I have five reviews in the July 2025 issue of Booklist so I am breaking it all up into 2 posts. Today I have the starred reviews and tomorrow the other three. All 5 are EXCELLENT and worth your time.
As usual, I have my draft reviews here on the blog with bonus info including my three words.
"Sometimes watching a movie is a bit like being raped,” states the very apt epigraph at the start of Felker-Martin’s (Cuckoo) latest. 1985, NYC, Ellen is a young Jewish woman from a wealthy family, working as a film preservationist. Her struggling company takes on a recently unearthed Nazi banned, German cult film, Black Flame, full of queer characters, sex, and murder. Ellen, forced to give up her homosexuality or be disowned, is extremely unsettled before she begins restoring the film, leading its subject matter to both entrance and deeply unmoor her. The film begins stalking Ellen, invading her dreams, even physically injuring her. Horror readers know none of this will end well, but they will relish every precious moment spent with this intense tale. Deliciously nasty, vicious, and erotic, this novel succeeds equally on two distinct tiers of terror– a perfect portrayal of the disorientation of being deeply closeted, and a cursed media story in which the film’s sinister agenda reaches out from the screen and grabs hold of all who encounter it. An easy sell to those who enjoy disquieting cursed movie novels like Night Film by Pessl and Horror Movie by Tremblay but also suggest to fans of the psychological horror classic, The Drowning Girl by Kiernan.
Three Words That Describe This Book: immersive, details of film preservation, disorienting
This book is 5 stars as a cursed film horror novel but it is also 5 stars in how it depicts what it would feel like to be deeply closeted and unable to escape-- unable both because she feels trapped by her family to be straight but also psychologically as she is unable to understand her own feelings.
I am a straight cis woman, but I FELT, literally felt, all of the emotions Ellen was struggling with-- fear, anger, desire, pain.... That is the sign of a great book, if the reader can feel the intense emotions.
Short on pages-- but honestly, it is the perfect length. I never thought it needed more. You can read it in 1 or 2 sittings. Fewer sittings the better, so you can get caught up in the psychological horror.
This is a nasty, viscous, and erotic story-- all of this is high praise. Not visceral in the traditional grey horror sense-- but in the literal sense of the word. I think nasty and vicious and erotic are better than visceral here. They are more accurately descriptive.
As cursed media film go-- this is also intense. An exploitative film filled with sex and murder and just over the top, made by a Jewish auteur just before he and most of the people in the film were sent to the camps by Nazi's.
The setting -- 1985 NYC with a family of wealthy Jews, who while not super religious are in America because the family matriarch-- Ellen's grandmother-- is a Holocaust survivor. I was about 15 years younger than Ellen is in the story in 1985, but boy did Felker-Martin capture my family. Thankfully, not the homophobia, but the obsession with keeping up those the upper class NYC appearances, the obsession with being thin, and the family dynamics.
This book will attack you-- the reader. And that is 100% NOT an exaggeration. Again- immersive-- be ready to be subsumed in the world of Black Flame-- the book and the movie.
Just read it and let Felker-Martin tell you this story. Submit to this book and I promise, you will love the journey. And the ending is PERFECT!
Readalikes: The above capture it well. Any intense well executed and disorienting cursed media books are good readalikes. I had to cut Silver Nitrate by Moreno-Garcia but that is a good one too.
STAR
We Are Always Tender with Our Dead.
By Eric LaRocca.
Sept. 2025. 304p. Titan, $27.99 (9781803368672); e-book (9781803368689).
REVIEW. First published July 2025 (Booklist).
Move over Derry, Maine! LaRocca, master of transgressive Horror introduces readers to Burnt Sparrow, NH in the first of a planned epic trilogy, spread out over multiple decades. Book One begins disturbingly as hundreds of townspeople lay dead, in the middle of the road, in the center of town, the victims of an attack at a Christmas parade, allegedly perpetrated by 3 faceless humanoids. The engrossing tale features two narrators, 17 year-old Rupert and Gladys, the wife of the richest man in town, who lead readers through their own personal nightmares, while Larocca works to bring them together, simultaneously building the rich and dangerous history of a town thoroughly infested with evil through news clippings, diary entries, and stand-alone short stories. Expertly balancing extreme disgust and awe-inspiring wonder, LaRocca pushes readers to their limit with his use of graphic and illicit sex and violence, making them squirm with intense discomfort, forcing them to confront the truth about the horrors all humans inflict, especially on those they love the most. The results, mesmerizing; the thought of waiting for Book Two, unbearable. Think Twin Peaks by way of The Twisted Ones by Kingfisher and A Game in Yellow by Hailey Piper.
Three Words The Describe This Book: transgressive, engrossing, epic
Further Appeal: This book feeds off of many of Horror traditions and yet it is wholly original.
Part one ends with a great twist (something that adds intrigue for the next book beyond the need to read more about Burnt Sparrow) but then there is also a nice coda -- in the form of a story told by one character to another-- to settle down the worst of the horror enough for readers to wait for part 2.
It is 5 stars precisely because he has created a town where I know a lot but it is all still so weird and unexplained. Snippets of info have been given to add context to the true horror that is Burnt Sparrow.
The only negative here is the waiting for parts two and three.
building in Hex.
The works of Kathe Koja and Clive Barker as well are excellent realizes for this book as well.








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