RA FOR ALL...THE ROAD SHOW!

I can come to your library, book club meeting, or conference to talk about how to help your readers find their next good read. Click here for more information including RA for All's EDI Statement and info about WHY I LOVE HORROR.
Showing posts sorted by date for query best books pw. Sort by relevance Show all posts
Showing posts sorted by date for query best books pw. Sort by relevance Show all posts

Wednesday, July 1, 2026

ALA 2026: Wrap Up Post 2 of 2 (the Becky's Rant Version)

Back for day two of Becky's wrap up, but I do think after the holiday, I may come back with other people's  roundups as well. 

But right now, you can follow PW's libraries reporter who has Day 1 and 2 reports up now. But if you use the link I provided for all their library news, you can follow more as it is published.

I am going to address the opening and closing sessions in a moment, but first, I want to begin with some o fly observations from the Exhibit Floor.

  • The book stages were not a factor this year. At least to me. Look, they were there but unlike last year, I did not hear them or see people flocking to them. People were talking about the stages last year. And I am not surprised because a few months before ALA I was talking with the publishers who had me do moderating on this stages and all of them said they had nothing there this year. I thought they were just trying to get rid of me, but then I looked at the schedules and honestly, they were mostly publishers doing buzzes or stuff for YS librarians. So maybe your experience is different but I 100% did not factor them into my plans this year, and again, the last few years, I was at those stages more than ever.
  • I did not think there were as many big name authors there this year-- at least for adults. Don't get me wrong, there were huge people like John Scalzi and Tananarive Due, but the number of big name authors was down. But again, librarian, my experience may not be anything more than my experience. So I started to ask a variety of people who are bringing the authors in (leaving names and affiliations out but these are top people), and they told me that when the conference people reached out for names of authors, the ones that were chosen to appear were surprising to them. And it seems like there were few options for the people hosting the author panels via United For Libraries and LibraryReads as well. Again, at least for the adult side. The number of kid lit and teen authors was much higher.
  • I was heartened to see that the comics and graphic novelists authors were higher and more on point this year though. That is a win.
  • And the most noticeable but least surprising thing I learned on the exhibit floor was the number of vendors and even publishers who are all flocking to fill the B&T gap. Ingram could not step in and do everything-- obviously. B&T, for all of their issues, was a stalwart for libraries for delivering the highest number of processed books, uniquely tailored to your libraries call number and sticker placement quirks as well as the best provider of standing order authors. They developed these services over decades. What I saw was interesting. First publishers like PRH are trying to fill the ordering and inventory gaps by now allowing libraries to order directly from them with a cart system that we are used to. But second, and more interesting, I saw a variety of vendors offering parts of what B&T offered, no one offering everything, but pieces. For example, Amazon now will send your books to you from their new library ordering portal with mylar covers. They also are going to roll out a standing author program and there are people talking about Amazon leveraging their customer data to help libraries understand what books are most popular in their zip codes. Follett is also ramping up their services for public libraries. I have worked with Follett on ordering and cataloging through their school library linked systems for years as I have volunteered at the school library, but they are now saying they will be able to offer processed books and catalog records that will upload into systems that are not theirs. I also ran into many former B&T employees who are at many of the vendors and are sharing their knowledge with their new companies. My overall assessment of everything I saw (and I have only shared a few things), all of these promises and new services are going to take a few years to ramp up. In the meantime, we are all going to continue to struggle to get books on the shelf. Talking to librarians from all over the country, most are making due by hiring a few new people to process and teaching library associates how to do copy cataloging and processing as a job ON TOP of their other duties to make due. 

Again, those are my brief overview thoughts from the exhibit floor, but now I want to talk about the opening and closing sessions.

PW has a longer report of the opening session but I want to talk about one small part, but a part that ruined the entire session and quite honestly, clouded my entire experience at ALA,  the appearance of the Sharjah Book Authority CEO Ahmed bin Rakkad Al Ameri. This is all PW said about that, and it was buried in a paragraph with others:

At the welcome ceremony, speakers included Illinois Library Association president Carolyn Ciesla, Chicago Public Library commissioner Chris Brown, and Sharjah Book Authority CEO Ahmed bin Rakkad Al Ameri, who reminded the assembly that “knowledge should move freely across borders.” Dan Montgomery, wrapping up his first year as ALA executive director, praised Helmick and other volunteer leaders for their dedicated efforts, “not made any easier by the times we’re in.” 

First, our president, a nonbinary person giggled with excitement as they were introducing this man without telling us who it was at first. And then he came out. Here is what I said on Bluesky:

Not sure why ALA gave the mic and opening session stage to the librarian from UAE, a country that does not have intellectual freedom. I will make sure someone in charge has to answer this question.

To say I was incensed at him walking on the stage under the pretense that he was there to celebrate the libraries' 100th anniversary and to advertise that they were hosting the International Book Fair, would be an understatement. This is a place where being gay and especially being nonbinary like the person introducing this man is ILLEGAL. This is a place (UAE) where freedom of the press and intellectual freedom are squashed by rule of law. Freedom House listing for UAE gives them a score of 18/100 for Freedom. 18 out of 100! I am not exaggerating.

Why are we, the ALA giving precious time on the microphone to a man who got up there and praised his government, a government that is suppressing free speech. A government who are actively queer people existing. WHAT ARE WE DOING? These are people related to those who are doing the same thing here, in our country, the people the ALA and all of us have been exhaustively fighting for years. People who some library workers have lost their jobs standing up to.

I have no problem mentioning them with the many, many others in the library world who are celebrating milestones this year-- and there are a lot. I have no problem with him being on the welcome slide listing all of the international librarians that were attending. And I have no problem with them having a booth for the International Book Fair because that is an event that library people might want to know about. 

BUT to give this man a chance to speak at the mic, and give no one else that space, that is a choice I cannot get behind.  It is a slap in the face to every one of us who is fighting for intellectual freedom every single day.

Because I am me, I stopped paying attention to anything else after this and spent most of my night reaching out to others involved in ALA decision making and those officially working to protect intellectual freedom. Surprise, surprise (sarcasm) not a single one had any idea who okayed him to speak. And for a while many of these people were also surprised he got mic time. And then, but the next day, these same people (and there were a few) got back to me with sanitized responses that claimed things like:

  • He was speaking because it was a 100th anniversary for them and they are hosting the International Book Fair with ALA is a partner with.
    • My responses-- they have a booth, he doesn't;t need the mic too; you put a bunch of anniversaries on the screen but only he talked, many of which were major ALA specific initiatives.
  • They want to highlight the huge international support of ALA's 150th and he spoke for all International attendees
    • Again, they listed at least 4 major international attendees and any one of them could have spoken instead. 
  • While we might not agree with his country's politics, we cannot blame him for that. 
    • Okay this one made me mad because that is not the point. He can do whatever he wants and has to follow the rules of his country, that is his choice. BUT WHAT ABOUT OUR CHOICE? We actually have the freedom to make a choice to NOT support those who suppress intellectual freedom.

I need to be clear here-- asking someone to speak at the ALA Opening Session, giving them the mic, that is a choice. Not allowing someone to speak is also a choice. ALA made a choice that is 100% counter to everything we claim to believe in. I will not forget this. I will not stop talking about this to all of you and ALA people. And I will not stay silent.

As you can imagine, I heard nothing back after I countered these arguments. My friend Kelly Jensen told me all you can do is challenge them but in the end you will not get a response and also she said no one will admit who invited him. That is what I am finding out. I also found out along my journey of talking to people over the conference, that folks I thought were involved in major planning committees were relieved of their duties a few months ago. Hmmmmmm

Look, I have no proof but everyone knows ALA's finances are a mess. I am guessing a pay out from the UAE to ALA was involved. And look, if you are going to basically take a bribe-- because that is what it is when you go against everything you "believe in" and are fighting for in exchange for money. Let us talk in front of everyone with your blessing and endorsement and stay quiet because we paid you. Again, no proof but why else will no one go on the record to explain why he got the mic.

As you can tell, I am still upset about all of this, and quite honestly, it clouded my experience at the closing session which was added after the closing speaker cancelled:

As the United States celebrates 250 years of democracy, ALA leadership – current President Sam Helmick, President Elect Maria McCauley, Director of the Office of Intellectual Freedom Sarah Lamdan, and Executive Director Dan Montgomery – will discuss the issues at the heart of the profession: librarians as vanguards of intellectual freedom, information literacy and civic engagement, and libraries as welcoming spaces that provide a sense of community and belonging for patrons.

I will start my comments here by saying Sarah Lamdan is 100% better than her predecessor who thankfully retired. I will not say her name but I will say we had some clashes. All she did was say no when challenged to actually fight for our intellectual freedom. Lamdan is doing much better. One of the best ways to see that, as soon as the former head of OIF retired, magically Kelly Jensen (the leading journalist fighting for our intellectual freedom) was included in the ALA's fight against censorship.

Before the conference began, I was hopeful about this conversation but as you can imagine, after that Opening Session experience, I was less so. Well I was not disappointed in my lowered expectations. This conversation had NO TEETH. Instead of interrogating the state of censorship in America, instead of rallying us to fight with renewed energy, instead of giving us things we can do to work together both in our communities and across the country, instead, they gave us a conversation about JOY?!?!? 

They wanted us to joyfully rally our comunities about all the great things libraries do. She wanted if to focus on our joy of serving those patrons. They wanted us to look at joy as an act of resistance.

This last one mad me even more mad, but I was too tired to put that on socials. We need actual resistance, I don't care if this attack on all of us is taking an emotional toll on us. It is not taking an emotional toll on enough of us. Too many library workers say things to me like-- well that is their problem or my community is fine. People, it is not. I am on the ILA's Intellectual Freedom committee-- in a  state where book banning is technically illegal-- I can tell you our meetings are filled with libraries needing help (school and public) as their freedoms are being eroded. 

Joy is not the resistance we need. The other side of this debate has all the time and money and federal political support to keep pudding away at our freedoms. They ar not going to stop. And with power and money int heir corner, JOY will never be enough. In fact, this argument by ALA leadership that we should take a break, deal with our emotional health, and not do anything other than be joyful is a kick in the gut to those of us engaged in this fight. What we need from ALA is a clearer, stronger, and quite honestly, more anger fueled game plan to really fight back. What we got instead was some touchy feely nonsense.

Lamdan also said we should lean on others if we need it, but again, too many library workers are ignoring the problems either because they think they are not relevant to them or because they hide hoping people don't go after them. But first, everyone is in this fight whether we want to be or not. And second, ignoring the issue is what got us in so deep to begin with. How can we lean on others when you are not rallying them to help us.

Look, I clearly had a lot of thoughts about ALA's messaging. And they are very critical. But I went to this conference knowing I might feel this way. I went as a member who writes for ALA's publishing division. And I went and am a member because I truly believe if you want to fight to make something better you do not abstain. No. Instead you stay and become a thorn in their sides. You fight from within. I have been doing that for years and I will continue. And I do this with the knowledge that I have colleagues on the inside who must stay silent publicly but appreciate that I can fight for them. 

I promise to all of you, I will keep fighting and I will keep being a member. They are not going to be able to get rid of me that easily. I know many of them read this blog because it gets back to me through other channels. So to those in charge, I say-- If you thought I was fighting before, you haven't seen anything yet.

Wednesday, June 24, 2026

Get Ready for ALA Annual Even If You Are Not Attending: Including Becky's Blogging Schedule and ALA Coverage Plan

ALA Annual starts Friday and I know not everyone who reads this is going, but (and I tell you from experience when I missed the conference) the conference provides resources that can be used even if you are staying home. And I am here to help everyone, but especially those who are not going to be there to get the most out of ALA Annual and the opportunities it makes available. 

I will have a series of posts--today, tomorrow, and then the blog will be off while I attend ALA but back early next week with in-depth recaps leading up to the July 4th Holiday. (Plus my Horror Genre Preview which will go live July 1.)

It all begins today with me sharing resources.

First up, PW has extensive previews. Go here and then scroll to the bottom for more preview links. And then keep following PW all conference long by using their "libraries" tag. They will have recaps throughout. I love the coverage because I cannot be everywhere myself and I use the recaps to see what I missed. But, if you are busy, especially if you are covering for others who are attending ALA Annual, don't worry, I will have a roundup of all the PW coverage as well.

Library Journal also has coverage. Use their ALA Annual 2026 tag to see it all. Of special note however is their Aisle by Aisle Guide of the Exhibit Hall. Even if you are not at ALA you can see the deals, coupons, and get to know some vendors you might not be aware of. You can shop from home-- literally. Browse what is available and being promoted and get in touch with the vendors. I know for a fact that they honor the conference specials even if you did not go, as long as you tell them you were browsing from afar during the conference.

Also, Sourcebooks and LJ always provide a Galley Guide for ALA Annual. From the guide's intro

"Highlights of attending the ALA Annual conference this year include a multitude of books to discover on the exhibit floor. Library Journal’s Galley Guide lists the many ARCs on offer. It also includes an In Booth signing schedule arranged by day and time, so attendees can keep up with author visits across the conference. LJ’s Galley Guide includes adult titles but be sure to check in with all the publishers for YA and children’s book giveaways and signings. Thank you to Sourcebooks (Booth No. 3021) for sponsoring this catalog of titles to know, read, and share."

I have written extensively about how EVERY SINGLE ONE OF YOU can use the ALA Galley Guide as a RA Tool. Here is my post about it from last year. I use this guide more for planning, displays, and collection development than I do for using it to run around and get free books. Speaking of, if you are attending, don't be that person with the wagon or multiple tote bags hoarding all the books. Here is a post I wrote ten years ago about this disgusting habit (and it still holds true). But back to the Galley Guide as a resource, please read my post from last year where I outline 4 ways the guide is an amazing and useful resource, all of which nothing to do with being there.

And again, click here to access this year's Galley Guide. This is the number one best resource for all library workers who do collection development and RA that comes out of ALA Annual each year.

That's all for today, but here is the schedule of what you can expect going forward through 7/6:

  • 6/25: Becky's Schedule so you can know where to find me, including my specific appearances
  • 6/26 and 29: Blog is off while I attend ALA but check bluesky for updates
  • 6/30 and 7/1: Detailed recaps of what I saw and learned plus links to reports others on things I missed.
  • 7/2: Come back before the July 4th holiday because I will be linking to my LJ Horror Genre Preview in the July issue and I will have a giveaway of the upcoming second Never Whistle at Night anthology (on both blogs).
  • 7/3: That is the July 4th Holiday observed so RA for All is off
  • 7/6: This one is exciting-- I will be posting and writing about NoveList's brand new RA Competencies. They were released last week, but I want to give it the eyes it deserves and that means waiting until AFTER ALA Annual and the July 4th Holiday.
As you can see, I have a lot planned. I hope you come back and check it all out. Please don't forget, I have a link to "Feedrabbit" in the right gutter over my logo on every page of the blog. You can use that to get an emailed version of every post. It is the best way to stay up to date.

It is going to be a gauntlet over the next 10 days, but I've got you. Back tomorrow with Becky specific information. 

Monday, April 27, 2026

Resource Reminder: Forward Reviews

I want to start the week with a reminder that reviews are not only for those of you who make purchasing decisions. 

Reviews are a recourse to help you identify titles that your patrons may enjoy as well. In some libraries, you might find a great suggestion for a patron and then you can pass it on to be bought by the collections people. But some cannot. I am just making it known that I understand that before moving on.

Okay, back to using reviews as a resource.

We are all aware of using Booklist, LJ, and PW reviews as a resource, especially those of us who use NoveList because they appear in the records for a book in that database. We read them to get plot info, appeal, and readalike options. It is quick and reliable way to have human provided information.

But, do you remember to also check Forward Reviews

Foreword Reviews has been out there since 1998 providing trade book reviews of the best titles from independent presses, in print and online.

What its Forward Reviews? Here is information (edited by me) from their About page:

Since our inception in 1998, Foreword Reviews has never strayed from its mission to help booksellers and librarians discover great books from indie presses. At a time when the trade media devoted nearly all its attention on the larger corporate publishers like Random House and Simon & Schuster, the debut of Foreword Reviews introduced a new stream of quality reviews of independently published books to the wholesalers and distributors where booksellers and librarians order their books. The United States has always recognized the importance of a fiercely independent press—one that embraces freedom of thought, multiculturalism, religious diversity, and an understanding that profit motive shouldn’t be the only criteria used when deciding whether to publish a book. The fact that Foreword’s business model was built around indie presses caused many heads to turn in the book industry.

Foreword Reviews is dedicated to the “art” of book reviewing. With a review team of talented writers who are experts in their fields, our book-industry journal is designed for a discerning readership—in recognition of the fact that quality paper, generous use of white space, and creative design encourages a time investment by readers.

Foreword’s reviews are not annotated summaries of books. Instead, they are insightful critiques, robust in length and thoughtful. That is why our readership loves us so much. And why our reviews are licensed to wholesalers like Ingram, Baker & Taylor, Bowker, Cengage, Ebsco, and others. Librarians use databases of reviews provided by these wholesalers or distributors to choose books for their stacks. It is unusual for them to shop outside of these vendors, and having a review attached to a book is almost always a minimum requirement for a sale, especially at public libraries.

Thanks to the loyal support of scores of indie presses—from established publishers smaller than “the big five,” to university presses, and even some self-published authors—Foreword Reviews is primarily supported by advertising revenues, not expensive annual subscriptions or newsstand sales. The endorsement of these publishers has kept our message vital to a loyal and growing group of booksellers and librarians, distributors and wholesalers, who don’t just want to offer a media-driven list of bestsellers to their customers and patrons. Foreword’s foundation was built on reviewing literary fiction, poetry, children’s picture books, translations, and topics like climate change, diversity, and multiculturalism. Most importantly, we strive to promote voices that are unheard, overlooked, or even silenced.

In the late 1990s, when Foreword launched, indie presses were rarely covered by Publishers Weekly, Library Journal, Kirkus, Booklist,and School Library Journal. In fact, during publishing conferences like the Independent Book Publishing Association and PubWest, review personnel from these magazines often openly discouraged audience members from sending their books in for review! Soon after our debut, some of the most prestigious literary presses started to get coverage in PW and the other magazines. Some of these presses included Milkweed, Grove Atlantic, Algonquin for fiction and Sourcebooks, Workman, Amacom and some university presses for nonfiction. Not surprisingly, after budgets at the big five publishers started drying up, and after years of seeing Foreword supported by the very presses they were ignoring, the industry review journals started to cover indies with more flourish.

In the past, “indie” mostly meant self-published authors. Now indie means anyone not published by HarperCollins, Simon & Schuster, Penguin Random House, Macmillan, and Hachette. Larger indie presses include Bloomsbury, Sourcebooks, WW Norton, Houghton Mifflin Harcourt, Oxford University, and a dozen or so others.

Indies are not for everyone. Foreword is not for everyone. There are many booksellers who are only able to stay alive because they dedicate themselves to trying to keep up with the chains and stocking bestsellers. Same holds true for smaller libraries. But Foreword is essential for the librarians and indie booksellers who are working to establish themselves as a special place in their communities. They value what indie presses are doing in literature: quality assured by editorial teams who are all about keeping the art of publishing alive.

And it is all free. Quality reviews of many books you cannot find in the trade journals. From any page you can sort by:


For example, a click on "Horror" under the fiction genres gets you this.

I tend to look at Forward Reviews on a regular schedule, about once a month. I use it to read reviews, to see trends as they emerge, and to find outside the box recommendations for patrons or myself.

I really enjoy that there are separate tabs for starred reviews and editor's picks. That gives me 2 categories of books that rise to the top.

Add Forward Reviews to your resources, use it to help readers, and make it part of your own continuing education as you are updating your own knowledge on a specific genre.

To help remind you, I have added this post and Forward Reviews itself as a resource on my Free Genre Resources document that is always available here and on my 10 Rules page (Rule 7).  

Thursday, April 16, 2026

PW Summer Reads 2026: An Epic Year Round Resource

Logo for Publishers Weekly to the left and the words "Summer Reads 2026" to the right. Click on the image to enter the site.

The PW Summer Reads 2026 database is now live! Always the first one of the year to pop up, PW's Summer Reads is also one  of the best YEAR ROUND Resources hands down. Why? Well let's start with a screen shot of the main page.

Screen shot of the opening screen for the PW Summer Reads 2026 database. I explain what you see there in the text of the blog post. Click on the image to explore the site.

The PW Summer Reads database is more than the sum of its parts, those parts being the wide swath of categories offered. Every genre, nonfiction, and books for kids of all ages, each has their own tab with picks.

As you can see, they also make backlist access of every Summer Reads and year end Best Books list going back to 2012 easily accessible from the top of the page.


Let that sink in.... EVERY SINGLE SUMMER READS AND PW YEAR END BEST LIST IN ONE PLACE. This is AWESOME!

Nowhere will you find a resource that puts this many "sure bet" options in front of you so easily. There are literally hundreds of titles here, at your fingertips, both old and new, that you can confidently suggest to readers immediately. And so many readers. Readers who read across all age levels [down to infants] and in just about every genre. 

And, since every title is annotated, you also have a book talk [or annotation] for each title right there. You don't have to have read the book to suggest it. [Reminder: Use the Words of Others.]

I could keep gushing about how much I love this resource but I would rather you played around with it yourself.

Click through, check out the upcoming titles, but also look back at older titles, read the annotations, check genres you love and those you don't normally read, especially those you don't normally read because you will learn much about the current state of that genre [trends, popular authors] this year and by going back a few years. You can literally watch trends as they happened. You can both get access to some great sure bet suggestions AND brush up on your genre knowledge all in one place.

Spend some time really getting to know this resource. And then use it-- all of it-- including past years and both summer and year end lists-- to make your own lists for your readers. Make displays and lists [online and in the building], make suggested reading lists by genre, by year, by whatever you want. Just embrace the wealth of information available to you with one click and help readers in ways they would not think to help themselves.

Proof reading this post before publishing it, I realize how many times I am repeating myself about using the entirety of the information that PW is making available here, but I also know from years of suggesting this resource to people that you don't always listen to me. And so, I will keep beating this drum of using best lists all year long and especially checking the backlist until I run out of breath [or strength to type].

Go check out this database of "sure bet" reads for any season, and keep it bookmarked for use anytime you need a solid suggestion [especially for those hard to satisfy readers].

It is NOT just for Summer.

Tuesday, February 24, 2026

Using Awards Lists As a RA Tool: 2026 International Booker Prize Long List

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.  

From the article via PW covering this announcement:

The 13 titles on the 2026 International Booker Prize longlist have been announced.

The selection was made from 128 books submitted by publishers and celebrates the best works of long-form fiction or collections of short stories translated into English and published in the U.K. and/or Ireland between May 1, 2025 and April 30, 2026. The titles were chosen by a judging panel including author Natasha Brown (chair); writer, broadcaster and Oxford University Professor of Mathematics and for the Public Understanding of Science Marcus du Sautoy; International Booker Prize–shortlisted translator Sophie Hughes; writer, Lolwe editor, and bookseller Troy Onyango; and novelist and columnist Nilanjana S. Roy.

Starring a "queer Argentinian conquistador," a "Japanese novelist with a ‘monstrous appetite’," and a "Danish noblewoman accused of sorcery," among other memorable characters, the longlisted books "use our collective histories to shine a light on our current preoccupations, and on the power imbalances that stem from gender, money and geopolitical forces," per the Booker Foundation. The titles hail from 11 original languages, by authors and translators representing 14 nationalities across four continents.

All but three of the books have U.S. editions out or forthcoming.

The longlisted titles are:

  • The Nights Are Quiet in Tehran by Shida Bazyar, translated from German by Ruth Martin (Scribe)
  • We Are Green and Trembling by Gabriela Cabezón Cámara, translated from Spanish by Robin Myers (New Directions)
  • The Remembered Soldier by Anjet Daanje, translated from Dutch by David McKay (New Vessel)
  • The Deserters by Mathias Énard, translated from French by Charlotte Mandell (New Directions)
  • Small Comfort by Ia Genberg, translated from Swedish by Kira Josefsson (HarperCollins, forthcoming September 1, 2026)
  • She Who Remains by Rene Karabash, translated from Bulgarian by Izidora Angel (Sandorf Passage)
  • The Director by Daniel Kehlmann, translated from German by Ross Benjamin (Summit)
  • On Earth As It Is Beneath by Ana Paula Maia, translated from Portuguese by Padma Viswanathan (Charco, U.K. edition)
  • The Duke by Matteo Melchiorre, translated from Italian by Antonella Lettieri (Foundry, U.K. edition)
  • The Witch by Marie NDiaye, translated from French by Jordan Stump (Vintage)
  • Women Without Men by Shahrnush Parsipur, translated from Persian by Faridoun Farrokh (Syracuse UP)
  • The Wax Child by Olga Ravn, translated from Danish by Martin Aitken (New Directions)
  • Taiwan Travelogue by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin King (Graywolf)

Click here to read the full article. 

The Booker Prizes have an excellent website that makes the information about their awards not only easy to access, but also they provide a lot of background information that helps us help more readers. And from the current year's page you can easily access past years from the "International Booker Prize" drop down menu.

But back to this year, I love all of the information they provide. For example, in the article about this year's longlist it says:

The longlisted books travel across continents and centuries. There are bittersweet love stories and dark fairy tales; fictional accounts of historic figures and narratives steeped in magical realism. With themes ranging from witchcraft to warfare, resilience to cruelty, magic to murder, and revolution to renewal, the nominated books offer explorations of our capacity to endure, resist or reinvent ourselves, and to remain hopeful in challenging times. 

This paragraph is a great way to promote this longlist in general and makes it sound like all the books are worth a read. But then there is more links as you scroll down, including:

And there is even more if you keep scrolling. So much great useful information. This award and the website that promotes it is really the perfect example of why award longlists can be one of your best resources. 

But in this case, we have more to be excited about. Translated fiction is getting more popular. This is mostly because there is more of it being made available to the US market. Case in point this year, as mentioned above, 10 of the 13 titles are already available in the US market. In years past we had to wait until AFTER the award was given to even get a majority of these titles into our US Library patrons' hands.

The books are more easily available, people want to read them, and now we have a reliable resource of the titles that are worth our time to consider for our collections.

Get over to the Booker International Prize website and order the 10 current longlist titles that are available right now. And go back and look at what past year's titles you could add from here as well. Your readers will be so happy. Again, from the current year's page you can easily access past years from the "International Booker Prize" drop down menu.

Remember, your job is to help your readers find those great reads they would not find without your help. And the International Booker Prize longlists from the last few year are your best resource to identify titles that will do just that.

Monday, January 26, 2026

This Year's Oscar Noms Are Out, Now Get Ready for 2026's Page to Screen Adaptations With Becky's Advice On Making Better Page to Screen Displays

Last week the Oscar Nominations came out and as always, there is a lot of overlap for us in library land. This year's best adapted screen play nominations are:

NOMINEES
BUGONIA
Screenplay by Will Tracy
NOMINEES
FRANKENSTEIN
Written for the Screen by Guillermo del Toro
NOMINEES
HAMNET
Screenplay by Chloé Zhao & Maggie O'Farrell
NOMINEES
ONE BATTLE AFTER ANOTHER
Written by Paul Thomas Anderson
NOMINEES
TRAIN DREAMS
Screenplay by Clint Bentley & Greg Kwedar

Of these, Bugonia, is adapted from a Korean film but otherwise the others come from books. 

Hamnet is also unique in that the author of the novel it is based on was a writer for the film. Recently, PW did this interview with O'Farrell about that page to screen process.

But this is a list of and conversation about last year's adaptations. As all of us who work in libraries know, all page to screen adaptations are popular with our patrons all year long. Plus, books that have been out a while, get new life from their screen release, even if the author had nothing to do with the adaptation.

So while we field requests for these books-- Frankenstein, Hamnet, Train Dreams, and Vineland (One Battle After Another)-- and people have to place holds, why not offer "while you wait"t suggestions of  2026's screen adaptations. The books are all available right now. And bonus points for the readers being excited that they are "ready" when the movies and TV shows follow soon. 

Where can you find those title though? LitHub has you covered with this comprehensive 2026 Literary Film and TV preview.

Look you can make the same old same, old display of current and past Oscar nominees in this category. Or you can give people a better display, one that allows them to read a great book and get ready for the pop culture discussions that are coming every soon. You look like a genius. You have anticipated their needs and given them a book they could not find without your help. They will remember it is the library that helped them enjoy the screen release and the pop culture moment around it even more.

And let's be honest here. If you put up an Oscar nominees display, it won't have any of this year's books anyway. They got checked out last week and there is a long holds queue. They won't be as satisfied with past nominees as they will be with the possibility of getting ahead of next year's awards cycle.

The concept of being a head of the curve, rather than a year or two behind, is way more exciting to readers.

So get that "Moving from Page to Screen in 2026" display up this week instead of an Oscar themed one. Trust me. They will love it. And come this time next year, they will be thanking you.

Tuesday, January 13, 2026

2025 Overall Book Sales Data

The last piece of the puzzle for me to craft my annual year in review program is now available. (Click here for a description via CA Library Learning but check your system's access to PCI Webinars.)

And that piece is the year end print book sales report. Click here to see the full list via Publishers Weekly. Please note, this is all print sales in one list with number of units sold. It is VERY important for us to see this data so that we understand exactly what sells regardless of where we would shelve it in the library.

If you subscribe to the Book Riot Newsletter you would have also received this in your inbox, breaking down the PW data:

Print book sales held steady in 2025

After peaking in 2021 with 839.7 million copies sold, print sales seem to have settled in at a new post-pandemic normal. Publishers Weekly reports total unit sales of 762.4 million in 2025, which is 0.3% higher than in 2024 but more than 9% lower than the 2021 high.

Mel Robbins’s self-help juggernaut The Let Them Theory topped charts with more than 2.8 million copies sold, followed closely by Rebecca Yarros, whose Onyx Storm moved a combined total of more than 2.7 million units across two editions, and Suzanne Collins’s latest Hunger Games prequel, Sunrise on the Reaping , which notched just over 2 million.

Other notable data:

    • 👑 BookTok fave Freida McFadden takes home the crown for Most Popular, with three unique titles among the year’s top 20 bestsellers
    • 👧 8 of the 20 bestselling titles are kids’ books
    • 🐻 The oldest book to hit the top 20: Brown Bear, Brown Bear, What Do You See? by Bill Martin, originally published in 1967
    • 💸 Bank on The Nightingale. Kristin Hannah’s four-quadrant hit, which hit shelves a full decade ago, sold nearly half-a-million copies.

Also notable, though sadly unsurprising, is the utter lack of diversity among the year’s top sellers. Indeed, the last time an author of color appeared among the 20 best-selling titles of the year was 2022 (Michelle Obama’s The Light We Carry).

I will be using this list of bestselling books and comparing it to top library checkouts and best lists as part of my Year in Review program. Again those slides will be available to all on February 11th, but check with your library systems learning platforms to see if you will have access. I trained CT libraries yesterday and they get access. It means our 4 month contract comes with a 5th bonus trading. 

One last book sales fact that PW noticed which I saved as part of my year in review resources, Bible Sale broke record sin the US and UK. Click here for the article about it. I am not sure how this will factor into my program yet, but it is definitely worth noting.

More on all of this soon as I will begin building the presentation this week.

Tuesday, December 16, 2025

2026 State of Reading via Everand and Fable

As the year comes to an end and well into the new year, we will be seeing reports on the biggest books and reading stories of the year. I am gathering many of them here on the blog in anticipation of my big 2025 RA Year in Review coming in February via PCI (slides will be here on the blog for free).

One of the more interesting reports I have seen in the last few days cam from Everand and Fable and used 2025 data to create a 2026 State of Reading Report. I was pleasantly surprised by some of the conclusions they drew. First a summary of the report via PW here:

Personal recommendations continue to drive book discovery more than algorithms, social media, and other digital tools, according to the 2026 State of Reading Report released today by Everand and Fable, the online reading and book club platforms owned by Scribd.

The report, based on user activity data from both platforms and a survey of more than 1,600 U.S. adults using the platforms, found that "people I know personally" ranks as the top source of book discovery, holding its position even as AI-driven recommendation tools proliferated in 2025. That human connection extends to sharing a book with a friend or family member, which proved more popular then "saving to a shelf" as the most common action readers take after finishing a book.  

"Despite rapid technological progress and a year defined by AI experimentation, readers are choosing relationships over recommendations," said Tony Grimminck, CEO of Scribd. "While word of mouth isn't novel, this shift is happening within digital reading, as people find new spaces—like Everand and Fable—where sharing can scale." 

The report draws on user activity data from Everand between Jan. 1–Oct. 31, 2025, and from Fable users between Jan. 1—November 5, 2025. 

Fable was acquired by Everand earlier this year and the company reports than 820,000 people joined a new book club on Fable the platform year. The sociability of clubs is proving popular, with 37% of all surveyed readers participating in at least one and the most active readers belonging to three or more clubs on average. In-person clubs are the most popular, followed by fully virtual and then hybrid clubs. 

The report also documents format shifts in digital reading. Audiobooks edged ahead of e-books as the most common way people read digitally, though more than half of readers report using both formats. Smartphones have become the top reading device, driven by convenience and portability, though 25% of readers still prefer print. 

More than half of surveyed readers say they're reading more than last year, with the fastest growth among 18–24-year-olds. Fable users finished an average of 20 books in 2025, while the remaining half completed between 6–15 books per year. Average reading streaks hit 29 days, up 300% year-over-year, with nearly a quarter million readers maintaining 30-day streaks. 

Those surveyed cited stress relief as a primary motivation, with 54% pointing to it as their reason for reading more this year and 83% reporting they feel relaxed when reading. Half of readers reread three or more books this year, mainly for comfort and escapism. 

Romance; mystery, thriller and crime; and science fiction and fantasy remained the most-read genres in 2025. However, 80% of readers tried a new genre this year. Rebecca Yarros's Empyrean series dominated the most-read titles, with the three books in the series taking the top three spots. Yarros's books garnered one million hours read on Everand this year.

I urge you all to click here and explore the 2026 State of Reading Report in its entirety. I will be using some of the data and conclusions in my February program as well. There is a lot here for us to parse and then use to better serve our patrons. But like I always do, I want to take all of the year end information, from best lists to best seller, from biggest news stories to trends, and more to give you the most efficient and effective consolidation of information so that you can craft your 2026 service plan without having to dig through everything yourself.

Wednesday, November 5, 2025

Backlist Coming Back Into Front List: Hamnet by Maggie O'Farrell and a Reminder of Why Reading About Books Is More Important Than Reading All The Books

Book cover of Hamnet by Maggie O'Farrell. Click on the image for my review or see the text the post.
Hamnet by Maggie O'Farrell is back in the book conversation. It is being highlighted by NYPL and a movie adaptation from Academy Award winning director, Chloé Zhao is in theaters now. 

If you missed this book when it first came out, here is the review I have on Goodreads to help you understand the appeal of the book ASAP.

Again, you do not have to read a book to understand if a reader will like it, not do you have to read the book to know what else to suggest to someone who did enjoy it. 


4.   Write down adjectives about what you read; plot you can find.
5.   Read ABOUT books widely, so you can suggest widely

In this example, you would have found out about Hamnet as a movie and featured title for NYPL by following those newsletters. And, I am helping you understand why someone would like the book, not what happens by sharing my appeal/adjective based review

So I did 4 and you are doing 5 (both with those newsletters/reading this blog and by reading about the appeal of Hamnet from me)

Remember being a great Readers' Advisor has nothing to do with how many books you read, but rather how you use resources-- including working together and reading widely about books. You will never read all the books, so stop making that your goal. You cannot accomplish it AND it is not as helpful as you think.

Click here for my review of Hamnet via Goodreads or just look below:

Three Words That Describe This Book: character driven, complex, atmospheric

This part of the plot description and a suggestion by my friend Steve is why I first downloaded this audiobook from Libby:

"Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history."

This is why go read this book-- to see an author's take on how things that have never been discussed, the support behind one of the greatest authors in all of western literature, how that could have affected his work.

That part is there, but this book is 5 stars for me because of how O'Farrell tells the story. Specifically Agnes and Hamnet these characters are built meticulously and compellingly, as is the historical detail. 

This story is told through those characters and through their eyes. We see the specific of the family but also the reality of the time. Their povs are layered in too, but in a way that is not immediately obvious. It is not as if the story ends from one pic and picks up with the next. And yet, it is not so disjointed that you cannot follow. It is a layering. Each time the pov changes the story is enhanced and as a reader, you follow O'Farrell-- wanting to know what is coming next, all the while knowing it is not going to end well, but still, you want to keep going.

The scene of Agnes watching Hamlet being performed is one of the most moving scenes I have ever experienced in a story. The whole book built to this one moment. We know it is coming. We know Hamnet will die from the start, we know Hamlet will be written and be a huge hit, changing the history of literature forever, but to show us, the reader, Hamlet through the eyes of poor Agnes, seeing it for the first time, without all of our historical knowledge was amazing.

Please remember, most readers will be well versed in Hamlet so the awe and sadness and originality, and bewilderment of Agnes, to feel that took skill and work on O'Farrell's part. I for one appreciated it greatly. 

Due to the way the story is written-- listening is best in large chunks. This is not a story you can pick up and put down easily both because you want to read dit and because it is complex. The voice of the narrator was pleasant and I found myself wanting to return to her. She painted the picture and embodied the novel for me.

Readalikes: I am seeing people comp it to MATRIX by Groff which I read and I can definitely agree on that, but it also reminded me of other reimagines of literary figures and their work like MARCH by Brooks.

But it also reminded me of NICKEL BOYS by Whitehead. That one is based on a true, terrible event. It is complex, character centered, and atmospheric. You get immersed into the world with characters who are standing for real people. I also listened to NICKEL BOYS last year.