As I mentioned yesterday, the June 2025 issue of Booklist is the spotlight on Science Fiction, Fantasy, and Horror. It is filled with goodies that you can access through that post.
Today I have the two STARRED reviews I contributed to this issue. They are wildly different but both awesome.
First up:
Killer on the Road/The Babysitter Lives
By Stephen Graham Jones
Jones returns with a single volume featuring 2 short novels, reminiscent of taking in a double feature by a favorite horror director. On the surface they appear vastly different in tone, gore, and scare level, yet both are firmly united by Jones' unique narrative voice and his unique ability to pull fresh takes from established tropes– in this case the hitchhiking serial killer and the hungry haunted house. The never before published “Killer on the Road,” is the action driven, visceral, in your face, final girl tale of Harper as she attempts to run away but ends up in a fight for her life at high speeds on Interstate 80 headed west from Laramie. While in the previously audio-only “The Babysitter Lives,” readers watch helplessly as Charlotte’s routine babysitting job sets her on a harrowing hunt through a house of inexplicable terror. Both stories will hold readers rapt, with their sympathetic and well developed heroines, begging them to finish each in as few sittings as possible, even as their emotions are put through the wringer, while simultaneously forcing them to confront a fear that jumps off the page, straight into their guts. But, they will love every second of it.
YA Statement: Jones, the recipient of numerous Alex Awards, will see readers flock to his latest as it features two strong, but very different, teen girls at their center.
Three Words That Describe This Volume (2 novellas): cinematic, new takes on established tropes, strong teen girl narrators
Further Appeal: First of all, how cool are these double shot books from Saga (there will be more). It is like getting 2 paperback horror titles in one. And you have to physically flip the book around when you finish the first one. And the order is your choice. So cool.
SGJ is here doing what he does best– taking a trope– the hitchhiking serial killer and the haunted house– and not only making it new but breaking it down and explaining why it existed in the first place and how it is “real.”
Killer was never before published, Babysitter only in audio. 2 very different teenaged girl narrators. One a “bad” girl with no future with nothing to lose (Killer), the other a studious rule follower on her way to college with everything to lose (Babysitter). They also come to very different ends in each story.
They are very different in tone and scares and gore. Killer is high octane, action driven, in your face danger and terror. High body count. High speed chases. Race against time. Babsysitter is quieter, the horror slower to build but the danger intense. The overall feel is harrowing and upsetting but the gore level– technically low. I would argue though, that Babysitter is way more frightening and upsetting.
I have included my notes from when I first listened to Babysitter as well.
Notes from Babysitter personal review: 3 words that describe this book: disorienting, character centered, original haunted house. This is a terrifying story of a haunted house but a super original haunted house.
Charlotte is a great character. Is this an actual haunted house story or is Charlotte, strong Charlotte who is trying to manage being Native and a high achiever and gay and do it all- is it finally too much.
This story is gripping, the horror elements immersive and compelling. I don’t want to give any details away but this is a haunted house with a backstory and it can eat people.
The trippy storyline and looping of time and space is the key. It could have been a gimmick but it all works. And the ending is horror perfection.
Readalikes: in my word count, I had no room to include them above but I gave my editor a list for the side bar of the online version-- My Best Friend’s Exorcism by Hendrix, A Head Full of Ghosts by Tremblay, You’re Not Supposed to Die Tonight by Bayron (YA), The Weight of Blood by Jackson (YA), Clown in a Cornfield by Cesare (YA), Nothing But Blackened Teeth by Khaw, but also if I had to pick 1 of each of SGJ’s I would link Babysitter with Mapping the Interior and Killer with I Was a Teenaged Slasher.
Next up:
STAR
By Chuck Tingle
July 2025. 304p. Tor Nightfire, $27.99 (9781250398659); e-book (9781250398666). First published June 1, 2025 (Booklist).
Tingle’s latest is an absurd romp, but underneath the off-the-wall mayhem lies his most sophisticated work to date. Vera, a statistics professor, is celebrating the release of her first book– about a casino in Las Vegas where, impossibly, the odds are tipped in the visitor’s favor– when the world experiences the Low Probability Event [LEP], a convergence of the most unlikely things that kills almost 8 million people. Four years later, as Vera is still struggling to come to terms with what happened, Federal LEP Agent Layne convinces her to join the investigation into how the casino is involved. Vera must overcome her own worst fears and use her mathematical gifts to rebalance the scales of luck before it is too late. Tingle brilliantly allows the more bonkers and visceral scenes to give readers the space and time necessary to emotionally handle the existentially bleak and terrifying reality staring them in the face. Even if “nothing” matters, readers know not to fear because love always wins when Tingle is in charge. For fans of satirical, tongue-firmly- planted-in-cheek speculative works as wide ranging as Everett’s Dr. No, Fforde’s Lost in a Good Book, and the novels of Jason Pargin.
Three Words That Describe This Book: existentially terrifying, absurdly fun, bleak undertones despite love winning
Other words I could have picked from for the 3 words: witty, off beat, satire, tongue in cheek, thought provoking– there are some serious undertones and issues here– amidst the fun.
Vera and Agent Layne have great Mulder and Scully vibes, but this is a Horror novel– not a SF cop show.
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