RA FOR ALL...THE ROAD SHOW!

I can come to your library, book club meeting, or conference to talk about how to help your readers find their next good read. Click here for more information including RA for All's EDI Statement and info about WHY I LOVE HORROR.
Showing posts with label equity. Show all posts
Showing posts with label equity. Show all posts

Tuesday, June 2, 2026

Pride Month Begins: Why you MUST Participate and Advice to Support LGBTQIA+ Authors All Year Long

This is a repost of an evergreen reminder post as Pride Month Begins.

Today marks the start of Pride Month and I know, because people have reached out to me about this, that many libraries are either being told NOT to put up Pride displays or they are selecting not to.

I need to unequivocally tell you that this is not okay. No matter what you MUST put up a Pride Display.

We should celebrate all of the identity months at the library...every single one. Why? Well a couple of reasons. First, they give you a chance to highlight a community and allow them to see themselves in your collections. Second, the media in general has picked up on all of this months and they are all over the news even used by corporations in their marketing. By not celebrating any of these identity months, you will stand out for your lack of participation. 

Now, I know some of you are under attack from those who want to stop you from doing Pride in particular, but to that I say, you cannot give in. In fact, June is the easiest time for those of you under attack to highlight LGBTQ items because the entire world is doing it. You are no  different. And if you did anything for other identity months (Black History, AAPPI, etc...) you are simply following that lead. 

This is also why I advocate for drafting Book Display Procedures. Notice I say "procedures." Those do not require your Board to get involved, that is policy. Procedures are created by staff to guide what they are doing and make sure things are standardized. Here is a post where I write about starting with the main goal of your displays being"We will promote and display books that our readers would not find on their own." 

From there you need to add that you will have a featured display for every identity month. And also a final statement that you will make sure your displays are intentionally diverse. Why?  Because this allows you to offer the widest range of titles as possible to your patrons. You can decide if you set a number or percentage to use as a guide, but these three statements need to be in your display policy.

Once you have that in writing, you can use it to audit all displays, remind those who do not comply (ie, put up all white, hetero displays) that they need to fix them, and, most importantly, if they don't comply, write them up for not following established procedures. When you put things in writing, you show all staff that you are serious about this work and you have a way to discipline those who don't follow the rules. As Robin likes to say, "You can't stop people from being racist, but you can make it against the rules." She also like to add, "They probably won't be willing to lose their health insurance over it." But if they are, I say, good riddance.

This procedure will also protect you if you get a challenge to a Pride Display by allowing you to use the  less inflammatory argument, "We have procedures that state that we have a featured display for every identity month." Or if you have a Women's History display up with a trans woman author, you can point to the procedure that says you make sure every display is as diverse as possible so that you can offer the widest range of titles to your patrons. When push comes to shove you can also make the money argument that our collections represent the second largest monetary investment of our library (building/real estate is first) and we owe it to our taxpayers to get the books they would want, if only they knew about them, in their hands.

[These moments are when my two decades as a trustee come in handy.]

These are the basics. But there is so much more you can and should do, but we need to start here. The most important thing you can do to promote all marginalized voices is to make sure you have these titles in every display. In March of 2022, Robin Bradford, myself, and Alene Moroni did an "Actively Anti-Racist Service to Leisure Readers" Preconference at PLA (details here). During her section, Alene gave advice on this that I quote everywhere I go because it is so easy to follow.

To paraphrase Alene, when you move from February to March-- Black History to Women's History months-- you start by simply removing all of the authors that identify as men from the Black History display, leaving all of those who identify as women. Then you add other women to the display. This ensures that your display is diverse before you even started.

Now, taking it back a step, you should have already had LGBTQ authors already in the Black History month display. As we move throughout the year, you keep authors that apply to each month on display. The more you do this, the easier it will be to diversify your displays because they will already be diverse before you switch them up.

But specifically, since LGBTQ authors can be included in every identity month, you should be making sure they are represented always. Having LGBTQ authors on display all of the time will help to give you less inflammatory examples when people challenge anything LGBTQ, any time of year. You can make it clear that all of your displays are always diverse in every way, all of the time and point to LGBTQ authors showing up in every display.

The key take away here is that you CANNOT include marginalized voices ONLY during their identity months. This practice is harmful. When you have, for example, a Fantasy display, you must make sure every identity is represented within that display. It is good practice in that it offers a full range of perspectives of the genre and because doing so will allow you to argue back to those who want to stop you from highlighting anything that isn't white and straight. You can confidently say, we incorporate all voices in every display. Only doing it in an identity month opens you up to being challenged.

Again reminder that general display procedures will not only support you in these challenges but also, will make it standard for all staff to follow them. This will ensure that even staff who do not want to make their displays diverse, have to. This ensures that you don't have some displays that are diverse and some that are clearly not. You need to standardize this practice.

All of this being said, there are still concerted efforts to stop you. Please see my colleague Kelly Jensen's article from earlier last month in Book Riot with detailed instructions on how you can prepare your Library Pride Displays.

You need to do everything I said and what she suggests-- both.

And finally, please go outside the box for titles to put on your Pride displays. Think about ways to frame them to make them more interesting. Identities are not a genre. Just like I advocate against simply putting books by Black authors on display as a monolith in February [rather, you should frame it by genre or a topic], do the same of Pride. Make displays like "Thrills and Chills: Pride" and put up crime, horror, fast paced mysteries. Or, "Love and Pride." You get the idea.

You can also use Pride content from other places  to come up with interesting ideas like this list from LitHub, "10 LGBTQ+ Authors on the Books That Taught Them." This is a great way to have 20 books with an interesting frame for display online or in the building. Your work is done.

Also, here is the link for all of Book Riot's Pride Coverage. They will be posting multiple links every day and framing them in genres or topics like I suggest doing. If you can't think of ideas, don't worry, Book Riot will give them to you in ready to use lists that are also diverse by the identities as well. There is no room for excuses here.

I know this post is long, but the moment we are living in requires that I spend the time to help you fight back. We have collections that represent a world of ideas and identities on purpose. We have crafted those collections as professionals. We got degrees in how to do this. We know what we are doing. And while everyone has a right to decide what they read for themselves, no one has the right to decide for others. We must stand by that basic freedom. You cannot self censor and not participate because you don't want to be challenged or because you are afraid. That is worse than someone coming in and asking you to remove books for all because they don't like them. Why is it worse, because you know better. Because I told you not to.

Get those Pride Displays up, diversify your displays all year long, and get some display procedures in writing. 

And if you have questions or concerns, email me and Robin and I will help you for free. We are especially   good at speaking to  you mangers or admins who don't agree. Let us argue with them for you. 

Tuesday, March 31, 2026

Inclusion as the Norm: The Power of Diverse Book Displays via Lila Denning in RUSQ

Today I am sharing a post from Lila Denning's blog, Passively Recommending Books. Her article in RUSQ, a journal of Reference and User Experience is now live.

In her article, Denning talks frankly about why making all of your book displays as inclusive as possible is  not just about doing the right thing, it is literally your job to showcase as much of the collection as possible. She explains it in language that makes sense from every angle. You can argue this from an antiracist standpoint and an economic standpoint (getting the most checkouts of the most books which you have used taxpayer money on). And more.

And for those who are still making excuses that they cannot do this, a reminder,  Denning works in Florida and has put everything she talks about into action. So, if she can do it, what's your excuse.

(I have answers to that question but they are not kind to those of you who aren't doing this work yet, so I will leave them off this post.)

Click on this link or read below to access her blog post with access to the article. This is the argument you need to make your displays as inclusive as possible every single time (not just during heritage months).

RUSQ: A Journal of Reference and User Experience - Inclusion as the Norm: The Power of Diverse Book Displays

I was fortunate to have an article published in RUSQ. The Reference and User Services Association of ALA relaunched its journal in 2024. It's purpose is "... to disseminate information of interest to reference librarians, information specialists, and other professionals involved in user-oriented library services." In Vol 61, No 2 (2026) Winter Issue you can find my article "Inclusion as the Norm: The Power of Diverse Book Displays."

A pdf of the article is available online

I will quote from one paragraph here: 

" It centers a white, straight, Christian perspective as what is in “normal” books while making diverse books more of a niche interest, to be read by members of those communities and on special months. These books are not interesting or valuable because their authors and characters are diverse.  They need to be added to the displays, lists, and suggestions that are made to readers interested in a particular genre or topic. Moving who is centered in the culture of reading that is created in a library, allowing those who are marginalized to take center stage, even if a sign does not declare their identity, is actively promoting a culture of anti-racism. This active promotion does not require signage identifying the author’s characteristics to be actively anti-racist. These books are books that should be treated as titles to be potentially enjoyed by any reader. Deliberately developing a regular practice of adding diverse titles to all displays and lists both increase staff knowledge of those titles, creating more opportunities for them to be included in staff recommendations."

You can click here to head over to Denning's blog on your own or click on this link to access her article directly. 

Monday, August 18, 2025

Sign-Up Now for Actively Anti-Racist Actively Anti-Racists Readers' Advisory Services with Robin Bradford and Me: Coming This Week!

 Robin and I are back with our updated Actively Anti-Racist Readers' Advisory Services class coming August 20 and 21. You can take this class live or view the recordings on your own time. But you must register by this Wednesday!

NEW: Does your state not allow CE funds to go to ALA events? I have been told that you can contact them  at ce@ala.org or at 312-280-5100 and someone will help you. You can also always contact me to help as well.

Please go here or see below for all of the details, including pricing, to reserve your seat now.

Actively Anti-Racist Readers’ Advisory Services

A two-part webinar series taking place on Wednesday, August 20 and Thursday, August 21, 2025 at 2:30pm Eastern/1:30pm Central/12:30pm Mountain/11:30am Pacific.

Increasing the collection and circulation of titles written by underrepresented authors is not just a trend. Providing robust readers’ advisory service that values equity, diversity, and inclusion principles is essential to all library services.

Moving from being a neutral, well-meaning library where systemic racism is acknowledged to an actively anti-racist organization involves in-depth work, some of which can be challenging. In this program you will begin that work and learn tangible skills to help build enthusiasm for reading and strategies for diversifying your materials. You’ll learn how you can strengthen your RA service through thoughtful discussion of equity, diversity, inclusion, and belonging principles in all interactions with leisure readers and how to be a steward of the anti-racist mindset for your organization.

In this two-part series, collection development and readers’ advisory experts Robin Bradford and Becky Spratford will move your team from talk to action. You’ll learn how to help your entire organization craft an actionable plan to seamlessly incorporate the values of equity, diversity, inclusion, and belonging into your regular RA practices. 

Through your participation in this program, you will learn:

  • The distinction between not racist and anti-racist. 
  • How to identify more diverse titles to add to your collections.
  • How to use anti-racist principles in your displays, book talks, and organization of titles.
  • Promotion strategies for diverse titles and authors.
  • Basic strategies to address politically motivated requests to remove books from your collection.
Robin Bradford has earned a BA and MA in English, an MS in Library Science, and a JD, but has found a home in building reader-focused, popular collections in public libraries. She was recognized as RWA’s 2016 Librarian of the Year and Emerald City Library Conference's Librarian of the Year in 2022. She is addicted to books and dedicated to helping others discover a love of reading. She has worked with authors to help get their titles into these collections and wrote the Readers’ Advisory Guide to Romance Fiction to further help libraries with their romance collection. She also worked with libraries to push for equal treatment of genre fiction and worked with readers so that they can find their favorite authors on their library's shelves.

Becky Spratford [MLIS] is a Librarian in Illinois specializing in serving patrons ages 13 and up. She trains library staff all over the world on how to match books with readers through the local public library. She runs the critically acclaimed RA training blog RA for All. She writes reviews for Booklist and a Horror review column for Library Journal. Becky was a 24 year locally elected Library Trustee and a former Board member for both the Reaching Across Illinois Library System and the Illinois Library Association. Known for her work with Horror readers, Becky is the author of three text books for library workers, most recently, The Reader’s Advisory Guide to Horror, Third Edition [ALA Editions, 2021] and the forthcoming Why I Love Horror [Saga Press, September, 2025]. She is on the Shirley Jackson Award Advisory Board and is a proud member of the Horror Writers Association, currently serving as the Association’s Secretary and Co-Chair of their Library Committee. You can follow Becky on Bluesky @raforall.bsky.social


This event will be hosted in Zoom. Automatic captions will be enabled for this event. This event will be recorded, and registrants will receive access to the recording within a day after the event ends.

If you have questions or requests regarding accessibility, contact us at ce@ala.org or at 312-280-5100.

Thursday, June 5, 2025

New Actively Anti-Racist Class with Robin and Becky for August 2025

Robin and I are back with our updated Actively Anti-Racist Readers' Advisory Services class coming August 20 and 21. You can take this class live or view the recordings on your own time.

NEW: Does your state not allow CE funds to go to ALA events? I have been told that you can contact them  at ce@ala.org or at 312-280-5100 and someone will help you. You can also always contact me to help as well.

Please go here or see below for all of the details, including pricing, to reserve your seat now.

Actively Anti-Racist Readers’ Advisory Services

A two-part webinar series taking place on Wednesday, August 20 and Thursday, August 21, 2025 at 2:30pm Eastern/1:30pm Central/12:30pm Mountain/11:30am Pacific.

Increasing the collection and circulation of titles written by underrepresented authors is not just a trend. Providing robust readers’ advisory service that values equity, diversity, and inclusion principles is essential to all library services.

Moving from being a neutral, well-meaning library where systemic racism is acknowledged to an actively anti-racist organization involves in-depth work, some of which can be challenging. In this program you will begin that work and learn tangible skills to help build enthusiasm for reading and strategies for diversifying your materials. You’ll learn how you can strengthen your RA service through thoughtful discussion of equity, diversity, inclusion, and belonging principles in all interactions with leisure readers and how to be a steward of the anti-racist mindset for your organization.

In this two-part series, collection development and readers’ advisory experts Robin Bradford and Becky Spratford will move your team from talk to action. You’ll learn how to help your entire organization craft an actionable plan to seamlessly incorporate the values of equity, diversity, inclusion, and belonging into your regular RA practices. 

Through your participation in this program, you will learn:

  • The distinction between not racist and anti-racist. 
  • How to identify more diverse titles to add to your collections.
  • How to use anti-racist principles in your displays, book talks, and organization of titles.
  • Promotion strategies for diverse titles and authors.
  • Basic strategies to address politically motivated requests to remove books from your collection.
Robin Bradford has earned a BA and MA in English, an MS in Library Science, and a JD, but has found a home in building reader-focused, popular collections in public libraries. She was recognized as RWA’s 2016 Librarian of the Year and Emerald City Library Conference's Librarian of the Year in 2022. She is addicted to books and dedicated to helping others discover a love of reading. She has worked with authors to help get their titles into these collections and wrote the Readers’ Advisory Guide to Romance Fiction to further help libraries with their romance collection. She also worked with libraries to push for equal treatment of genre fiction and worked with readers so that they can find their favorite authors on their library's shelves.

Becky Spratford [MLIS] is a Librarian in Illinois specializing in serving patrons ages 13 and up. She trains library staff all over the world on how to match books with readers through the local public library. She runs the critically acclaimed RA training blog RA for All. She writes reviews for Booklist and a Horror review column for Library Journal. Becky was a 24 year locally elected Library Trustee and a former Board member for both the Reaching Across Illinois Library System and the Illinois Library Association. Known for her work with Horror readers, Becky is the author of three text books for library workers, most recently, The Reader’s Advisory Guide to Horror, Third Edition [ALA Editions, 2021] and the forthcoming Why I Love Horror [Saga Press, September, 2025]. She is on the Shirley Jackson Award Advisory Board and is a proud member of the Horror Writers Association, currently serving as the Association’s Secretary and Co-Chair of their Library Committee. You can follow Becky on Bluesky @raforall.bsky.social


This event will be hosted in Zoom. Automatic captions will be enabled for this event. This event will be recorded, and registrants will receive access to the recording within a day after the event ends.

If you have questions or requests regarding accessibility, contact us at ce@ala.org or at 312-280-5100.

Wednesday, May 28, 2025

A New Best Seller List Featuring Black Writers and The Black Book Accelerator

Logo for the African American Literature Book Club featuring this words with their logo on the right- which is a brown circle denoting a head peeking out from on top of an orange open book that the head is reading.


Last week, I was alerted to a brand new bestseller list from a long time trusted resource-- African American Literature Book Club. AALBC has been one of go-to resources to find great books by Black authors since I became a librarian; they have been around longer than that! And have always done great work.

The resource is BLK Bestsellers List: America's Bestseller Books Written by Black Writers from January 2024 to the present, sortable by month

They use the following data and methodology for this list as clearly stated on the bottom of the page:

Sales Data Source: Circana BookScan, January 2023 – May 2025, U.S. print sales, from thousands of retailers including national and regional bookstore chains; independent bookstores; mass merchandisers (e.g., Walmart, Target); Online retailers (e.g., Amazon); and supermarkets and specialty retailers.

Methodology: Books are categorized and filtered for Black Authors by the African American Literature Book Club. This bestsellers list is a sneak peek into a much larger effort led by the Black Book Accelerator (Learn More).

Here is why I love this bestseller list as a tool for us to do our work suggesting books to readers AND as a way to be actively anti-racist. This is not a list of the best selling books by Black writers. Rather it is a list of books by Black writers which were bestsellers. 

In other words, this is not a list others can try to disparage or even ignore because it is WOKE. This is a list of straight up bestsellers that were bestsellers on the white dominated lists in the last 18 months which happen to be written by Black people.

So when people tell me and Robin in our Actively Anti-Racist Service to Readers training programs (click here to sign up up for the next live offering) that people in our town don't read "those books," or, well we only have money for the bestsellers and it is not our fault that those titles are overwhelming white, or....insert lame and useless excuse here-- well here is proof that every single one of those excuses holds no weight.

Public libraries always buy the bestsellers. It is the first thing we do. As someone who did collection development for a community of 60,000 people, I understood that my job was to maintain a circulating collection of popular fiction. That meant having every book on the bestsellers list. It also meant exposing my readers to books that they would not find without my help, but which I knew they would like, be that up and coming writers, mildest stalwarts, small press stars, or books just like the white bestsellers but written by marginalized voices.

This new list, showcases that Black books are for everyone (which, has always been true). However, it also showcases the years of work done by AALBC to promote Black authors, in particular the Black Book Accelerator. From their homepage:

 

Mission
The mission of the Black Book Accelerator is to strengthen the Black book ecosystem and measurably increase overall stakeholder revenue. 

The Black Book Bestseller list not only celebrates cultural representation but also influences market trends, empowers readers to support Black literature, and inspires emerging Black writers by showcasing successes that might not have otherwise received recognition.

Methodology

Our data is based on monthly print unit sales provided by Circana BookScan. You may read more about Circana.
Since the book publishing industry lacks a definitive source of data on how authors identify themselves, we determine books by Black authors using a combination of BISAC codes and manual research.
We are actively collaborating with organizations in the book publishing industry to improve how authors can share information about their personal identities.

Blackness


The primary requirement for inclusion on the bestseller list is that the author self-identifies as Black or African American. We respect and uphold individuals' self-proclaimed racial and ethnic identities.

For our definition of “Black or African American,” we refer to the U.S. Census Bureau’s classification. This includes individuals with ancestral roots in any of the Black groups of Africa. It encompasses those who identify as “African American” as well as those who associate with more specific African ethnic groups, such as Nigerian, Afro-Cuban, Ethiopian, or Somali.

While we have established these criteria to highlight and promote authors of Black and/or African American descent, we recognize the vast diversity within this community. We are committed to ensuring that our selections reflect a broad spectrum of experiences, backgrounds, and perspectives. We also acknowledge that definitions and categorizations evolve over time.

But the best part of the Black Book Accelerator project is how honest they are with themselves. From the FAQ:


Q: Couldn’t this information be used for bad purposes?

A: Yes, but we think the good outweighs the bad, and to do nothing is to reinforce the status quo, which is unacceptable.

Q: Don’t you think continuing to focus on race is a problem? Suppose someone published a list of the bestselling white writers; wouldn’t that be racist?

A: The purpose of this list is to address historical and systemic disparities by celebrating the most commercially successful books written by Black writers — whose work deserves more attention.

Q: What about authors who identify as Latino, Asian, LGBTQ+, etc.?

A: We hope our work can serve as a model for similar efforts within other communities. We welcome collaboration and are happy to share our insights with those seeking to elevate underrepresented voices.

They are doing the work AND having the hard conversations about said work. When Robin and I talk about being intention with your anti-racist service to readers-- this is what we mean. We are also constantly called out for being racist in favor of marginalized voices. But here's the thing, if you want to intentionally work against systemic racism, you have to tilt the scales to get there-- INTENTIONALLY. As they say above-- the status quo is unacceptable.

These "questions" listed above are the same things Robin always says are framed as "good faith": questions when really they are just trying to get you to stop doing the work. They are really there as "gottchas," from the asker. We see it all the time. I love that AALBC are very clear, open, and honest, that those questions are not worth exploring further for very good reasons. Full Stop.

This has been a long post, but everything here is important and connected. In order to summarize, here are the 4 points I hope you take away from this post.
  1. AALBC is an amazing and longstanding resource 
  2. Black bestsellers are everyone bestseller
  3. Being intentionally diverse is not racist
  4. If you are intentionally diverse over time, the brick wall that is systemic racism can be broken down, one brick at a time. 
Want more help? You can sign-up for the August edition of Actively Anti-Racist Readers' Advisory Service with Robin and I right now.

Tuesday, April 29, 2025

The Trouble with BISAC Codes

Today I am going to talk about BISAC Codes. What are they? Great question. The easiest answer for you the library worker is that they are like our subject headings but for book publishers and bookstores. Here is the official definition:

The BISAC Subject Codes List* (or BISAC Subject Headings) is the US standard topical categorization used by companies throughout the supply chain. The Subject Heading applied to a book can determine where the work is shelved in a brick and mortar store or the genre(s) under which it can be searched for in an internal database.

Here is the official list of BISAC Codes.

All of us interact with these codes in NetGalley or Edelweiss and in our ordering platforms. Here is an example for the upcoming book Black Flame by Gretchen Felker-Martin via Edelweiss:

Gretchen Felker-Martin
FRONTLIST | On Sale Date: August 5, 2025
9781250348012, 1250348013
Trade Paperback
$18.99 USD, $25.99 CAD
  • Fiction / Horror 
  • Fiction / LGBTQ+ / Transgender
  • Fiction / Performing Arts / Film, Television & Radio

I bolded the BISAC Codes for you. But now you can see how they are similar to subject headings.

I picked this book for many reasons, but most notably because of the middle BISAC Code. Let me back up a little more though.

BISAC Codes are applied by the publishers for the reasons listed above in the definition but to reiterate, it is for shelving and searching. In this case Black Flame (I have already read it for review in Booklist) is 100% Horror. And it is also a cursed film book and the story of a deeply closeted Lesbian. Now the Transgender tag is mostly added because Felker-Martin herself is transgender. FYI (There is a storyline that includes a transgender character.)

Now, in this case, the code is applied to a pro-transgender book, but what about when it is applied to a title like Irreversible Damage. Well much like I talk about sour library's subject headings having the potential to cause harm (please click here for a much larger post on who we NEED to reckon with that and FIX it), Publishers Weekly ran a story about how BISAC Codes can hurt more than they help booksellers here. From that article:

For instance, when customers search for “feminist, queer, or trans” titles on the Charis website—a part of the American Booksellers Association’s IndieCommerce platform, which is fueled by Ingram—homophobic or transphobic titles often pop up. “People find books Charis would never carry,” Look said, “and we have to manually take them off our website.”

Look recalled an instance when Abigail Shrier’s Irreversible Damage: The Transgender Craze Seducing Our Daughters topped the results on searches for books on transgender studies. “Other transphobic books would also pop up,” she said. “They need to add to the category of transgender studies, ‘criticism of transgender,’ so it doesn’t all come up together.”

This statement is very similar to what I say in the Actively Anti-Racist Service to Leisure Readers program that Robin and I offer. And again, it also mimics what I say about this same title in that presentation.

Another problem I have with BISAC Codes is that it labels the books as for someone and not for others. In that article there is a great example from a bookseller:

“BISAC misses connections between books that we booksellers make,” Smith said. “For us, it’s all about connecting the reader with the right book. We shelve books to guide customers between categories, not separate books.” If there is a question about best store placement, she said, she is more likely to ask the publishers’ rep for recommendations.

Another concern, Smith said, is that drilling down into hyper-specific categories can pigeonhole some books and authors, in, for example, such a category as fiction/Indigenous/Indigenous futurism. “Great Indigenous writers are great writers who happen to be Indigenous,” she said. “You risk ghettoizing certain subcategories if you follow BISAC too closely.” While books by authors like Tommy Orange and Louise Erdrich are not categorized as Indigenous literature, books by lesser-known authors—such as the nonfiction and poetry works of Linda LeGarde Grover, for instance—sometimes are.

This is also something I talk at length about in my program with Robin-- how we need to use the book's appeal NOT the author's identity to match books with readers.

In the article a bookseller also acknowledges that BIASC Codes help librarians as we are making purchasing decisions. And here is a mother problem I have. Again, let's use Black Flame as our example but this time for it's for the Horror BISAC Code. 

Horror is listed first-- loudly and proudly. As it should be by the way, both because it is first and foremost a Horror story in the cursed film subgenre, and it is being published by Tor Nightfire, a Horror specific imprint. But until recently, Horror was a "bad word" in publishing and not proudly attached as a BISAC Code to many books. As someone whose job it is to write an annual preview article of the genre in the July issue of Library Journal each year, for many years, it was very difficult for me to find all the Horror titles that were clearly Horror but instead got a BISAC Code for supernatural thriller or Gothic or Ghost.

However, now we see the overuse of Horror for titles that may not be for Horror fans, because it is popular. Same thing for Romance. And we have genres that are on the outs that are getting left off. The Publihsers want to sell the most number of books. This we know

I am not proposing a solution here today, but rather, I have this post to remind you that the issues we have with Subject Headings and what booksellers are seeing with BISAC Codes are not that different. Read the article as it is tangentially to your work. I am glad these larger issues are being discussed outside of our library circles. They are important conversations that may not have an easy (or any) solution, but talking about them publicly helps us all work to do better.

Tuesday, February 11, 2025

Becky and Robin's NEW Actively Anti-Racist Readers' Advisory Services Debuts on ALA eCourses Next Week (w/ access to my new slides)

Click here for slide access

On February 18 and 20, Robin and I debut our brand new version of our Actively Anti-Racist Readers' Advisory Services programs. 

Robin and I are very excited to offer this class through ALA eLearning. Not only do we have our books with ALA Editions (which comes into play with some new information below) but we also have their support to do whatever we want, however we want. They trust us to decide how people best learn and are giving us the space to do our thing. Also, the price is WAY more affordable than hiring us on your own-- $116 members, $129 non-members. It is 3 hours of class with 2 chances to ask both of us questions for that price. And as you will see below, this new version comes with BONUS material.

Speaking of here are a few details to share and clarify.

1. You can do this program live or as a recording. For each talk, both of us will be there to answer questions live, but if you can't make the live, register anyway because you will have access to the recordings and....

2. This class will be the first time Robin and I are offering worksheets for participants to use after the class to not only keep their learning going, but to give you tangible exercises to bring back to your places of work. Anyone who signs up gets access to a 6 page workbook. The goal here is to beta test this content with all of you and then work toward a longer workbook to offer through ALA Editions in the future. If you want access to the worksheets you MUST signup. They come for free. Honestly, it is an excellent deal to get access to the recordings and worksheets for the price. Robin and I will not be offering 

3. We are often asked if these classes are only for those serving adults. The answer is no. While most (not all) of our examples are from adult books, the concepts and principles we are teaching work throughout the entire library and for all service areas. Please send your YS staff. They need to hear this all as well. Maybe even more as censorship usually begins (but does not end) in the Children's area.

4. We will probably offer this class again in the Fall, so if you would rather do live and this timing isn't perfect, you could wait. But honestly, I would get in now. We are both refreshing our material and you get a first look at the worksheets. We have contact info available to reach both of us in case you have questions after the events. We will answer those for free.

5. In the face of recent real world events, Robin and I are committed to making this training even stronger. We are not backing off on our strong language; in fact, is anything we are getting more vocal and will challenge you all to work harder. Notice the title slide for my portion says "now featuring 100% more anger." This is a promise, not a threat. I have updated my language to be as sorting and clear as possible.

Here are the details from their page with registration links:

The ALA eLearning website banner.


Actively Anti-Racist Readers’ Advisory Services

A two-part webinar series taking place on Tuesday, February 18 and Thursday, February 20, 2025 at 2:30pm Eastern/1:30pm Central/12:30pm Mountain/11:30am Pacific.

Increasing the collection and circulation of titles written by underrepresented authors is not just a trend. Providing robust readers’ advisory service that values equity, diversity, and inclusion principles is essential to all library services.

Moving from being a neutral, well-meaning library where systemic racism is acknowledged to an actively anti-racist organization involves in-depth work, some of which can be challenging. In this program you will begin that work and learn tangible skills to help build enthusiasm for reading and strategies for diversifying your materials. You’ll learn how you can strengthen your RA service through thoughtful discussion of equity, diversity, inclusion, and belonging principles in all interactions with leisure readers and how to be a steward of the anti-racist mindset for your organization.

In this two-part series, collection development and readers’ advisory experts Robin Bradford and Becky Spratford will move your team from talk to action. You’ll learn how to help your entire organization craft an actionable plan to seamlessly incorporate the values of equity, diversity, inclusion, and belonging into your regular RA practices. 

Through your participation in this program, you will learn:

  • The distinction between not racist and anti-racist. 
  • How to identify more diverse titles to add to your collections.
  • How to use anti-racist principles in your displays, book talks, and organization of titles.
  • Promotion strategies for diverse titles and authors.
  • Basic strategies to address politically motivated requests to remove books from your collection.
Robin Bradford has earned a BA and MA in English, an MS in Library Science, and a JD, but has found a home in building reader-focused, popular collections in public libraries. She was recognized as RWA’s 2016 Librarian of the Year and Emerald City Library Conference's Librarian of the Year in 2022. She is addicted to books and dedicated to helping others discover a love of reading. She has worked with authors to help get their titles into these collections and wrote the Readers’ Advisory Guide to Romance Fiction to further help libraries with their romance collection. She also worked with libraries to push for equal treatment of genre fiction and worked with readers so that they can find their favorite authors on their library's shelves.

Becky Spratford (MLIS) is a Readers' Advisor in Illinois specializing in serving patrons ages 13 and up. She trains library staff all over the world on how to match books with readers through the local public library. She runs the critically acclaimed RA training blog RA for All. She writes reviews for Booklist and a horror review column for Library Journal. Becky is a 24-year locally elected Library Trustee (still serving), a former Board member for the Reaching Across Illinois Library System, and currently on the Executive Board of the Illinois Library Association. Known for her work with horror readers, Becky is the author of The Reader’s Advisory Guide to Horror, Third Edition (ALA Editions, 2021) and the forthcoming Why I Love Horror and You Should Too (Saga Press, Sept 2025). She is on the Shirley Jackson Award Advisory Board and is a proud member of the Horror Writers Association, where she currently serves as the Association’s Secretary and Co-Chair of their Library Committee. You can follow Becky on Bluesky @raforall.bsky.social

    This event will be hosted in Zoom. Automatic captions will be enabled for this event. This event will be recorded, and registrants will receive access to the recording within a day after the event ends.

    If you have questions or requests regarding accessibility, contact us at ce@ala.org or at 312-280-5100.