This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.
I love awards that are both general and specific. I know that sounds impossible but hear me out. The Shirley Jackson Award (for which I serve on the Advisory Board) is exactly this, but so is today's example-- The Joyce Carol Oates Prize:
The Joyce Carol Oates Prize is named in honor of the preeminent author, and our colleague. In the past, Joyce served as Simpson Project Writer-in-Residence, and today she sits on the New Literary Project Board of Directors as an honorary member. NewLit gratefully acknowledges her inspiring, lifelong impact as peerless teacher and writer, an author beloved and admired by legions of students, writers, and readers around the country and the world. She embodies the Project’s most deeply held commitments to literature and literacy, arts and education, in order to enhance the lives of students, readers, and writers across generations and diverse communities.
The Joyce Carol Oates Prize annually honors a mid-career fiction writer whose work speaks to the mission and vision of New Literary Project. This prize is awarded not in recognition of a book, but for an author: an already emerged and still emerging author of national consequence—short stories and/or novels—at the relatively middle stage of a burgeoning career. By mid-career we mean an author who has published at least two notable books of fiction, and who has yet to receive capstone recognition such as a Pulitzer or a MacArthur. Otherwise, there are no age, geographic, or stylistic restrictions. The winner receives a $50,000 award to encourage and support forthcoming work. The Prize is a working prize, in the sense that each year the winner is in brief fall residence (seven to ten days) at the University of California, Berkeley, and the Bay Area, where they may give public readings and talks, teach classes, and make appearances.
An application process is announced in the fall of every year, after which a distinguished jury considers an assembled longlist. Eventually, jurors hand up the names of finalists to the New Literary Project Board, which ultimately decides upon the Prize.
I bolded the proof of my comments above, but to be clear here-- this award is "general" in that if is for any author from anywhere, at any age, and not a particular book but it is "specific" in the parameter-- it is an author they define as "emerging" and that has very specific parameters (listed above).
As an award for those of us in the library both the current JCO nominees AND the past winners and nominees are an amazing resource for displays, collection development, and suggestions (see the link in the header of this post for more details).
First, take a look at this year's longlist here. There are 32(!) authors you know, whose books you have, and they are probably languishing on the shelf, just waiting to be matched with their best reader. I love how many nominees we get with this award
Second move to the current finalists (use the link to "meet" them as well):
Finally, as promised, let's take a deeper look at the backlist of anyone who has ever been on one of the JCO Prize longlists, let alone won. Click here to get ALL of that info with a single click. The backlist here is easy to access. On the main page for the JCO Prize, they have the current year and then you scroll down to see past winners with a link to the finalists and the longlist honorees all in one place.
But the backlist for this prize is even more helpful than your average backlist access (as I referred to above) because of the fact that this list goes out of its way to award those who are emerging, who have NOT been singled out for an award. Therefore, it is by default, diverse. The number of well reviewed, nominated for prizes, critically acclaimed but not winners, midlist authors who are from historically marginalized communities is huge. I think Morgan Talty is a great example this year. His short story book and novel have been on MANY best lists. For instance, when I was on the Andrew Carnegie Award Committee he was one of our finalists.
Now take a winner from the past (listed above)-- Laila Lalami. She won in 2019 and right now, as I am writing this post, she has one of the hottest new releases in all of fiction. Do not underestimate how much winning the JCO prize lifted her visibility and moved her into the "need to know" sphere of authors. Just look at the March 2025 LibraryReads flyer to see what I mean. And do a google search for The Dream Hotel and click the "news" tab to see the wide and plentiful coverage this novel is getting.
The JCO Prize-- winners, finalist, and longlist-- is a great resource to find a diverse list of authors who you and your readers might not be as aware of, but they are all writers whose work is perfect for a public library collection, and books you almost certainly have.
They are also books that despite being awesome reads, may have gotten lost in the shuffle. Don't just shrug about it. Do something to highlight them. Turn the last few years of longlist authors (there are repeats) into a display. Call it "Emerging Authors" or even something like "Great Reads You Don't Know About....Yet." This display idea follows my #1 rule about displays-- Promote Books Patrons Will Not Find Without Your Help. This is where we show our worth and make the biggest impression on our readers.
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