RA FOR ALL...THE ROAD SHOW!

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Monday, September 30, 2024

31 Days of Horror Begins Tomorrow: Here is a "Fragile" Preview With Special Giveaway

[This is a cross-post with RA for All: Horror]

It is September 30th, but it is also a Monday. What does this mean? Well for me it means I get a bonus 31 Days of Horror post. I could start tomorrow, but it is a Tuesday. Monday feels like a better day to start, and since I am in charge of this madness, I a going to do what feels best to me.

And I have the perfect post to mark the start of my 31 days blog-a-thon.

Fragile Anthology is a high concept anthology by a brand new micro press, run by Michael Allen Rose, a library worker here in the Chicago burbs, a dear friend, multiple Wonderland Award winning author himself, (for context., Gabino Iglesias has won this award), and President of the Bizarro Writers Association. Before I get to a review of the book itself, I asked Rose to talk about his press. Here is what he had to say:

RoShamBo Publishing takes its name from RoShamBo Theatre, the little theatre company I started after moving to Chicago around 2019. Coming from a theatre background, community and collaboration are core values for me, and it makes sense to bring the sensibility that a rising tide raises all ships to this new publishing venture.

My plan is to release things as they happen, carefully curated, high concept books, one at a time as I see fit. I have seen so many wonderful small presses over the years come out with a fiery statement of purpose, release a load of books, and burn themselves out. The plan is to take it slow and just put cool things out into the world. I have a tattoo on my shoulder that's a sigil meaning "Make Art Happen amidst chaos." We're going to try to do that.

My approach to conceptualizing an anthology is really encapsulated in Fragile Anthology, so it serves nicely as a first declaration of intent. You'll find everything in here from psychological horror, to 1980's Short Circuit/Batteries Not Included sci-fi, to cosmic horror, to metafiction, to gross-out humor, to deeply philosophical literary fiction. You'll find big authors and small ones, established names and underground stalwarts. I've always believed in kindness, honesty, and not being an asshole. I've been very lucky to develop that reputation in my career thus far, and so when I asked these authors to write a story for me, every single one of them said yes, including some of the big names that never need to write anything for free again. When I asked, I heard a lot of "For you? Hell yeah." To me, that demonstrates that my long term plan of being someone that's nice and fun to work with seems to have worked

Now back to this book specifically. From the Goodreads page:
A box is an interesting thing. It contains the essence of mystery. What could be in it? Endless possibilities. For one moving company employee, this question takes on a razor-sharp significance, when the box begins to act in a way no box should. Could it be alive? Dead? Something intelligent? Or just some old clothes? Something terrible? Something beyond description? In the Fragile anthology, 20 different authors present 20 brand new stories of horror, bizarro, sci-fi and speculative fiction all based on a single A hapless mover knows better than to open a client's boxes, but when one of them moves by itself, choices need to be made. Reality explodes with the roll of a die and fragments into myriad possibilities. 

What's in the box?

Featuring new stories by Brian Keene, Cynthia Pelayo, Christine Morgan, Christopher Hawkins, David Scott Hay, Bridget D. Brave, Garrett Cook, Laura Lee Bahr, Brian Pinkerton, Matthew Henshaw, Mykle Hansen, John Wayne Comunale, Chris Meekings, John Baltisberger, J9 Vaughn, Lauren Bolger, Susan Snyder, Eric Hendrixson, Ben Arzate, and Emma Alice Johnson. Conceived and edited by Wonderland Award winner Michael Allen Rose.
Three Words That Describe This Book: Original, Range of Scares, Gaming Frame

I was scheduled to review this book for Booklist. A few weeks ago when I went to read it, I noticed that I was thanked in the opening pages, very publicly. This is sweet. I have been friend with the editor (Michael Allen Rose) for a few years. We work at neighboring libraries as well. But this disqualified me from reviewing the book in any trade journal. However, we pivoted and I made plans to read it to kick off my 31 Days of Horror 2024 blog a thon. 
This is a "premise" anthology that works perfectly. The set up is a mover is working and the box he has moves on its own. He rolls a 20-sided die and the 20 storied that follow answer what is in the box. The mix of authors goes from HUGE names -- Brian Keene-- to big names-- Cynthia Pelayo and Christine Morgan-- to rising stars-- Christopher Hawkins-- to new to you names-- J9 Vaughn (not new to me though, another awesome library worker here in the Chicago burbs). 
I love the connection to table top gaming as well. This is a great handsell for anyone who likes an original idea for a themed Horror anthology, but also, recommend to anyone who also likes D&D and the like. 
However, what makes this anthology stand out over an above the average indie press Horror anthology is Rose himself. He is a multiple Wonderland Award winning author (For context., Gabino Iglesias has won this award) and he is the President of the Bizarro Writers Association. He has put together a solid book-- from the contraction (he knows how tough people can be on books because he is a library worker) to the editing and everything in between. You need this book because of the bigger names in it, but you will want it because it is worth it. 
Since it is not out yet and there really were no advanced copies, I am not going to ruin any of the stories. I will let readers discover them. I am excited for all of you. This one is worth your time-- and for my libraries-- your purchase.
This anthology comes out tomorrow-- October 1, 2024. If you get your pre-order in today from Rose directly here, you get the bonuses: an exclusive zine by Matthew Henshaw, a bookmark, and a 20-sided die to help them navigate the box.

And as a bonus add on to this week's planned giveaway, the first name pulled on Friday will get this special pre-order set as well. I love the idea of using the die and rolling it to read the book in a totally different order. 

If you don't know how to enter the #HorrorForLibraries giveaway, click here for the rules at the top of last week's giveaway.

And come back tomorrow for the official start to 31 Days of Horror, 2024

Friday, September 27, 2024

What I'm Reading: Wake Up and Open Your Eyes

October is just on the horizon, and the spooky posts, books, ideas, articles, and displays are coming. That is both a threat and a promise.

Speaking of a threat and a promise, that is a great way to describe the title of the book I am presenting today. The October 1, 2024 issue of Booklist has my STAR review of Clay McLeod Chapman's Wake Up and Open Your Eyes, and let me tell you now....this book is a threat and a promise precisely because waking up and opening your eyes in the plot of this book has TERRIFYING consequences AND you cannot help but have your own eyes opened up after reading it.

I cannot wait for more people to read this book so that I can talk about it. I especially want to share my colleague Konrad Stump's awesome comment about the ending and why it is perfect. BUT I CANNOT UNTIL YOU READ IT!

STAR
Wake Up and Open Your Eyes
By Clay McLeod Chapman
Jan. 2025. 320p. Quirk, $21.99 (9781683693956)
REVIEW. First published October 1, 2024 (Booklist).

With his most ambitious novel yet, Chapman (What Kind of Mother), leans on established possession and zombie tropes and spins them into an original tale that hijacks readers’ nervous systems. It’s a few days before Christmas and Noah cannot reach his conservative parents in Virginia. Worried, he reluctantly leaves his family behind in Brooklyn to race south arriving at a disaster scene. His parents are clearly not well, and Fax* News is blaring in every room. But this opening is a brilliant red-herring, lulling readers into thinking they know what is coming. They do not. Told in three “phases” each with a distinct writing style, from Noah’s perspective to flashbacks of from his brother's family to a race through an apocalyptic landscape as Noah desperately heads home, incorporating social media, video transcripts, and news reports throughout, Chapman, chronicles The Great Reawakening– a virus that has patiently threaded its way through screens to infect half of America. A compelling, cinematic, visceral, and disturbing tale, driven by fully realized, sympathetic characters, this is a memorable novel that implicates all, regardless of where they stand on “the issues. A terrifying update to King’s classic Cell, for fans of discomforting, social commentary Horror like Wendig’s Wanderers duology, Felker-Martin’s Manhunt and Leede’s American Rapture.

*Fax is not a typo


Three Words That Describe This Book: visceral, nuanced, discomfitingly realistic


Further Appeal: I normally just give my editor, Susan, a sentence or two about my overall feelings about the book, to help as she edits, but for this one....oh boy, I gave her a paragraph. Here it is without spoilers (because as an editor, she often needs spoilers to make sure the tone of the overall books comes through in the review):
This book is bleak and cuts hard on liberals and conservatives. It is really a wake up call but I was not going there in my review. I mean, I will when I promote the review. Also it is GROSS. It is an all 5 senses horror book, but feels real– I tried to capture all of that with “A compelling, cinematic, visceral, and disturbing tale.”  [I gave her actual examples but I have reacted them here]. Also it uses great storytelling devices common to horror like the flashback [more reacted examples] and it uses found footage really well– a lot in section 3. As Noah is walking home from VA to Brooklyn to fill in the gaps but keep the pacing up. 
This novel is a straight up warning to everyone– no one escapes Clay’s wrath here. Not just conservatives. You can’t look away, even if you want to– hence the title. Eye opening– pun intended– especially for those who think they are most immune to the vitriol. Liberal doesn’t help you. Are you online at al?. Are you in any communities? Have you ever clicked on a link? Does your kid watch youtube?  The hook seems easy here, but the book is anything but easy. You will be implicated. If you are not, you aren’t paying attention.

It is presented in "Three Phases"– 3 different narrative choices– makes sense because three different situations. Use of social media posts and videos. 


Cinematic. It is a movie that writes itself– the book utilizes all 5 senses perfectly so that you can see and feel and hear and smell and touch everything. 


As I take notes, I keep a running list of candidates for my "three words." Here is the list for this book: 

barely fiction, squirm inducing (in every way, with your brain and your gut), visceral, triggers a full body anxiety response, possession/zombie/social commentary, nuanced, bleak.

This novel will  elicit a full body response. 

The characters here are relatable, and as they make bad choices or are put into horrible situations, readers are unable to look away, compulsively turning the pages while resisting a full body squirm. 


Final thoughts here: Chapman is a must read horror author at this point....every book. But this book specifically, it is a novel that every American needs to read. This should become a classic novel about wanting us– dystopian like The Handmaid’s Tale.


Readalikes: I came up with so many and yet, this book stands alone. First, Chapman treads the same ground Stephen King’s Cell– but updated for 21st Century. The other 3 books in the review above all have the same feel as this novel; all of them do the thought-provoking, social commentary, without sacrificing it being a good horror novel thing well.


One of the other things I love about Chapman's novels, he always shouts out all of the books he read or consulted while writing each book That is in the acknowledgements, and you can use it as a way to find readalikes as well. He does it for EVERY BOOK.


In this case it really helped me because while I was reading Wake Up and Open Your Eyes, I kept thinking

it had a similar feel to Incidents Around the House by Josh Malerman but I could not explain why. And then I got to the acknowledgements he mentions it as well. Ion the same paragraph he also shouts out We Need to Do Something by Max Booth III.


I also think this is a great next generation read for fans of Mira Grant's Newsflesh trilogy. Get those copies out and promote that series as a "while you wait" option for this book.

This book comes out in January. Order it now!

Thursday, September 26, 2024

Booklist Reader is Available To Help You Help Your Readers

Recently, I have been fielding questions from library workers about the difference between Booklist, the magazine for us library workers, and Booklist Reader, the publication for us to share with patrons.

Well, Booklist Online has answers for you with the below toolkit to explain what it is, what you can expect highlighted in each month, and how much it costs.

I hope when you look at the information packet here that you notice how 2 months after a Booklist Spotlight issue the spotlight content is there in Booklist Reader. In other words, they alert you to the information and give you time to place your orders and have the books ready before they tell your patrons to seek out those books.

It is a great resource for your patrons. Similar to Book Page in the way it looks, but way different in the content. This is all of the readers' advisory goodness from issues of Booklist, repackaged for the library patron audience.

Click here or use the links below from Booklist's homepage.

Download the Booklist Reader Toolkit and Enhance Your Reader Services

Curious about Booklist ReaderBooklist’s patron-facing magazine? Learn about our features, read testimonials, and see how Booklist subscribers can share Booklist Reader digitally (for free!) by checking out our Booklist Reader information packet.

 

Ready to share print copies of Booklist Reader with your patrons? Order in bulk here



Click here to read the 
information packet

Wednesday, September 25, 2024

How to Effectively Message Against Book Bans via EveryLibrary and Library Journal

It is still Banned Books Week, so I am still talking about it. Today, I am passing on the full text of an article from EveryLibrary focused on how to respond and message and deal with a challenge when it happens.

It is hard in so many ways to message against book bans as they are happening, but since EveryLibrary has been fighting this fight on the front lines for the last 4 years, they have a lot of data about what works best.

I normally send you to the source to read an entire piece-- that link is here-- but this is too important. I want this information front and center and searchable in its entirety here on the blog.

Please read it. You may think you don't need this information at your library, but we all need it. Whether or not you have to use it at your specific place of work, you will be called on top speak out and act on this issue at some point. I get asked about the current state of book banning at just about every social situation I find myself in. Be ready with the right messaging.

Also, use this time to find libraries you need your help and support. I have and will continue to show up at the board meetings of other libraries-- in person and by sending comments in as well. We all can and should do this. 

If nothing else comes out of Banned Books Week for you, my reader, it should be that it is past time for you to find a way to act, beyond shaking your head in disappointment and frustration.

How to Effectively Message Against Book Bans

by P.C. Sweeney

For the past four years, EveryLibrary has been working to fight the book-banning movement. A large part of that fight is developing effective messaging against book bans, as well as conducting extensive message testing, surveys, and focus groups to understand the impact of messaging and determine which messages perform best.

THIS IS NOT A GOOD-FAITH DISCUSSION

The first thing we need to understand when we’re messaging about book bans is that we are not operating in a good-faith discussion, and we need to stop acting as if we were. In a good-faith discussion, both parties agree to an honest, respectful dialogue with the willingness to change their view if facts and data are presented. However, book banners are neither acting honestly nor respectfully. They will not consume new information and change their minds once educated on the issue. The individuals and organizations banning books are not looking to be educated. They don’t care about learning about the Miller Test for pornography, they are not interested in reading the books to put their propagandist images of a handful of pages into proper context, and they aren’t going to change their minds about books being banned. We have to stop acting as they will do any of these things.

We also need to understand that the messaging used by the book banners to engage with the public is pure propaganda. The books in question are not pornography, and in every case where the Miller test has been applied or the books have been read by the review board to put them in context, they are not removed from school or public libraries. We also know that these books are not tools for grooming and the books being removed often teach children how not to be groomed, about body autonomy, that it's okay to say no, and how to report someone acting inappropriately toward them. That’s the opposite of grooming.

Pro–book banning messaging and propaganda is used as a tool to build political power and influence for people and organizations to elect or appoint individuals to positions that allow them to govern and control Americans. We’re seeing school board candidates, gubernatorial candidates, and state and federal legislators run with book bans as part of their platform.

Political power only comes from two places: people and money. If you have either of those on your side, you have the power to influence politics. While it would be nice if legislators supported things because they were good for America, they support things with political power and influence over their own issues.

PEOPLE POWER

People can drive politics, and whoever has the most strategic access to American voters has the power to influence political outcomes. For example, the reason we can’t discuss First Amendment rights in the United States is because the National Rifle Association (NRA) can immediately send an email to a million voters in a legislator’s district and create an incentive for that legislator to support the NRA’s agenda. If the legislator says something against the NRA, they risk losing the next election, thanks to an NRA email. Conversely, if the legislator says something in favor of the NRA’s agenda, they have the benefit of winning the next election.

One of the scariest aspects of people power is that a movement for change does not require that most people favor the change. In fact, research by Erica Chenowith found that no movement has ever failed that activated just 3.5 percent of the community . So if the individuals who are seeking to regulate American’s access to books can engage with just 3.5 percent of the public in a meaningful way, they will have the political power they need for lasting change.

FINANCIAL POWER

The other side of building political power is through money. For example, the American Legislative Exchange Council (ALEC) is a lobbying group that uses corporate money to lobby on behalf of corporate interests. Since a large portion of their agenda would not be palatable to the American public, and because they have access to a vast network of corporate money, they are using corporate funding to push their agenda. They use this money to make candidate contributions and partisan donations, and have a number of legal ways to move money to individuals in positions of power in government. These monetary incentives give them more opportunities to persuade legislators to make decisions that favor ALEC’s agenda. If a legislator comes out against their agenda, they can withhold money, and if a legislator supports their agenda, the legislator can gain access to those financial resources.

Unfortunately, there are not any organizations within the library space that have the financial resources to create and use political power through the use of money. In fact, EveryLibrary is one of the only organizations in the industry that has the legal structure, as a 501c4, to spend money in such a way that it can be used to influence politics, and EveryLibrary would need tens of millions of dollars annually to be effective.

THE BAD NEWS

The bad news is that the book banners understand political power. They are using their messaging as an opportunity to raise money and identify supporters and build influence. They have a major financial incentive to fundraise off the false narrative that they’re banning books about pornography in order to protect children. They can send an email to their supporters that claims they “protected children from pornography, so please make a $5 donation today,” raising millions of dollars by banning books. They are also building audiences, identifying supporters, and engaging communities by creating state and local chapters. This means that they are building political power and influence through both money and people. As an industry we need to understand this if we want to push back.

THE GOOD NEWS

The good news is that, by far, the majority of Americans are on our side. In survey after survey, between 70 and 80 percent of Americans on both sides of the aisle oppose book bans . However, we don’t know who those people are. That means we have the opportunity to win, but only if we understand that we need to use our messaging to identify individuals on our side and cultivate them into action to build a national network of Americans who are willing to take a stand against censorship. The way that most political organizations identify their supporters is through petitions, email campaigns, and events. These are the same tools that EveryLibrary uses to identify library supporters and build a national voter file of library supporters.

WATCH YOUR LANGUAGE

How do we effectively message in this environment? In 2022, EveryLibrary conducted political polls with the national firm Embold Research. This research included focus groups with message testing and message testing within the polling itself. Throughout the previous four years, we also conducted internal A/B testing of various messages for virality, engagement, and persuasion. Through this internal and external research, we were able to identify a number of highly effective messages against book bans.

One of the things we found throughout this testing is that the most effective messages are ones that use the fewest words or need the least amount of explanation. The reason that book banners are gaining traction is because “protecting children from porn” (even though that’s not what they’re doing) is an effective message that doesn’t require explanation. Understandably, the majority of the public is against exposing children to porn and immediately understands that message without explanation. However, our response has often been to explain the Miller Test in detail, long discussions about how it’s not pornography, the Pico ruling , how collection development policies work, and academic writings on the benefits of comprehensive sexual education. These messages are far too long, complex, and academic to be effective with the general public.

We also found that messages that reinforce the language of the book challengers allow them to control the message. The more often we repeat their language and messages, the more we solidify their messages in the minds of the public. Messages that don’t repeat the false narrative about pornography in libraries are the most effective ones.

The messages I present below are clear and concise and, according to our data, are effective at engaging 70 to 80 percent of the public and moving them into favorable action for libraries.

GOVERNMENT REGULATION

To be clear, the book-banning movement is leading to real outcomes in state legislatures across the country. Many states are creating government legislation that would regulate what Americans are allowed to read. When we tested the message “don’t let the government regulate your reading,” we found significant support from both Republicans and Democrats. Americans generally do not want the government making decisions for them about what books they are allowed to choose for themselves and their families.

We also found that messages around the legislation being enacted in dozens of states that would allow for the incarceration of library workers are very effective. Americans do not want to see librarians dragged to prison just because a legislator decided a book was inappropriate. Americans seem to understand that countries that begin arresting librarians and educators are on the path to dictatorship and fascism. Therefore, messages like “liberty and freedom have never begun by arresting librarians” are effective at inciting people to action.

RIDICULING THE MOVEMENT

I often fear that we take the book banners more seriously than necessary. Facing them head-on often just repeats and reinforces their messages with the public. The public is taking their messages seriously, mainly because libraries are.

While there are real damaging outcomes stemming from this movement, it is still not a serious movement among people who are truly concerned about the welfare of children. Their hyperbolic and ludicrous messaging that librarians are groomers and pedophiles does not deserve our serious attention. When we tested messages that lampooned the book banners, made them look weird and strange, and cast them as out-of-touch outsiders, we found that those messages were extremely effective at disarming them. If we can make a joke at the expense of the censors or otherwise make them appear inept, corrupt, or silly, they lose their power. If we take their messaging seriously, so will the public, and we will only reinforce their messaging instead of ours.

An effective way to do this is to make an example out of the ludicrous nature of book bans or point out some of the most absurd book bans that have occurred. According to our own tracking , more than 4,000 different titles have been challenged in the last two to three years alone. Yet the only ones the public sees are a handful of pages out of context from three or four books that are not at all representative of the kinds of titles that are actually being banned.

Some real-life examples of this absurdity of book banning include the banning of a book about seahorses because a Moms for Liberty activist at a school board meeting said it was too sexy . They’ve tried to ban books about crayons , tried to ban books about butts , forced librarians to draw pants on goblins , and had the dictionary removed from some schools for review because it has bad words in it.

Our testing found that when we expose the public to some of the most egregious examples from the other 4,000 books that have been targeted, they realize the true nature of the book banning movement.

THE BANNING OF CHILDREN’S AND YA CLASSICS

By far, most of the public opposes banning classic children’s books and literature, especially the popular books that people have read as children. When we talk about books like Catcher in the Rye, The Diary of a Young Girl, To Kill a Mockingbird, or Lord of the Flies being banned, we see a significant increase in opposition to book bans. The most interesting thing about this messaging is that the book bans do not need to be current. The discussion of classic books being contested over the span of the last 50 years helps the public put book bans into a historical context and envision a world with more bans. However, we are still seeing many classic children’s books being challenged and we are seeing books being banned that teach about historical figures like Rosa Parks and Martin Luther King . We should be highlighting the banning of these books in our messaging.

LEAST EFFECTIVE MESSAGES

Not all the messages we tested were effective. In fact, some tested below 30 percent of public support, and a few of those surprised us. But generally, the least effective messages were ones that took the censors seriously, were overly academic, or required long-winded explanations. Unfortunately, we were extremely surprised to see that the most support for book bans occurred when messaging was about LGBTQIA+ issues, comprehensive sex ed, or issues around Critical Race Theory, politics, and fascism. The public either didn’t care about such messaging or they were outright supportive of book bans in those areas. Discussions of those marginalized communities moved the most people to actually support book bans.

FIGHTING BACK

Messaging is great, but it’s nothing unless we can use it to identify our supporters and call them into action. Simply putting these messages into the world will not ensure that we triumph over book bans. Winning against censorship means sophisticated community organizing, building relationships of power with organizations, identifying supporters and cultivating them into action, and ultimately electing leaders who support libraries and the freedom to read.

Unfortunately, most libraries, as government organizations, don’t have the tools, resources, or legal authority to build the movement they need to fight off the activists attacking them. The most effective defense against book banners comes from members of the local community who are willing to fight back. Platforms such as figthforthefirst.org allow community members to launch petitions and communicate with supporters to help them organize the community against groups who are seeking to censor the library and eliminate the community’s right to read.

If your library is facing book bans, you can fight back.

P.C. Sweeney, a former administrative and school librarian, was Executive Director of EveryLibrary California and is currently Digital Director of EveryLibrary, a statewide initiative to support library propositions. He was a 2015 LJ Mover and Shaker, and was recognized with a “40 Under 40” award by the American Association of Political Consultants for his work at EveryLibrary. He is coauthor of Winning Elections and Influencing Politicians for Library Funding and Before the Ballot; Building Support for Library Funding (both ALA), and teaches courses on politics and libraries at the San José State University School of Information.

Tuesday, September 24, 2024

Library Services and Items Are NOT Free They Are Pre-Paid

Yesterday I was at a library as part of their staff day, and just like every time I have the mic at these events, whether they are in person or virtual, I remind every one that they are all complicit in spreading the fake news that library services and items are FREE.

They are not. Our services and items are PRE-PAID.

It is a key distinction. When I said this yesterday, I watched a few people write it down to remember. That made me think about the last time I reminded all of you, my readers, about this important point. So I checked when I got home and I see that while I say this to groups of people all of the time, I have not posted about it here since 2022. Which means I have not reminded the bulk of you of making this important change of language in how you talk about our items and services to the public.

Today I am fixing that. Below is a rerun of sorts, but it is probably new to many of you and therefore extremely important for me to rehash. Click here for the very first time I ran this post or just read below.

---------------------------------------

You need to stop telling people that our services are free and instead say they are PRE-PAID.

First, "free" is NOT accurate. People do not pay to check out the books and movies as they borrow them, but everyone does pay for the library and its services through their tax dollars. Yes, even renters pay because their rent pays for the taxes for the owner of the building.


We are a profession which is all about accuracy, about combatting "fake news," and yet we perpetuate our own fake news by telling people our services are free.

Reminding people that for example, they can take more than 1 book because they are free is NOT TRUE. They have paid for them, just earlier, as part of their taxes. We need to be more accurate on principle, yes but there is more to it.

Second, when we aren't being honest about the cost of our services, when we dismiss them as "free," we lull our patrons into a false sense that these services will always be there no matter what. If they forget that they have paid for these services as taxes, when the talk of tax freezes or tax cuts comes around, it will be much easier for the public to argue for cutting the library's tax line because they forget that they pay for it. All that "free" talk means they aren't reminded about the actual cost.

We need to be advocates for the good feels that the library gives people and equate that as a cost benefit. I live in a high tax area. I get it. But when my friends and neighbors complain about their taxes, I remind them what a great deal they are getting through the library [and the schools]. I tell people to think what it would actually cost them to check out those materials, stream those shows, buy audio books, go to great programs, etc.... Now look at your library tax line. It is a steal.

We have to talk about the money openly, honestly, and accurately or we will loose the financial support we need to survive.

Third, and this one is just human nature, people don't value things that are free as much as they value things they pay for. Reminding people, frequently, that they have pre-paid for the library and all of its services, elevates the value of the institution.

Every time you remind patrons that the services and items they are so please with are PRE-PAID you are advocating for your public library, actually for every public library. You are advocating for the institution itself. You are advocating for equal service to all, everywhere, all of the time.

But every time you tell people the service is free, you are undermining everything. I know you think you are trying to help by letting people know there is no charge at the time of service, but there is a charge. We have budgets, budgets that are shrinking. We do a lot with very little already, any less and we will disappear. People need to know that. They need to realize that their tax dollars are key to our survival.

So please, consider using PRE-PAID when you talk about user costs of our services. And remind them often so that if a time comes when people in your town start talking about budget cuts, they won't even consider the library's tax line. Why? Because that line is one they respect, one they use, one they know has monetary value, one that isn't free, one that requires dollars to survive. And it is our responsibility to stop the fake news of free and accurately proclaim...PRE-PAID!

Monday, September 23, 2024

What Banned Book Displays Must Have via Book Riot


Banned Books Week began yesterday. You can go here for the official ALA page for the week and also here to see every post I have ever had for Banned Books Week including information about the FREE Banned Books Week Live Literary Festival being run by EveryLibrary for which I am moderating 2 of the interviews today and 1 tomorrow. 

I know most of you have put up a Banned Books Display already. Maybe you used the list compiled by ALA each year of the most challenged books.

But here's the thing, many libraries still see this week as a way to "celebrate" banned books. Over the last four years however, we have all had ours eyes opened to the fact that this week is not about the specific titles that have been banned, but rather, it is about the coordinated attempt to take away the freedom to choose what we want to read for ourselves.

Everyone has a right to read or not read something (and a parent can make that choice for their child, which can stink for some kids, but it is the law). But no single person in a school district or public library has the right to limit access to titles for others. 

And here's the thing, it is not just the physical removal of titles we need to talk about here. Moving titles from a youth section to adult is also a problem.

I want to remind you all that over on Book Riot, Kelly Jensen has been covering the censorship news. in detail, for the last four years. She is one of the only journalists in our country taking this beat seriously. Click here for Book Riot's censorship coverage including her Friday roundups.

While Jensen is focused on the news and providing action steps, others on the Book Riot team have been helping round out the coverage as well.

This brings us back to my comments above about your Banned Book Week Displays. If you have it up already, good. If you don't please get it up today. But either way I need you to check them with this article, "Building Good Banned Books Displays."

Please click through and read the entire article, but at the very least look at this key part:

What a Good Banned Book Display Must Have:

All good banned book displays have an explanation of what censorship is and of the purpose of Banned Books Week. It’s not a celebration of banned books—it’s a movement to bring awareness to censorship and a celebration of our freedom of choice to read whatever we deem appropriate for ourselves. 

  • What banned books are. Some people are unaware that censorship is still a problem today. Be sure to explain censorship in general and to your library specifically. 
  • Be clear about why certain titles were banned so patrons can see what is being challenged. 
  • Make staggering facts big and plainly visible. This is another way to bring patrons’ attention to censorship in libraries. Many folks don’t know that there were over 1,200 challenges to censor library books in 2023, or that they can see those censorship attempts by state
  • Make the focus or purpose of your display clear. Do you want to display what percentage of authors banned are people of color? How many are LGBTQ+ members? Do you want people to understand the increase in challenges in the US overall? Do you want to inform them about the titles most recently challenged? Or, all the legislation around book censorship in the last year? Whatever it is, choose one. Make the focus clear so there’s no doubt about what the display is illustrating. 
  • Consider your audience. You know your community. Who is in it, who is missing, who would benefit from this information, and who already knows it. You can build the most creative, most awe-inspiring display in the history of libraries, but if no one who sees it understands the point, then the whole exercise was for naught. Don’t just think about what makes you, the builder, most incensed, but think about what will make the biggest impact for your demographic as well. 

There is more at this link, including something about interactive displays (see I am not the only one). But please, make sure your displays are more than just some books that have been banned, and especially make sure you don't just have classics. Use this week as a chance to reach the most people and make the "staggering" facts clear to all. The fact that it is also Library Card Sign-Up Month means you might even have some brand new patrons to reach.

I know this is more work. I know many of you got your displays up late last week or over this past weekend and are coming in today thinking you are on top of it, already moving on to the next thing, but if your display does not follow the basic advice above, please, I need you to make adjustments. This fight is too important for us to not do our part. The media will be covering the issue all week. People will be asking questions. You can be ready to answer them with better displays.


Friday, September 20, 2024

New Resource Alert: Lit Hub Podcast

I am at a library staff day all morning, but I wanted to direct you to a new podcast resource from one of my favorite web resources-- The Lit Hub Podcast. This podcast started last week and will drop a new episode every Friday.

Here is the description from the first episode:

A weekly behind-the-scenes dive into everything interesting, dynamic, strange, and wonderful happening in literary culture—featuring Lit Hub staff, columnists, and special guests! Hosted by Drew Broussard. In the first episode, Drew talks to Lit Hub editors Jonny Diamond and Emily Temple about the inevitability of books lists, why we love them, and why some people hate them; Drew also catches up with Kristen Arnett to talk about the literary assholes she’s known (and tried to help).

Click here for more.

I listened to the first one and I have high hopes that it will become a great overview of the book atmosphere.* Get it on your radar now. Subscribe. And add it to your RA toolbox.

*Coined by Robin Bradford and I cite her every time I use it.

Thursday, September 19, 2024

Freedom to Read Digital Issue of PW and Reminder of EveryLibrary's Banned Books Week Live: AKA the Correct Ways to Approach Banned Books Week in 2024

Banned Books Week begins Sunday and I wanted to make sure I reposted the EveryLibrary event happening all next week for which I am a moderator. Here and below

Also, Publisher's Weekly has released this special "Freedom to Read" issue that they are making widely available for free and includes articles from the library perspective. 

Please read and make available for your patrons. I stress the read part though. Read this for yourself. Banned Books Week has changed from how many of you are used to promoting it.

The threat is not existential.

The threat is not to "classic" books. 

The threat is to the very existence of our libraries as an institution.

The threat is to marginalized people whose entire existence is being erased.

No, I am not exaggerating. Click through and read the piece by Amanda Jones and the article focused on Kelly Jensen. Start there but read it all. All of the articles are focused on the current fight and the cost to those who have resisted.

Read this issue of PW and then my post below. All of this will lead you to the active and productive ways you can participate in the conversation about the Freedom to Read during Banned Book week.

Banned Books week is coming up on September 22 and EveryLibrary is doing a full week of author and publishing and library professional interviews. They have recruited me to help and I will be doing 3 authors interview panels.

You can go here to signup for free. From the landing page with and easy sign-up box and the schedule as its stands now:

Join us for over 25 panels with 45+ authors, publishing professionals, and experts on book bans and the First Amendment for "EveryLibrary Live! Banned Books Week 2024", September 22 - 27 online. This will be an extraordinary week of conversations about the joy of writing, the culture of reading, the challenges of censorship in schools and libraries, and the celebration of the freedom to read. Plan now to be a part of this new literary festival where everyone is encouraged to read freely. 

We have an exciting lineup of author conversations, panels, and learning events that you can attend online and at your convenience. We will be hosting live broadcasts every day during Banned Books Week 2024 on our Facebook Live or YouTube Live channels. Be a part of each event as it happens, or access the "instant archive" for on-demand viewing. Meet your favorite authors and take the time to learn, listen, and enjoy new ones. 

We start our festival of reading on Sunday, September 22 at 12n EDT and run through Friday, September 27 at 8pm EDT. All events are free to attend. Meet and listen to authors like Julia Quinn, Jason Reynolds, Malinda Lo, Nana Kwame Adjei-Brenyah, Stephen Chbosky, Maia Kobabe, and Paula Poundstone as they share about writing and how libraries matter in their lives. Join the conversation about fighting censorship and supporting the First Amendment with noted experts and organizers like Dr. Emily Knox and Patrick "PC" Sweeney.

This reading festival is free and open to the public.

EveryLibrary Live! Banned Books Week 2024 is supported by the participation of great publishers like Penguin Random House, Simon and Schuster, Hachette, Rowman & Littlefield, Kensignton, Candlewick, and Seven Stories Press. Our partner organizations, Authors Against Book Bans (AABB), the Alliance of Independent Authors (ALLi), and the We Are Stronger Than Censorship initiative, are powerful advocates for reading. Join your hosts Gigi Howard from the hit podcast Drinks in the Library, Lee Wind from IBPA, Becky Spratford from RA for All, author and ambassador Rex Ogle, and John Chrastka from EveryLibrary for dozens of engaging author conversations.

RSVP now to get the full festival schedule emailed to you, along with reminders every morning. New sessions are still being announced. Sign up now so you won't miss a thing!

While I think this event will be of interest to you, my readers, I also want to remind you that you can (and should) make this FREE event part of your library's Banned Books Week programming.

First, and most importantly, please notice that the authors here are all currently publishing. We are not talking about banning classics. These are books and authors whose work is challenged RIGHT NOW. These are people who are involved in the fight right to stop censorship today.

Please model this behavior during your Banned Books Week programming and promotion. This is not about the outrage of classic titles being banned. We are in a moment when contemporary stories where people who write authentically as a person of color or from their LGBTQIA+ perspective are facing challenges that are demanding that their existence be silenced. Yes it is that serious. Sure it sucks that people ban Huck Finn, but you should be outraged that simply having a queer character means there are loud voices calling it pornography. Showcase the books from the last 10 years that are actively being removed from libraries. Books that have won major awards. 

Second, you can set up a room in your library to show these interviews live throughout the week as well as passing it on to your patrons for them to watch on their own. This can be your Banned Books Week in person event. EveryLibrary is helping you by doing the work to organize it, but they are doing it to help all of you.

I was talking to EveryLibrary Executive Director John Chrastka about encouraging libraries to make watch parties for this weeklong, "accidental" book festival (his word in quotes). He agreed.

In fact, if you look at the schedule, they were thinking about just this as planning because there are live events starting as late as 8pm Pacific- meaning that all libraries, across the continental US have the chance to have evening programming all week long.

And yet, they are also all free and will be archived for use at anytime. So while this a Banned Books Week event, it can be an anytime of year event as well.

Please sign-up for yourself, advertise the event as YOUR Banned Books Week Programming. Make displays of the books by the authors scheduled to appear. They write in all age levels so that means you can do intergenerational displays as well, and I love these as I have made evident in these posts.

Wednesday, September 18, 2024

Get Ready for Spooky Season with 40% Off My Book and a Chance to Discuss It (Video Added)

I am reposting this from late August because this event is later today. There is still time to join us live but also, it will be available for free on YouTube after the event.

Video access added 9/22/24.

WEDNESDAY, AUGUST 21, 2024

Get Ready for Spooky Season with 40% Off My Book and a Chance to Discuss It

I am very excited to announce that ALA Edition is beginning a FREE book club and my book is the first one. See below for the details. Not only do you get to talk horror just as the Spooky Season is getting into full swing with me, but I have invited some of my friends. 

Did I mention it is FREE? Oh, wait, I did. And if you miss it, they will have it on their YouTube page for free as well.

But if you act now, there is a code to get my book for 40% off. You need this book to help you help your Horror readers all year long but especially during the Fall. 

Use this link or the ones below to register and join me and my star studded list of guests as we talk about the state of horror today and how to my book can help you help more readers.

REGISTER for the first event in this free series now!
 
ALA Editions | ALA Neal-Schuman launches Edi and Neal's Book Club for professional development with The Readers' Advisory Guide to Horror, Third Edition by Becky Siegel Spratford as its inaugural selection.
 
Join I Love Libraries editor and host Phil Morehart (moderator) for the first Zoom meeting from 1 to 2 PM CT on Wednesday, September 18th. Expected guests from the world of horror and libraries include author Becky Siegel Spratford, writer/poet Linda Addison, librarian Lila Denning, writer Gabino Iglesias, writer Hailey Piper, and writer Matthew Salinas for panel discussion and audience Q&A.
 
Use code ENSEPT at alastore.ala.org to purchase the book for 40% off the ALA Member price between now and September 30, 2024. Offer valid only while supplies last.