Attack of the Best Lists 2023: A Year in Reading

This post is part of my year end "Attack of the Best Lists" coverage. To see every post in my "Attack of the Best Lists 2023" coverage [and more backlist best of the year options] you can click here.  

One of my favorite end of the year, "best" events is The Millions' annual essays on "A Year in Reading." From editor's  the landing page for this year's 19th installment of the series:

 YIR gathers together some of today’s most exciting writers, thinkers, and tastemakers to share the books that shaped their year. What makes the series special is that it celebrates the subjectivity of reading: where yearend best-of lists pass off their value judgement as definitive, YIR essayists take a more phenomenological tact, focusing instead on capturing the experience of the books they read. (I’m not particularly interested in handing down a decision on “The 10 Best Books of 2023,” and neither are this year’s contributors.) This, of course, makes for great, probing essays—in writing about our reading lives, we inevitably write about our inner lives.  

YIR contributors were encouraged approach the assignment—to reflect on the books they read this year, an intentionally vague prompt—however they wanted, and many did so with dazzling creativity. One contributor, a former writer at the Metropolitan Museum of Art, arranged her essay like an art gallery, with each book she read assigned a museum wall label. Another, whose work revolves around revolutionary and utopian movements in history, organized her year by the long-defunct French Revolutionary calendar. Some opted to write personal narratives, while others embraced the listicle format. Some divided up their reading between work and pleasure; for others, the two blended together (as is often the case for those of us in the literary profession).  

The books that populate this year’s essays also varied widely. Some contributors read with intention: one writer of nonfiction returned to reading fiction for the first time in 13 years; one poet decided to read only Black romance in the second half of 2023. For two new parents, their years in reading were defined by the many picture books that they read to their infants. There were, however, common threads. This year, contributors read one book more than any other: Catherine Lacey‘s novel Biography of X, which chronicles the life of a fictional artist against the backdrop of an alternate America. Also widely read and written about were Dan Sinykin‘s Big Fiction, an analysis of the conglomeration of the publishing industry, and the works of Annie Ernaux (a star of last year’s YIR as well).

I’m profoundly grateful for the generosity of this year’s contributors, the names of whom will be revealed below as entries are published throughout the month, concluding on Thursday, December 21. Be sure to bookmark this page and follow us on Twitter to stay up to date.

—Sophia Stewart, editor

They ask a diverse list of writers, most of them "up and coming" or a little under the general radar to write an essay for which the only requirement is that it is on the topic of their personal year in reading. The result is an enjoyable series of essays that are united by theme but vary in style and content.

They also have a YIR tab at the top of The Million's homepage to access these valuable essays from the current year and any and all past years in one easy to find place. 

These "A Year in Reading" pieces are fun to read. Any reader will enjoy perusing these essays because they are all personal accounts of what reading meant to the author in the year that just passed. Yes there are lists of books, but it is through the author's exploration of why they chose these titles, what they meant to that person, and just in general, what reading meant to them in their life over the past year that these essays viscerally communicate the power of reading. And reading about others being positively affected by the act of reading is a joy for all readers to read. [So many "reads" in that sentence.]

However, besides the personal joy you will get from reading this, there are also tangible RA and Collection Development elements to these essays.

First, there is the training you get on appeal, and why different readers like different books. One of the hardest things to get practice on in our field, is hearing readers talk about what they like to read and why. We need to gather voices from across all experiences in order to have more examples of why people like the books they like. The more examples we have experience with, the more easily we can help readers as they approach us with their inquiries. It also allows us to think more broadly about readalikes, which is one of the drums I beat frequently. This archive is a treasure trove of dozens of readers sharing their feelings on appeal.

Second, and most obvious, the lists of books that come out of the series. These are not all books that came out in 2023. These are simply the books other authors read in 2023. You will expose yourself to many titles you either haven't heard of or haven't thought about in a while, through these essays. You can even turn the entire series itself into a display using the books. "A Year in Reading" can be your title. Make a quick note about the source of the display topic and then fill it with all of the books. Use past year's titles if you run out. It will be inclusive, diverse, and whole collection by default. 

Third, make it interactive by asking patrons to add their "Year in Reading" titles. Use this as a fun conversation starter with your patrons and staff. Instead of asking for "favorites," ask people to share their Year in Reading. Just that. Leave it open and see what you get back in response. You can even start with staff. Send out an email to all staff and ask for 5 titles that represent their year in reading. Then make small displays in the building and on al lot your online spaces. This can run for weeks. Then use this post to help you ask patrons to add their "Year in Reading."

Fourth, the authors that are chosen to participate themselves are a great resource. As I mentioned above, The Millions tends to ask a diverse group of up and coming authors from across the entire landscape of writing today. Use this series to discover new authors, both to add to your collections and to suggest to patrons.

Remember to think outside of the "best" box if you want your patrons to really notice and understand how you help them to discover books they would never find on their own. Yes, we need to have the more traditional "best books" displays up, but make room for some less traditional displays that not only capture those "end of the year" feels, but also, allow them to participate in a more meaningful way.