realistic


Readalikes: This is hard because no one writes like Hendrix. Yes the old pulps, but this is way more sophisticated.  Parts of this books reminded me of parts of all 3 of Paul Tremblay’s novels, but only parts of each, not 1 totally.

The satire and epic scope of the story, with a great road trip storyline also reminded me of American Gods by Neil Gaiman, but We Sold Our Souls is not nearly as literary or detailed. It’s like the cliff notes version of that classic-- but in a good way. It’s fast paced and thought provoking.


There is a huge influx of music framed horror right now. It might be an emerging trend; for example, Black Mad Wheel by Josh Malerman and Corpsepaint by David Peak are two good recent examples.


Cross Her Heart.

Pinborough, Sarah (author).
Sept. 2018. 352p. Morrow, hardcover, $26.99  (9780062856791); e-book, $12.99  (9780062856814)First published June 1, 2018 (Booklist).
Pinborough [Behind Her Eyes] is back, aggressively taking on the deluge of domestic suspense titles, throwing down the gauntlet, and challenging all comers with her latest tension driven page turner. Opening with a prologue that announces in no uncertain terms that bad things are on the horizon, the story then pulls back to Lisa, a 40 yr old, slightly overprotective single mom of teenage daughter, Ava. She lives a quiet life in the suburbs, has a successful career and a supportive best friend, Marilyn. But, it quickly becomes apparent to that all three women are each hiding something from the others and the reader, especially Lisa. Someone is toying with Lisa, threatening to bring her horrifying past back from the dead and thrusting it into the spotlight, but who, and why? Narrated by Lisa, Ava, Marilyn and an extremely evil and obsessive antagonist, the anxiety builds relentlessly, clues and red herrings are revealed in excruciatingly small snippets, as both Lisa and the reader look over their shoulders waiting for the twist to come. But when it does arrive, no one will be ready. One of the most satisfying aspects here is that unlike most of the “girl” books being published today, Cross Her Heart is truly, honestly and unapologetically feminist, from top to bottom, a novel driven by the strong relationships between women, for better or worse. This will be an easy sell for fans of all domestic suspense but you should especially target fans of Liane Moriarty and Megan Abbott.
Further Appeal: Okay first things first, Behind Her Eyes had a supernatural twist at the end. This one does not. This is a scary and tense read, but it is grounded 100% in reality. It is the perfect example of how psychological suspense can be as scary as horror as long as you don’t need a speculative element to enjoy the story.

Don’t let the title fool you. This is like no “girl” book you have ever read-- in a good way. Women are the only actors here. There are a few men in the story, but they are window dressing. Women are good, women are bad, women are smart, women make dumb choices, etc... It is truly feminist because it shows the good and bad of women, their relationships, and their actions. No one is only a bad guy or a good guy here. No one is only a hero or only a victim. The shades of grey make this a more enjoyable story. Reading a domestic suspense story that doesn’t “talk down” to the reader, that assumes we are intelligent and can handle nuance, while still presenting a fast paced, suspense story was refreshing.

The time line here is fluid. We have chapters of “Then” and “Now,” but we aren’t exactly sure where we are in time. Don’t worry though, you are never confused. It all flows very well and keeps you moving, feeling uneasy, but still wanting to see where Pinborough will take you next. I couldn’t put this one down.

Three Words That Describe This Book: claustrophobic, anxiety, female relationships

Readalikes: The most nuanced and literary of the “girl” books of all domestic suspense is where you take these readers. So the examples above, as well as Gillian Flynn and Ruth Ware to start. Also Shirley Jackson. Shirley Jackson, 100% Shirley Jackson! We Have Always Lived in the Castle, go read that now if you haven’t. Cross Her Heart owes much to this classic.

Friday, April 20, 2018

Proof Practice Works for EVERYONE!

I am hoping that by now, every one of my readers know about my 10 Basic Rules of RA Service. Rule 10 is:
10. PRACTICE, PRACTICE, PRACTICE
      -- Get Booked podcast as a practice tool
      -- Participate in #AskaLibrarian
      -- reader profile exercise
I always say this in my training sessions, but I practice using at least one of these tool every single week, and it always helps. Yesterday I had such a valuable experience in my own practicing that I thought it was worth sharing with all of you.

I was listening to The Get Booked podcast while I was driving around. This week it was all about Nonfiction and one of the books that came up was The Poisoner’s Handbook by Deborah Blum, an excellent nonfiction about the birth of forensic medicine.

I am currently working on finding my 15 year old daughter, with dreams of being a forensic scientist/medical examiner books to read for fun. She loves Sherlock Holmes both the originals and the modern updates like The House of Silk [which she is reading right now]. She also loves narrative nonfiction. And as you can see here, Blum’s book is a perfect match for her.

Here’s the thing though....I read this book in 2013 and really liked it. Here’s my review. But, I had completely forgotten about it when asked by her for something to read. This proves that all of us need practice.

Hearing about books, anytime, anywhere, especially listening to people talk about the feel of the book and why someone may like it not only introduces us to titles we didn’t know about, but also, reminds us of the the perfect book we read already but had forgotten about, a book that might be the perfect match for the reader in front of you, if only you could remember it existed. And in this case, I didn’t remember.

Practice works for everyone, from the newbie to the expert like me. Thank goodness I practice. My daughter is going to be thrilled when the hold comes in[seriously I placed a hold immediately]. Don’t think you are too good to practice. No one is ever too good to practice and today’s post is the proof.

Click here to read my review of The Poisoner’s Handbook. And, while you are at it, why not go back and peruse through some of the books you haven’t read for 5 years or so. Speaking of, some of you may not have notes. To those of you, I refer you back to my 10 Rules page, Rule 4. Start taking notes!

Have a great weekend. Spring has finally sprung here in Chicagoland and I am going to enjoy it.

Monday, October 30, 2017

How to Create a Culture of Booktalking at Your Library-- Becky’s Step-By-Step Guide

By far my most popular program is to present the RA for All Signature program followed by my Booktalking program. Both are a combination of training and pep talk; a how-to with a dose of "you can do it!”

These programs together make for the perfect morning of and in-service for all staff. Both programs also come with exercises to continue after I leave. But, while I have the directions for how to administer the Staff Reader Profile exercise clearly written out here on the blog, I don’t have the directions on how to start the booktalking competition at your library which I describe in my Booktalking program.

Today I fix that problem.

First, you need to refer to this post where I outline why you need to create a culture of booktalking at your library.

Second, it helps if your staff have had my training on how to book talk but here is the super short version-- All staff should simply booktalk their all time favorite reads or current favorites with a focus on why they like the book-- not focusing on what happens. When talking to a patron, you are not worried about whether or not that patron will like the book for themselves; the point of this booktalking is to start the conversation. Then when that staff person is done, he or she says to the patron, “That’s what I’ve been reading. What about you? Tell me about something you like.”

Third, although I say “books” all of the time please substitute anything your library checks out or allows streaming for leisure reading or viewing. So if the library checks it out-- a book, audiobook, graphic novel, TV series, movies, etc...that item can be “booktalked."

Now on the how to convince your staff to start doing this, especially if it is “not my job." Thankfully, I have a tried and true plan that uses incentives and creates a friendly competition which encourages them to practice and participate so that you can turn your library into a place where staff and patrons spontaneously share books with each other. Doesn’t that sound like a library fairy tale come true? It is and I can help you make it happen.

Here is the step by step guide:

  1. Get Caught Booktalking-- This is the name of your initiative. It plays off of the old, but still popular “Get Caught Reading” campaign by the ALA.
  2. Assign one staff member as the administrator. This person decides how the tallies are kept for how many book talks a person gives.
  3. Staff are encouraged to wander the building encountering patrons and striking up conversations about that they are reading. All staff-- from the Janitor to the Director; whether they work public service or behind the scenes can do this. 
  4. Another staff member must see you booktalking to a patron. That person gives you a mark for completing a booktalk. The administrator can be notified or there can be a shared document to keep track. How the marks for booktalking are tallied is up to the administrator.
  5. If you hit 5 booktalks in one calendar week the administrator enters you into a drawing for that week’s prize. Suggested weekly prize is 1 extra 15 minute break to be used in the next week.
  6. FYI-- Staff may book talk the same book to each patron they encounter, but as they get more experience, adding more books to the rotation is highly encouraged. 
  7. Continue every week- resetting the counter for each staff member to zero at the week’s start.
  8. Everyone who has been entered into a weekly prize is eligible for a monthly drawing. Suggested prize- extra time for 1 lunch break. I suggest doubling the current allowed time. 
  9. Every week is another entry, so that by the end of the year, at your staff day, you have many people with multiple entries into the pot for the grand prize-- a $50 gift card to somewhere.
  10. Results-- a library where booktalking is going on between staff and patrons all of the time.
As staff see others having fun running around the building talking to patrons about their favorite reads, and that people are actually winning prizes for all of this fun, you will get more and more people to join in. Yes I promise you, even the most stubborn and unfriendly members of your staff will eventually join in. I have seen it happen with my own eyes.

You may want to also consider trophies to be given out at the staff day for people who have the most booktalks, the person who was “most improved,” person with the most varied items talked [like if someone does a book from every genre], etc... The idea here is to have as many incentives to keep it going as possible. You can make these trophies fun and/or silly and pass them down to a new winner each year. The staff member can proudly showcase their trophy for a full year until the next staff day. And, if you keep it going, people will try even harder to win the next year, and the one after that, and so on.

As you can see, this “Get Caught Booktalking” initiative has many useful outcomes, including but not limited to:
  1. Showcasing your staff’s friendliness to patrons-- everyone is talking about what they are reading to each other. Isn’t that an awesome atmosphere to have in your building?
  2. Advertising that you care about what patrons want as well as what they need-- they know the things they HAVE to come to the library for but often patrons forget library staff can and want to help their with their leisure needs too.
  3. Serving as a team building exercise-- the friendly competition allows people who might not have known each other to get to know one and other better.
  4. Allowing staff who may be “bored” with their day to day responsibilities the chance to try something new that both reenergizes them and helps the entire organization.
  5. Allowing staff to talk about items the library has for checkout that may not be in their specific service section. Cross departmental advertising but also fun for staff to talk about things that they enjoy but do’t get to work with.
  6. Providing essential training for a very low cost-- $50!
Why not give this a try at your library? You have nothing to lose and what you gain is a reenergized staff who leave happy patrons in their wake.

Friday, August 11, 2017

RA for All Roadshow Goes to Coal City

As summer reading programs begin to end, my schedule of live events starts to ramp back up. To see where I have been recently and where I am going soon, click here.

Today, I will be at Coal City [IL] High School speaking to a group of 150+ library workers from all over that area. This is a multi-type, regional library training. I am excited not only to work with some of my area colleagues, but I also am excited for these library workers to all get to meet and mingle with each other.

I want to thank Coal City [IL]Public Library District Director, Jolene Franciskovich for inviting me, but I also want to applaud her for getting so many people together. The learning will be enhanced because we will have so many different people together, plus they can use this meeting as a spring board toward even more collaboration. And collaboration between libraries, especially when multiple public and school ones work together, is always a boon to patron service. More hands= less work for each person, and a higher output of service. A nice side effect is that it also keeps staff engaged and happy. So bravo Jolene. I hope others use this post as an example to try to get their own regional training scheduled [whether or not you hire me to lead it]

Now for the specifics and links for today’s presentation.

9-10:30 am: RA for All: Readers Advisory belongs in every library, no matter its budget. The implementation of this vital service is the responsibility of every staff member-- from pages to directors, from those behind the scenes to the ones on the front lines. This program will remove the mystery behind providing great RA service. Using her “Ten Rules of Basic RA Service” as a guide, Becky Spratford will use your own love of your favorite books to show you how to help any patron find their next great read. It's not as hard as you think. But more importantly, you will learn why a staff that can harness the power of sharing a great read will become a stronger team and improve service to all patrons.

10 Minute Break
10:40-11:40am: Booktalking: Harnessing the Power of Sharing Books with Patrons: Booktalking is at the heart of what we do with patrons each and every day at the public library. Whether we are sharing books informally at the services desk, presenting a prepared list of books, or posting information online, talking about books is something we do each and every day. It is a core service, but it is also hard to teach. Booktalking is more of an art than a skill, but with the right guidance and some practice, it can go a long way toward engaging your patrons and re-energizing your staff. Join experienced Readers’ Advisory Becky Spratford as she shares the secret behind delivering great book talks, giving you tips and tricks you can begin using right away to hone your own skills. Rediscover the power and joy that comes from sharing books with patrons.

5 Minute Break
11:45-12:50: RA Rethink: The Displays Edition: Becky Spratford brings the display portion of her popular “RA Rethink” series to you. In this presentation Becky will show you how to “rethink” your displays to make them more engaging for patrons without increasing your workload; in fact, she will help you to create better displays in half the time. While Becky will provide many examples and suggestions, this training will be highly interactive. Participation is expected with the goal of you leaving the session with a few display ideas all set and ready to be put out immediately. This talk will also include-- Creating Your Own Reader Profile and Brainstorming Session: Becky will help you take what you have learned to craft your own personal reader profile and start you on your first RA journey-- suggesting a good book to a fellow staff member. Becky will also get you started talking to each other about how you can all work together to share the load.


12:50-1: Questions and Wrap Up

Wednesday, May 31, 2017

RA for All Roadshow Visits Tampa Bay Library Consortium-- Day 1: General RA Training


Today I will be spending the day with a group of library workers who have come together from various libraries throughout TBLC for a day of general RA training at the Oldsmar [FL] Public Library.

Feel free to follow along whether or not you are attending.

Here is the full schedule with slide access.

9:30 a.m. – 11 a.m.-- RA for All: Readers Advisory belongs in every library, no matter its budget. The implementation of this vital service is the responsibility of every staff member-- from pages to directors, from those behind the scenes to the ones on the front lines. This program will remove the mystery behind providing great RA service. Using her “Ten Rules of Basic RA Service” as a guide, Becky Spratford will use your own love of your favorite books to show you how to help any patron find their next great read. It's not as hard as you think. But more importantly, you will learn why a staff that can harness the power of sharing a great read will become a stronger team and improve service to all patrons. This Session will also include-- Creating Your Own Reader Profile: Becky will help you take what you have learned to craft your own personal reader profile and start you on your first RA journey-- suggesting a good book to a fellow staff member.

11 a.m. – 11:15 a.m.-- BREAK

11:15 a.m. -- 12:15 p.m.-- Booktalking: Harnessing the Power of Sharing Books with Patrons: Booktalking is at the heart of what we do with patrons each and every day at the public library. Whether we are sharing books informally at the services desk, presenting a prepared list of books, or posting information online, talking about books is something we do each and every day. It is a core service, but it is also hard to teach. Booktalking is more of an art than a skill, but with the right guidance and some practice, it can go a long way toward engaging your patrons and re-energizing your staff. Join experienced Readers’ Advisory Becky Spratford as she shares the secret behind delivering great book talks, giving you tips and tricks you can begin using right away to hone your own skills. Rediscover the power and joy that comes from sharing books with patrons.

12:15 p.m. --1:30 p.m. -- Lunch
1:30 p.m. -- 2:30 p.m. -- RA Rethink: The Displays Edition:
Becky Spratford brings the display portion of her popular new “RA Rethink” series to you. In this presentation Becky will show you how to “rethink” your displays to make them more engaging for patrons without increasing your workload; in fact, she will help you to create better displays in half the time. While Becky will provide many examples and suggestions, this training will be highly interactive. Participation is expected with the goal of you leaving the session with a few display ideas all set and ready to be put out immediately.

2:30 p.m. -- 2:45 p.m.-- BREAK
2:45 p.m. -- 3:30-- Networking, Troubleshooting, and Success Sharing

To end the day Becky will lead a discussion of local RA issues, concerns, and questions. She will answer your library specific questions and encourage the group to work together to look for solutions, both today, and going forward into into the future. Remember, you can do much more working together than you can possible do alone, so let’s start combining forces today to tackle more, together, tomorrow.

Monday, May 15, 2017

Call to Action: Allow People To Dislike The Books You Suggest

For today’s Call to Action, I want to remind you of something very important, something that can derail library workers as they begin to help more readers...

If patrons don't like every book you suggested to them, that’s not only okay, it is actually a good thing!

Failure in general teaches you way more than success.  But in particular, why is getting a book suggestion wrong a good thing in our work with leisure readers? Well, honestly, we learn so much more from patrons when they don’t like something. They share much more detail about what they want to read and why when they are talking about what they did not enjoy. Think about yourself. It is much easier to articulate why you disliked a book than why you liked it. And, this information helps us to fine tune future book suggestions.

Take the example from my own reading that I include on my staff reader profile exercise:

Just about every single RA resource [from computers to people] has told me over the years that I should like Outlander, but I don’t. Understanding this nuance as to why I did not like it, has helped me to not only understand how to find better books for myself, but it has also made me more aware of the intricacies in helping readers. It has also allowed me to understand that everyone makes a bad suggestion now and again and no amount of research can stop that from happening because working with people is never predictable.

Now, while failure is both inevitable and leads to more information we can use to help our patrons better, there is actually a larger, more overarching reason why getting a suggestion wrong is helpful. In general, the biggest missing piece in established RA Service in America today is feedback. I know this from my personal experience and from the hundreds of library workers I encounter in my work.

More often that not, we suggest a book or two or three to a patron and we never hear back about how we did. Many times patrons come to us over and over for suggestions without ever letting us know what they have liked or disliked about our suggestions. We can’t even get them to tell us which methods of book discovery we are providing they like the most. Now, over the years, I have worked intensely with a few patrons [I still continue to work with one from my former library, weekly] to get very specific and detailed responses to every book I suggest. This non-scientific research has been time consuming, but I have learned a few things I want to share with you.

The best way we can encourage feedback is to make time and space for conversation at the library.

People are afraid to tell us that they didn’t like the book not because they think we will get it wrong again; no, that is not what is going on at all. I have found that more often than not, they are afraid to tell us we got it wrong because they are worried that we will have hurt feelings and won’t help them anymore.

That’s right, they still want our help when we get it wrong. This fact alone should free you up to accept more failure. They don’t want to lose you, their book discovery tool. They care much less about how much they liked your suggestion than we think they do. Add to this that we, as a group of library workers serving leisure readers, are starved for more feedback and you can begin to see one of our biggest hurdles we have to taking the next step toward more robust RA Service.

So how to stop this vicious cycle and create the space to fail on a suggestion but win at RA Service overall? One of my favorite tools is to make sure every time I suggest a book to a patron that I tell him or her something like, “Based on what you have told me about the books you have enjoyed in the past, this seems like a good option. But, if you aren’t enjoying it, bring it back and let me know. I have thousands of more options. We will find the right book for you. Besides, it’s no skin off my back, I didn’t write it.”

This mix of humor with a gentle reminder that not only do I not mind criticism, but that I have so many more books that I can substitute this one “dud” with, goes a long way toward enraging feedback and creating a space where the RA Conversation can not only live but flourish.

Of course, you don’t have a physical interaction with every patron; therefore, why don’t you start including statements like this on your digital and paper lists and bibliographies, or even stick a note at the end of some of the books. Have a statement like the one above. Something like, “Let us know if you loved this book, hated it, or fell somewhere in between. We want to know so we can help you better!” Have an email address, your phone number, your Facebook page-- multiple places where feedback can be given, but you have to make sure you are letting them know that negative feedback is okay.

When we make the RA conversation-- a truly honest back and forth sharing of ideas and preferences-- our priority and stop making the book we suggest our ultimate goal, then we are encouraging the RA journey. When you encourage the journey it doesn’t matter if your patrons love every book you give them. What begins to matter is HOW they felt about the book-- positively or negatively. Then we learn what our patrons want to read and why-- each one individually and overall as a population we are serving as a whole.

When you encourage the journey and do not put the focus on yourselves [or your employees] to get every suggestion right, you encourage the feedback we all desperately crave.

Now don’t worry about having to force a failure in order to practice this Call to Action; they will come.  The more RA work you do, the more you will get wrong. And, the more you help a specific patron the more he or she will feel comfortable telling you the honest truth about how much they liked or disliked a suggestion.

Get out there and make suggestions. Don’t be afraid of failure; in fact, let the patrons know you might get it wrong and encourage them to come back and work with you more. Let them know how helpful it is for them AND you to have the most feedback-- positive and negative-- possible. It will  help them get access to the perfect book for them and it will help you to help even more readers.

For past Call to Action posts, click here.

Friday, April 14, 2017

RA for All Road Show visits Cedar Rapids [IA] Public Library

Yesterday, I hit the open road to travel to Cedar Rapids Public Library to facilitate their library inservice training day, today. Personally, this marks the first time I have really delved into the state Iowa since moving to Illinois 20 years ago [up to this point I have only been to Dubuque, which is literally on the other side of the Mississippi River from IL].

In case you didn’t know, Cedar Rapids Public Library is currently a Finalist for the 2017 NationalMedal for Museum and Library Service. Why am I telling you this? Well, if a library that is doing this well still takes a break to train their staff, every library should.
I make that statement as a former library worker who craved more training, as the person who runs many of these trainings, AND as a trustee who has final say on a library’s budget.
With tight budgets, staff training is often the first thing to get axed. Please, if you are at a library that does not have staff training days, please show this post to your Directors. Ask them to contact me. As I said above, I am uniquely suited to advocate for staff training dollars since I understand all sides of this complex funding issue. I don’t even care if you hire me as a result, but one of my missions to to make sure library administrators understand what they are losing in service to their communities when they cut staff development dollars.
Again, if Cedar Rapids makes time for staff training, your library has no excuse not to.
Okay, I will get off that soap box now. Let’s look at what we have in store for today’s training.
8:30 a.m. – 10:30 a.m.  RA for All: Readers Advisory belongs in every library, no matter its budget. The implementation of this vital service is the responsibility of every staff member-- from pages to directors, from those behind the scenes to the ones on the front lines. This program will remove the mystery behind providing great RA service. Using her “Ten Rules of Basic RA Service” as a guide, Becky Spratford will use your own love of your favorite books to show you how to help any patron find their next great read. It's not as hard as you think. But more importantly, you will learn why a staff that can harness the power of sharing a great read will become a stronger team and improve service to all patrons.

10:20-10:30 Break
10:30 a.m. – 11:30 a.m. Booktalking: Harnessing the Power of Sharing Books with Patrons: Booktalking is at the heart of what we do with patrons each and every day at the public library. Whether we are sharing books informally at the services desk, presenting a prepared list of books, or posting information online, talking about books is something we do each and every day. It is a core service, but it is also hard to teach. Booktalking is more of an art than a skill, but with the right guidance and some practice, it can go a long way toward engaging your patrons and re-energizing your staff. Join experienced Readers’ Advisory Becky Spratford as she shares the secret behind delivering great book talks, giving you tips and tricks you can begin using right away to hone your own skills. Rediscover the power and joy that comes from sharing books with patrons.



Lunch 11:30-12:30
12:30-1:30  RA Rethink: The Displays Edition: Becky Spratford brings the display portion of her popular new “RA Rethink” series to you. In this presentation Becky will show you how to “rethink” your displays to make them more engaging for patrons without increasing your workload; in fact, she will help you to create better displays in half the time. While Becky will provide many examples and suggestions, this training will be highly interactive. Participation is expected with the goal of you leaving the session with a few display ideas all set and ready to be put out immediately.

This talk includes 1:30-1:45  Creating Your Own Reader Profile: Becky will help you take what you have learned to craft your own personal reader profile and start you on your first RA journey-- suggesting a good book to a fellow staff member.

All slides are accessible to anyone.

This schedule is also a great example of the type of interactive training I offer for ALL library staff. You can mix and match any of my programs to fit your librarys needs. I also will create a new program just for you. My past and upcoming programs as well as an updated statement on my availability can be found here.