RA FOR ALL...THE ROAD SHOW!

I can come to your library, book club meeting, or conference to talk about how to help your readers find their next good read. Click here for more information including RA for All's EDI Statement and info about WHY I LOVE HORROR.

Wednesday, September 14, 2022

Using Awards Lists As a RA Tool: National Book Awards Judges Edition

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.   

Beginning today and going through the 16th, the National Book Foundation will be slowly releasing their long lists of nominees in 5 categories. There will be whirlwind of books being added to our toolbox as "best" options during that time. On a side note: I love how they stage their announcements to build excitement for the award.

But one of the downsides of all of that excitement is that people will be itching for the announcements and eager to get their hands on all of the books at once. Add into the fact that they save the top nominations-- fiction and nonfiction-- for last. By the time we get to Friday, we will have already handled requests for the titles already announced and queries about when the others are coming. And often, we get a request seconds after the lists come out. I know all of this from experience. We will need some readalike options and display ideas, and fast.

So here's an idea. Start your display and build your suggestion lists today, even before the first titles are announced.

But Becky, how can I do that? Ahh, it is easier than you think if you begin with the judges and their works first. Click here to see the 5 judges per category-- that's 25 judges who all have works that fall into each of the categories. 

Start with the judges' works and then build in the long list titles as the week goes on. You can draw interest by building excitement and anticipation for the new announcements each day. And then as the current nominees get checked out, click here and use the "Browse By Year" page to add past winners and nominees to your displays and suggestion lists.

This would be an easy and fun display [in person or online]. It capitalizes on a story that will dominate the book atmosphere for the next few days. And it shows you patrons that you care about matching them with a great read.

And don't forget to include this year's Lifetime Achievement Award winner, Art Spiegelman, to your displays. He was already announced here. You an also click here for a quick list of the lifetime award winners from the past few years as well.

Have fun with this. It is fairly easy if you use the judges and backlist to get yourself started. Your patrons will notice and appreciate it. 

Tuesday, September 13, 2022

What I'm Reading Repeat: The Trees by Percival Everett

I subscribe to Ron Charles' weekly, free, book newsletter from the Washington Post. [Click here if you want to subscribe as well.] In this past Friday's newsletter he wrote about The Trees by Percival Everett and how he passed  on it late last year for review, but now seeing it show up on so many awards long lists, he went back and read it. Spoiler alert, he loved it.

It reminded me that something similar happened to me with this book at the end of last year as well. In November, I wrote about using the NPR Books We Love app to isolate a book to read and found The Trees. I had not even heard of it before that moment.

I then took it on vacation to read in January and, as I said this post from late January, I read it as part of my commitment to always start each year with some of the best books from he year before which I missed. 

At that time, I not only read The Trees by Everett, but I absolute loved it. It completely blew me away with its immersive and swift plotting that still left time for an extremely thought provoking story and a killer ending.

Click here for my full review or see below.

Flash forward to yesterday, when in a meeting, we were discussing some of the recent book awards long lists and I mentioned The Trees showing up on a lot of lists now even though it came out in September of 2021. And during that conversation I said this, "The Trees is the BEST book I have read in 2022."

So, because it keeps coming up in my book related conversations and people are talking about it as it keeps showing up on awards lists, I thought it would be worth running my full review. Previously, I only had that post mentioned above where I linked to it.

Seriously though-- the fact that is keeps coming back around is not only a sign I should remind you all about it, but also, it is punny because it is a zombie story-- of sorts. This return of my review of The Trees was meant to be on so many levels. [Speaking of, it also ended up in the Zombie round of the Tournament of Books, losing out the eventual champion,]

Here is my review of The Trees by Percival Everett, a title I think is not only worthy of all of the award nominations it is receiving, but a title that is imaginative and fun to read as well. Get this book into the hands of more readers. I have some readalikes and talking points to help you figure out who to suggest it to below as well.

Three Words That Describe This Book: uncanny, open ended, thought-provoking

This book was stunning!!! I read it because it showed up on a few best lists that I trusted and it had not been on my radar before that so I checked it out. 

I don't want to spoil plot here because this book was a terrifying joy to watch unspool. Basically this is a police procedural set in Mississippi, where Black men [at first] are killing white people. The state and federal law enforcement who lead this inquiry are Black. The killings are tied to lynchings from the past and the killers are found dead at the scene as well, but they then "disappear."

Yes it becomes a zombie story, but one that is steeped in hate and also draws on the Afro-Caribbean zombies-- ones that are called to seek revenge. And how that is done is also stunning and terrifying, both from a realistic standpoint and a Horror one. Pages and pages of names are involved and it cannot help but overwhelm the reader [on purpose]. 

The uncanny, strange, unsettlingly feeling that is just slightly tipped over to the speculative side of reality dominates this story. Also, it is gruesome, fair warning. How the people are murdered and militated is described in detail. But it is nothing when compared to the violent history of lynching that happened and is still happening [one of the other points this book makes clear].

There are multiple narrators, from all walks of life and from all over the country. But our main characters become 3 law enforcement officers [all Black, 2 state and 1 federal] as well as a few key figures all in the MS town where it all begins. The chapters are short and even though the content is heavy and thought provoking, I could not stop turning the pages. I read this on vacation and finished it in a few sittings. 

This is one of the most effective anti-racist books I have ever read and it is fiction. When I finished the last lines-- the last extremely open ended lines-- I stopped, looked up into space and just sat with my thoughts for a few moments. It was so realistic, honest, unsettling, and terrifying. This book expresses the anger, sadness, frustration, and victimization of our country's violent history of white people killing people of color just because they are Black or Asian, or Indigenous, or LGBTQ.....with raw emotion. 

Also, the title is perfect. It took me a moment after I finished when I literally said in my head-- Why "The Trees." But it only took a second and I nodded and smiled. The subtlety of this book despite the fact that it also hits you square on the head was magnificent. It is 100% anti-racist, pulls no punches, but is also a satisfying zombie story AND I dare anyone to read this and not think about their own place in systemic racism. Even the Black characters [who are mostly law enforcement] have to reckon with their place in systemic racism.

Brilliant! A must read that I will be forcing into hands for years to come.

Readalikes: Attica Locke mystery meets RING SHOUT by Clark. There is also more than a touch of Shirley Jackson here, the master of "uncanny." 

The heavy sardonic tone also reminded me of WE CAST A SHADOW by Ruffin and THE SELLOUT by Beatty [I have reviews of both here] but the satire here is a bit less over the top as those books mostly because of that uncanniness I mentioned. It feels real, like this book could happen, while those two titles are set in a world and situation that is more exaggerated to begin with. 

And look, this rec is a bit outside the box but I can't stop thinking about it. MY SISTER, THE SERIAL KILLER by Braithwaite. Like THE TREES I also ready this uncanny, unsettling, violent book win vacation and was entranced by it. Here social commentary is more about the way women are treated than racism, but it was a similar tone, style, and open, thought provoking ending. These two titles tackle serious issues but are fun genre reads as well. 

Monday, September 12, 2022

Buzzy Books As a RA Resource

The last quarter of the year is when the biggest and buzziest books tend to come out. Well, not all of them, but the highest percentage at once for sure.

There are plenty of lists of buzzy, upcoming books but today I want to focus on one writer who covers them regularly AND talk about using both the upcoming buzzy books and backlist options to help you help your readers.

Let's begin with that writer. Liberty Hardy over at Book Riot is the lead writer who covers upcoming titles. Click here to read all of her articles in reverse chronological order.

Specifically, her latest is 30 of the Buzziest Best Fall Books for 2022.

First step, use the information in this list to prepare your backlist titles by these authors for promotion. Celeste Ng has a new book coming, for example. Awesome. Make sure her older titles are available, in good shape, and front and center for people to read. Do this for every author you can on this list.

However, don't forget this second step, use Hardy's backlist lists of upcoming titles as their own RA suggestion tool, especially those from the last 3 years or so. Those books were buzzy previously, and you probably own them. Most importantly, there is a good chance hat they are on the shelf right now, waiting to be enjoyed by someone new. BY now, you and your readers have probably forgotten about them. But guess what? The secret you know, and your patrons don't....they are still a great read, one that is sitting right there waiting to be checked out immediately, one that may be just as good [if not beter] than the upcoming title they are hotly anticipating.

For example, using that link to all of Hardy's articles, I found this awesome list, "10 January Releases to Put on Hold At The Library Right Now" from November 2018. Those are January 2019 titles. I have a read a few and they are great suggestions for a wide range of readers. A few click and you look like a genius. hat's what the best resources do for us as we work with reader-- make us look indispensable.

You can make a display titled, "Buzzy Books Now and Then" or something similar that makes it clear that you have current and backlist Buzzy titles. This is especially handy to advertise the books on Hardy's current list, titles that are not out yet. You can let people know they are coming with a sign [if physical display] or a link to the list [if virtual display], and then encourage all interested readers to place holds. This display then becomes both your center to gather holds AND a read while you wait display, all win one easy to navigate location.

Add an interactive element if you are adventurous. Ask people to contribute the books they are most excited to read. Don't give them more than that. Simply just put up a board with the question, "What book are you most excited about right now?" [Or if virtual, us it to start a book chat or convo on line.] No clarifications. Just the first thing that pops into their head. You will see a range of answers, including titles new and old. 

The results will help you to see what your patrons are actually reading and loving or hotly anticipating. This gives you way more usable reader data than looking at checkout records which only tell you what they brought home, not if they enjoyed it or not. This will be invaluable for you as you craft your collections going forward.

And the best thing about today's post-- this is a display you can put up anytime and at a moments notice. Use this link to Hardy's articles to pull up options to fill this type of display ANYTIME. Trust me, when you have a display of books that someone, anyone, deemed "Buzz Worthy," patrons will gravitate to it. Most readers do not care who is suggesting they take a chance on a book, just that someone felt it was worth seeking out. With so many choices, we have to help them narrow it all down. When we say "Buzzy," readers are more willing to give a book the benefit of the doubt because the category does not guarantee it will be "good," just that people are talking about it. And for a lot of our readers, that is all the convincing they need to give it a try.

Friday, September 9, 2022

RA for All Greatest Hits: Listening to Audio Books is Reading

Today's entry in the RA for All Greatest Hits series is something I have been writing about since the very first months as a blogger, 15 years ago. What is sad is that I still NEED to post this reminder regularly. In fact, for today's entry, I am going to point you to a 2020 post that references that 2007 post and ones from 2016 and 2019. Clearly, this topic deserve the Greatest Hits treatment.

But before we get to those posts I wanted to share this Tweet by Horror author and performance artist, Kathe Koja:

I use this in the intro to my signature RA programs to remind everyone, before we even begin, that if they do not count reading audio books and graphic novels as reading, they are wrong...full stop. I tell those who disagree to get over it and move on.

For all of the posts I have tagged audio books over the years click here.

For more of RA for All's Greatest Hits click here.

WEDNESDAY, SEPTEMBER 16, 2020

Evergreen Reminder: If You Don't Count Audiobooks As Reading....You Are Wrong [period, end of discussion]

Thanks to the Book Riot "Check Your Shelf" newsletter geared toward libraries, I was alerted to this Popsugar article with the very click bait title, "Those Who Don't Count Audiobooks as Reading Can Kindly GTFO."

While the title may make you cringe a bit, the article itself is well worth your time. It also reminded me that I have been writing about this topic and defending audio books since the very first year, actually, the very first MONTH of this blog [August, 2007]. 

After reading the Popsugar piece,  I went through my own archives and realized that I have not ranted about this to all of you for a little over a year now. How dare I go so long without a post on this topic?!?!

Seriously though. The statement that I have made in the title of today's post-- that if you do not count audiobooks [or graphic novels for that matter] as reading, you need to know you are wrong and there is no argument, just admit you are wrong and move on-- is something I try to work into every single one of my presentations because it is still an argument many library workers need help making. 

The fact that Popsugar is posting about it, a for profit, click driven site, means it is still an argument worth repeating.

So below is my August 2019 post on the topic to enhance the Popsugar essay. My post has even more links to posts by me and others, including actual neuroscience that proves the fact that listening to audiobooks is reading.

I am not going to tell you to GTFO, but those who disagree here are flat out wrong. Please read on to open your mind and be more inclusive about what you count as "reading."

********************

TUESDAY, AUGUST 27, 2019

If You Don't Count Audiobooks as Reading You Are Wrong

The title of this post is something I say at every library which I present. I find a way to work this statement in no matter what. I actually include Graphic Novels in the statement too, but today is about audio books specifically because while I knew I was correct, actual SCIENCE has proved me right!

Yes I am going to gloat about this to everyone who has ever disagreed with me. And long time readers know that this is not a new issue for me [That 2016 post includes a link to a 2007 post where I took a stand on this issue].

Here is the link to a summary of the study which appears in the Journal of Neuroscience. This post includes links to further information including some upcoming brain mapping. They also talk about the findings previous to the new study and where they want to expand their research.

Also, I am linking to a summary from a popular science site instead of the direct study because, well, it is easier to understand for lay people [myself included]. But again, the link to the actual study is there too.

I am hopeful this is the beginning of the end of me having to fight people over this issue.

But, seriously for a moment, because I am not a mean person and I really want to help everyone improve their service, if you are someone struggling with the idea that audiobooks are reading, I don't just want to dismiss you. I want to educate you both from this scientific standpoint, and from a RA Service point of view. So besides looking at the proof, please also read my Call to Action where I talk about why audiobooks are reading from the reader's standpoint.

Consuming a story is consuming a story, whether we do it by reading words [or words with pictures], listening to someone read to us, or watching a movie. Our brain is doing the same work. Look at it that way, and you will be less judgmental and more willing to meet your patrons where they want to begin their leisure "reading" adventure, not just where you think the starting line has to be.

Open your ears and your mind.

Thursday, September 8, 2022

Using Awards Lists As A RA Tool: Hugos and Fingerprint Awards

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.   

One big award was announced recently and one smaller on, but as I talk about every time I post something in this series, any award, if used to help patrons properly is one of your best resources.

Let's start small so that you don't lose interest part way through this post. 

The inaugural Fingerprint Awards shortlist was just announced, and you can VOTE for the winner.

More about the award from The Bookseller:

The awards, which recognise the best titles in the crime genre and most of which are voted for by readers, are held as part of the Capital Crime Festival co-organised by Goldsboro Books owner and agent David Headley. 

Shortlisted for the Crime Book of the Year is McDermid’s 1979 (Little, Brown), Mick Herron’sSlough House (John Murray Press) and Hallett’s debut, The Appeal (Viper), which won the John Creasey (New Blood) Dagger earlier this year. Also in the running is fellow debut novelist Sarah Pearse with The Sanatorium (Transworld) and Eva Björg Ægisdóttir for her second novel, Girls Who Lie (Orenda).

Lisa Jewell and Paula Hawkins have made the cut for Thriller Novel of the Year with The Night She Disappeared (Cornerstone) and A Slow Fire Burning (Transworld) respectively, while Gold Dagger-winning M W Craven is in the running for Dead Ground (Little, Brown).

Multi-award winner author Mukherjee is among those shortlisted for the Historical Crime Novel of the Year for The Shadows of Men (Vintage), his latest Wyndham & Banerjee novel, alongside Daughters of Night by Laura Shepherd-Robinson (Pan Macmillan).

Two other categories will be selected solely by the Capital Crime advisory board, comprised of authors, bloggers, journalists and industry figures. The categories are the Industry Award of the Year, recognising the best marketing campaign, editorial work, or publishing strategy, and the Thalia Proctor Lifetime Achievement Award, marking an outstanding contribution to the crime-writing industry.

"My vision for Capital Crime was always to make it a festival for readers and what better way to celebrate the readers who make it all worthwhile than to give them the power to decide the winners of the Fingerprint Awards?" Headley said. "Narrowing down the incredible body of work published last year to six categories of five books [each] was no mean feat but with the well-informed advisory board we’ve gathered together, I’m confident that these shortlists represent the very best of crime and thriller writing from around the world."

Readers can vote for their preferred winners here by 19th September. The winners will be announced at 7.30pm on 29th September.

Click here to see the full shortlist and to learn more.

From a resource standpoint, obviously you cannot use the backlist here, but this is fun, new, and slightly different award. Plus, you can make a display of these authors and other crime fiction titles and endorse your patrons to vote. They will love being part of the award process. If you are adventurous, you could run your own local "Fingerprint Award."

From a brand new award to one of our most trusted-- The Hugo Award. This, along with the Nebula, is the most prestigious Speculative Fiction Award. While the Nebulas are voted on by the members of the Science Fiction and Fantasy Writers Association, the Hugos are voted on by those who attend The World Science Fiction Convention each year.

There are 19 categories including art and fan categories. Of special note for us in the libraries, there is an award for Best Series, YA, and New Writers. You can click through to the Hugo's website for sinners and nominees past and present going back 80 years!

Wednesday, September 7, 2022

Time to Start Prepping for Spooky Season

It is September, which means October is right around the corner. And October is when everyone wants to read or watch something scary. Are you ready to help your Horror readers?

The trick during the Spooky Season at the public library is being able to figure out what your readers are looking for exactly and how to promote it to them effectively. I want your readers to have access to as many Horror titles as possible, even if you are not a Horror fan yourself. The complications come this time of year, however, because there are many Horror novices who want to be part of celebrating Halloween but aren't necessarily fans of Horror.

Never fever [pun intended], I am here to help, along with my Horror Writers' Association Libraries Co-Chair and Horror programming expert, Konrad Stump.

We have a BRAND new program being offered through New Jersey LibraryLink and they have kindly made it available to anyone, for free. Click here for details. 

We start at 10:30am Eastern this morning, but if you missed out on registering, you can catch the recording as well. Again, click here to get the info you need to join us.

In the mean time, Konrad and I made the slides VERY comprehensive with lots of links. So if you click here or on the title slide below, you have a very good resource to help readers, regardless of whether or not you can watch the presentation. We did this on purpose. The slides themselves are a detailed resource

This is the first of many times when I will be out there talking about Horror for the next 7 weeks. I will have more details soon, but there is a podcast already in the can and 2 more planned presentations. There is still time if you want virtual Horror RA Program for your group as well. Just let me know. I can do 30, 60, or 90 minute versions with prices starting at $350. I am willing to double and triple book during this busy time for Horror in order to help as many library workers as possible but you need to contact me soon.

Click here or on the RA for All Logo on any page of the blog for contact info and please put "Horror RA Program" in the subject heading of your emails so I prioritize it. 

Remember, as I like to say: "Your Horror readers aren't monsters, they just like to read about them."


Click here to view the slides


Tuesday, September 6, 2022

What I'm Reading: A Debut Novel and a Translated Collection

The September issue of Booklist has 2 reviews by me, both are excellent choices for all collections and from smaller presses. Below I have the reviews and extra info to make these super easy for you to book talk to patrons.

First up, a debut by one of my trusted Horror small presses.

In the Devil’s Cradle
By S. L. Edwards

Sept. 2022. 238p. Word Horde, paper, $18.99  (9781956252033). 
First published September 1, 2022 (Booklist).

Emelda is floating down the river with her children, fleeing escalating tensions in Antioch’s capital city. They are moving to the birthplace of the country, where her husband, William's ancestor, Thomas Holcomb, first unified the country through diplomacy and, quite possibly, a deal with a dark power. The family finds safety, as back in the city, the government is being violently toppled, but only for a moment, as darkness finds them in the form of revolutionary fighters and ghost children who are coming out of the woods, beckoning the children. Told through the eyes of each member of the family– Emelda, William and their four children, this compelling and deeply unsettling story holds readers hostage as they helplessly watch everything spiral out of control. However, the real horror of this novel is that Antioch could be any country, and the terrors both real and supernatural could easily be set loose upon us all. A chilling story that holds appeal for a wide audience, but especially for fans of The Hacienda by Cañas, Frankenstein in Baghdad by Saadawi, and Wonderland by Stage.

Further Debut: I need to stress the use of the phrase, "deeply unsettling." Bad things happen in the story, violent and troubling bad things. That being said, those things underscore the real world implications of this political horror story.

This is a mature debut. It could be set in ANY country. This is very clear. It could be America even, It is probably South America or Central Europe inspired and in the 20th Century but very much rooted in reality.

A country in the midst of a coup, but also there are actual ghosts and monsters in the woods, creatures that are inexorably tied to the country's founding. 

POV 3rd person omniscient inside the entire family, moves around freely. Very good and compelling. Great characters. Each member of the family is fully formed and unique. The pov switches felt a little forced a few times, to keep the reader guessing and turning pages. I think if this was a more established author, the editor would ave allowed some of the scenes to  go on a little longer before switching.

Only other negative is that the creatures in the woods [I don't want to spoil but some resemble small children without eyes and they are present VERY early in the story], their back story needed a lot more explanation. There was some. But I have more questions. Maybe that is the point because after all of the violence, the country will continue and this menace is still there, but I still wanted a little more. 


But overall, a solid read. Impressive for a debut. Very worth adding to all libraries. Word Horde is a VERY reliable Horror indie press-- great editing, good covers, books tat stand up  to multiple checkouts. It is why I requested this book from the publisher to review. I like what they do and this was one that they were also excited about. 


Three Words That Describe This Book: political horror, deeply unsettling, thought provoking


Readalike: Combine three titles in the review, and that is the book's target audience. You can use the links to see more by me on each book and find more readalikes.


Swedish Cults [stories]

By Anders Fager

Translated by Ian Lemke and Henning KochSept. 2022. 232p. Valancourt, $29.99 (9781954321564); paper, $16.99 (9781954321571). First published September 1, 2022 (Booklist). 

With the success of their World Horror Anthologies, Valancourt continues their march to get the globe’s best Horror writers into more hands with the first English translation of the top Horror writer in Sweden. This story collection, first published in 2009, is best described as “Swedish Lovecraft.” The world he has created, while very much set in and influenced by his Nordic home, expertly draws off the established Lovecraftian universe, setting an atmosphere with each tale that steadily rises to existential terror as cosmic gods so pervasive and powerful, drawfs, even mock at times, the pitiful humans who hope to survive their wrath. A great example is the second story, “Grandma’s Journey,” an original tale of a journey across Europe, despite a tear in the universe that keeps getting wider. The repetition of the phrase “grandma’s going on a journey,” dozens of times, brilliantly adds another layer of unease. Also of note are the four “Fragments,” brief snapshots of atmospheric horror placed between each of the five longer stories. A must read for fans of 21st Century Lovecraftian Horror as written by those like Kiernan or Snyder.

Further Appeal: “Swedish Lovecraft.” – And that is not simply publisher marketing, Fager is the real deal. The Call of Cthulhu role playing game even uses Fager’s work for the Swedish edition of their popular game. So there's your book talk-- Swedish Lovecraft...'nuff said for a lot of readers.


But it is more that that though. It has an atmospheric tone that rises to the existential dread of the very best cosmic horror. It is also extremely grounded in its place-- Sweden. 


For those not as well versed in Cosmic Horror, here is a short snippet from my book, a piece of a quote from author and Cosmic Horror scholar, Mary SanGiovanni:

"In Cosmic Horror, there is a sense that the antagonistic force, whether evil or just utterly indifferent, is so pervasive and powerful, and of such a size and scope, that its very existence dwarfs the significance of humanity."


Three Words That Describe This Book: Lovecraftian, translation, strong sense of place


Readalikes: My book has an entire Lovecraftian/Cosmic Horror chapter. And I have a bonus list of titles that got cut from the book here. You have plenty of topics, but to the 2 readalikes included above I would also like to include The Gods of H.P. Lovecraft edited by Aaron French.



Friday, September 2, 2022

RA for All Greatest Hits: Handling TBR Anxiety

As I mentioned last week, at the request of readers, I have started a Greatest Hits series. You can click here for the tag to pull up everything in the series or you can visit the newly created Greatest Hits page here. 

[Well, to be fair, it is not that "new." I have had it in a draft mode for a few months.]

This post [and the times I have reposted it] has been viewed thousands of times. It still comes up in conversations and training programs. People have written me emails thanking me for this post. 

Handling our anxiety as we manage all the books we want to read is a real problem. Below you can read a post with helpful tips on Handling TBR Anxiety including this RA for All classic:

YOU WILL NEVER READ ALL OF THE BOOKS!

I would also like to point people to this follow up post I did 12/23/19 entitled "How I Have Come to Terms With All the Books I Will Never Read."

Click here for the Greatest Hits Archive

Finally, if you have any posts you want to nominate for the "Greatest Hits" series and page, contact me.

WEDNESDAY, NOVEMBER 8, 2017

Handling TBR Anxiety

Today I am going to tackle a topic that probably causes library workers the most personal anxiety-- the "To Be Read" [TBR] list.

For some of you there is a TBR list in the hundreds [or even thousands] on Goodreads or in a spreadsheet. For others the virtual list is also accompanied by a teetering pile of precariously stacked physical books, a pile that can collapse at any moment, tall enough to possibly cause physical injury.

Library workers talk all the time about their anxiety over how many books are on their TBR or about how they keeping meaning to read a book but can’t get it it or something about never getting to all the books they want to read. It is a never ending cycle, but it’s also a job hazard. We know about all of the books that we would love personally; we know about all of the books we would want to read; and we know backlist gems are still great reads. While our patrons might forget about the newest, hottest, shiniest books after a few months, we never forget. We brood over it. We feel actual pain that the book will not be read by us.

I know this is not an exaggeration because I have been this person, I have felt these feelings. I have had an actual panic attack and anxiety dreams over the books I wanted to read but couldn’t get to.  This is not a joke. This time of year it is even worse. With all the best lists coming out, the number of books on your TBR will grow and grow. All those best books you never got to.

Well, I have a treatment for TBR anxiety that has worked for me and today I am going to share it with you. And while what follows may sound a bit snarky, I assure you I am totally serious. It’s funny, yes, but the humor is there to help conquer the true and real anxiety.

The first step begins with some tough love/an intervention by me. Brace yourself though, because it is harsh....

YOU WILL NEVER READ ALL OF THE BOOKS! Not all the ones on your TBR pile, not all the books you want to read, not all the books in the world. It is impossible; you cannot and will not do it.

Take some breaths and let that sink in. Seriously telling myself this- out loud- in ALL CAPS was my first step toward tackling my book problem.

Now this is the first step toward acceptance that the TBR itself, the list or pile or both, needs to be addressed.

Step two is to take your TBR and sort it into a few categories.

  • “Read About”-- Books you could take off the shelf and leaf through- read the summary, the first chapter or so to get a feel for how it is written. Also look those titles up on NoveList or Goodreads while you are physically holding them and read about them. Read reviews- both professional and reader reviews. On NoveList click around and look at the readalikes, other books with similar appeal, etc... Take your TBR and mark 4-5 books in this new “Read About” category. Now make an effort to do those 4-5 in a month. Set up a Goodreads shelf just for your “Read About” books so you can even take some notes on appeal and readalikes; if you take them directly from NoveList note that. Once you get through the 4-5 you designated and have now removed from the list, go back to your TBR and pick 4-5 more. You may not get to read these books cover to cover, but you will know a lot more about them.
  • “Suggestion to a Patron”-- These are books that you want to read but you can also think of a few patrons who might like them too. Mark these as “Suggest to Patrons” in your TBR list. Give them out to patrons and tell them that you don’t have time to read it, but you think they will like it. Encourage that patron to come back and tell you all about it. This is my favorite category because not only does it allow someone to have the joy of reading the book, but in also creates a situation where patrons are giving me feedback. And bonus-- I get to hear a patron book talk a book. Hearing someone else opinion is fun and a great training tool. You can now remove this book from your TBR because it has been read (just not by you). 
    • You can get a lot of books off of your TBR this way. This is my biggest TBR thinning trick. Handing them out to readers who could love these books is sometimes more enjoyable than reading them myself. Seriously. When someone comes back and tells me they loved a book I suggested but didn’t get to read myself, I feel like a proud momma. It is an all encompassing joy and pride that literally warms you from the inside. Again, I am not being snarky. I have truly felt this MANY times and it feels a whole lot better than the anxiety I get from staring at the book title on my TBR.
  • “Read over the Holidays”-- Every year for the last 3 years I have taken two of the “Best” books from that year, books I know I won’t get to but really want to read, and I read them over the holiday break. So last year, I read Underground Railroad and News of the World to start 2017. Both made many top lists by both critics and readers to end 2016. I gave myself the holiday present of reading them to start 2017. This year I have chosen The Leavers and Sing, Unburied, Sing. I have no anxiety as they keep being mentioned as among the year’s best because I know I will get to them, and I am looking forward to reading them when I have more time.

This is the plan that worked for me. Look, it doesn’t magically get better overnight, but I can say after three years of consciously doing this- I have eliminated my TBR anxiety without eliminating the list.  In fact, you can keep freely adding to the list because as I have found, not keeping the list is the biggest anxiety maker. And in the end, I have actually learned much more about the books I will never get to read cover to cover than I would have by just keeping them on the list and being anxious about it

I have gotten even better at my job as a result of tackling my anxiety-- and my TBR list is now too short. I need to keep adding titles to it for the “Suggestion” category. I now actively seek out titles to add to my TBR so I can spread the joy of reading them to others. What a turn around.

Now since this is partly a psychological issue, I know my advice won’t work for every person out there reading this. All of our brains handle anxiety differently; however, I have shared this with a few dozen people and many have said it has helped them feel better about their TBR so I feel like it is worth passing on in the hopes that it will help others.

Give it a try. You have nothing to lose except a whole lot of unnecessary anxiety. And if it works for you, let me know.

Thursday, September 1, 2022

Using Awards Lists As a RA Tool: 2022 Mark Twain American Voice In Literature Edition

This is part of my ongoing series on using Awards Lists as a RA tool. Click here for all posts in the series in reverse chronological order. Click here for the first post which outlines the details how to use awards lists as a RA tool.  

One of my favorite award short lists was announced this week, the Mark Twain American Voice in Literature Award. From their website:

Mark Twain American Voice in Literature Award

From his home in Hartford, Mark Twain changed the way the world sees America and the way Americans see themselves.

Part of what makes Mark Twain’s work such an iconic piece of American history is the part he played in establishing a uniquely American voice in literature – especially with his 1885 masterpiece Adventures of Huckleberry Finn. Just as Huckleberry Finn defined the voice of 19th-century America, The Mark Twain House & Museum looks to recognize modern voices that define our current America.

First presented in 2016, the Mark Twain American Voice in Literature Award honors a work of fiction from the previous calendar year that speaks with an “American Voice” about American experiences.

The award carries a $25,000 cash prize underwritten by bestselling author and former trustee of the Mark Twain House and Museum, David Baldacci.

The 4 finalists this year are:

Damnation Spring 
by Ash Davidson
(Scribner)
A novel about love, work, and marriage that asks how far one family and one community will go to protect their future.

The Final Revival of Opal and Nev 
by Dawnie Walton
(37 Ink)
A novel about the rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later.

The Five Wounds 
by Kirsten Valdez Quade
(W.W. Norton & Company)
A debut novel about a New Mexican family’s extraordinary year of love and sacrifice.

Virtue 
by Hermione Hoby
(Riverhead Books)
A novel of youth, desire, and moral conflict, in which a young man is seduced by the mirage of glamour—at terrible cost.
 

The first thing you may notice is that these titles are not brand new. This award is normally a full year behind. So these are titles that came out in 2021. This is wonderful for you because these are titles that I know you own AND they are probably on he shelf right now.

But what I also love about this award is that it recognizes the "American" experience as captured in a novel and the committee loves genre and marginalized voices. As they should because those authors and story types capture a wider view of America. 

Last year I wrote at length about Stephen Graham Jones winning this award for The Only Good Indians which it a MASTERPIECE of American literature. In that post I also talk about why this award is such a great resource. Click through for more on that.

Also of note, when I wrote about this award last year here, I also posted the long list for the Carnegie Medal [for which I am on the selection committee this year] and The Five Wounds was on that list. 

Speaking of the Carnegie Medal, believe it or not, our longlist is due at the end of THIS MONTH! So that announcement will be coming soon as well. Which reminds me, I have some books to read.

Wednesday, August 31, 2022

NPR Books Examines Gen Z's Role in Driving Romance to the Top of the Bestseller Lists [w/ extra generational context]

NPR has a great deep dive into the mainstream popularity of Romance right now and why it is especially appealing to Gen Z readers. 

There is a ton of useful appeal information with actual quotes from readers. If you work at any public library right now, this is worth your time. You can read or listen here.

But I would also like to add more context to the mix. 

Back in 2019, Library Journal did a "Generational Reading Survey" where they broke down each age range and used data to make some useful generalizations about those readers. You need to log in or use some of your monthly free article to read the series, so I am going to reprint the entire article on Gen Z below because it adds even more useful context to the NPR article. 

Here is the link to all of the articles in the "Generational Reading Survey" series. I would read some of the others pieces with your free monthly limit since I am giving you the Gen Z one here. They are all worth it.

[Remember, if your library has a print subscription, you can activate a digital one].

Here is the Gen-Z article without the pull out charts.


by Christina Vercelletto 
Aug 30, 2019

What comes to mind when you picture a generation of readers that is frugal and thinks there’s nothing like that new book smell?

If you chose Baby Boomers, think again. It’s Generation (Gen) Z, as its members revealed in the second installment of Library Journal’s Generational Reading Survey of consumers who read for pleasure. (For the first installment, on millennials, see “Millennials Are Social Readers | Generational Reading Survey.”)

Generational definitions are far from an exact science; the start and end dates for Gen Z vary from source to source. LJ aligned those in this report with the Pew Research Center data, meaning those born after 1997, and further restricted the survey to those aged 16 and up.

This burgeoning generation of teens and new adults doesn’t remember a life without streaming media. Harry Potter and Percy Jackson loomed large in their childhood. They’ve been the subject of much hand-wringing over the impression that they want nothing to do with anything that isn’t their phone.

A Pew Research Center analysis of U.S. Census Bureau data finds that Gen Z is the most diverse American generation ever. They’re on track to be the most highly educated as well. The oldest members of Gen Z are enrolling in college at a notably higher rate than millennials did at the same age. Their high school dropout rate is much lower, too. Also, they aren’t moving as frequently. In 2018, 11 percent had a different address from the previous year, compared with roughly 17 percent of millennials and 20 percent of Gen Xers. About 40 percent are in the workforce or want to be: 16 percent work part-time, 15 percent work full-time, and nine percent are unemployed and looking for work.

To qualify, respondents had to have read at least one book for pleasure in any format during the previous 12 months. Some 72 percent of respondents passed that screening question—the same as for every generation, so fears that digital natives don’t read have proven unfounded, at least in this survey, contradicting recently released findings from the National Endowment for the Arts’ Survey for Public Participation in the Arts. However, within that 72 percent, 48 percent say they read less now than they did three years ago, 34 percent read more, and 18 percent read the same amount. Only Gen Z readers in urban areas and those with full-time jobs have a higher percentage of respondents who read more books now than they did three years ago.

We set about uncovering Gen Z’s reading, book procurement, and sharing habits; their relationship with libraries; and more. Here’s what they told us.

SOCIALLY DRIVEN

While friend and family recommendations continue to top the list of ways to find new titles, social media is Gen Z’s second choice, at 43 percent, making it the most likely generation to use social media to find out about new books. As to which platform, Instagram was the winner at 59 percent, followed by Facebook at 46 percent (for all older generations, Facebook is number one). Interestingly, these patterns vary by gender; while male response rates were low, those who did weigh in were more likely to use Instagram and Snapchat than women were, and much less likely to use Pinterest.

While YouTube is not strictly considered a social media channel, YouTube influencers collectively ranked as the third most often cited public figure, group, or brand that drives reading choices, after Oprah Winfrey and Michelle Obama. Number four? “My mom.”

Despite—or perhaps because of—this reliance on reading about books on social channels, Gen Z is judicious about posting about books there. A little more than a third of Gen Z readers are “very likely” or “likely” to rate or review that book online or to post their thoughts about it on social media, slightly down from millennial rates.

NEED MORE, BETTER MIRRORS

Forty percent of Gen Z reader respondents say it is either “very important” or “important” to them that the books they read reflect their own cultural background, identity, or personal values. And the percentage rises to 44 percent among Gen Z readers of color, 51 percent among urban Gen Z readers, and 53 percent among readers with children. Those for whom it is “somewhat important” accounted for another 28 percent.

Of those for whom it is important, eight percent report struggling to find such books (11 percent for people of color). While that percentage may seem low, it is double the percentage for the entire sample across all five generations. Comparatively, Gen Z has a much harder time finding books that reflect its myriad identities, probably because of its greater diversity. Of our respondents, 54 percent are white, 17 percent are Black/African American, 13 percent are Hispanic/Latinx, six percent are multiracial, and five percent are Asian. (In the Pew data for the generation as a whole, 52 percent are non-Hispanic white, 25 percent are Latinx, 14 percent are Black/African American, six percent are Asian, and four percent are multiracial.)

Gen Z also has the greatest gender diversity, with the highest number of all generations identifying as a nonbinary gender, at 1.2 percent. As one respondent commented when asked about the range of books available, “Genderfluid isn’t represented anywhere!”

Another respondent noted that an increase in overall diversity in books doesn’t help much if the relatively few with diverse narratives don’t happen to be the type that appeal to you, noting, for instance, “There aren’t many books in the kind of genres that I like with relevant Mexican cultural background.” In a similar vein, one participant expressed this frustration: “There are rarely any good books that star a strong, black female lead in love or with badass powers.” Yet another bemoaned that the diverse stories out there are more or less hidden, adding, “Stories about black girls like me aren’t promoted enough—you have to look.”

When it comes to “windows”—books that reflect cultural backgrounds, values, and personal identities different from their own—60 percent of Gen Z readers are interested; though the number is higher for women (63 percent) than men (47 percent).

LIBRARY: SPACE OVER CIRC

Our data revealed that Gen Z readers visit their local branch as often as other generations do, but they’re borrowing fewer books, instead using it primarily as a “third space.” Some 52 percent say they go to read or study, 40 percent because “It’s a comfortable place I’m familiar with,” and 36 percent because “It’s a relaxing place to unwind and spend some ‘me-time.’” Some 62 percent possess a library card, and 59 percent have visited a library in the last 12 months—the same percentage as Baby Boomers. While 36 percent said they got the books they read from the public library, only 22 percent of Gen Z readers borrowed from the library at least monthly in the last year. But that doesn’t mean book goals are off the table: 43 percent say they come because they’re looking for a specific book, and 38 percent want to browse. One fifth of respondents use shelf browsing to find their next read, 18 percent use library displays, seven percent use staff recommendations, and four percent use the library website, newsletter, or online catalog. (Only 28 percent have used the library’s website or app for any reason.) Another 30 percent come for tech resources.

If they’re not getting their books from the library, where are they getting them? When respondents buy books, Amazon was chosen by fully two-thirds as their source. However, purchase and library borrowing are far from the only ways in which Gen Z readers acquire their next read. Some 51 percent borrow books from friends/relatives, 42 percent receive them as gifts, and 27 percent use free online reading platforms like Wattpad.

FANTASTIC FICTION

Our Gen Z respondents prefer reading fiction nearly two to one over nonfiction. Their go-to genres differ markedly by gender, though. Women’s four favorite genres are, in order, romance, fantasy and young adult fiction (in a virtual tie), and mystery/suspense. Men, meanwhile, gravitate to fantasy, sci-fi, horror, and mystery/suspense.

Gen Z readers estimate that 65 percent of the books they read are fiction, and 35 percent, nonfiction. Cooking, biographies/memoirs, and history are at the top of their list of preferred nonfiction subjects. Gaming nonfiction is particularly popular with Gen Z men.

Of fiction genres, young adult, fantasy, romance, horror, and graphic novels are at least ten percent more popular with Gen Z than they are with the overall sample. Poetry is also at least ten percent more popular with Gen Z than in general, perhaps owing to the rise of social media “Instapoets,” while historical fiction, mystery/suspense, biography/memoir, and history are at least ten percent less popular.

PRINT STILL PREFERRED

Despite the ongoing narrative of the digital native generations, when it comes to reading long-form content, Gen Z—like millennials—still prefers print books. Hardcover is the most read format (79 percent, compared with 32 percent for ebooks). When they do read digitally, a whopping 77 percent of Gen Z respondents do so on their phone. Some 74 percent read paperbacks and 27 percent prefer them. When asked to name their preferred format, only eight percent said ebooks, compared with 39 percent for hardcovers. If price is not a factor, the preference for hardcovers goes up to 59 percent. The primary reason given for this preference is “the smell and feel of the book,” an explanation chosen at much lower rates by other generations. Some 19.4 percent listen to audiobooks; 7.4 percent prefer them, rising slightly to 7.8 percent if price were not a consideration. Of these, 78 percent get audiobooks from Audible; 38 percent get audiobooks from the library.

COST COUNTS

Perhaps owing to low starting salaries and high student loans, Gen Z is price-driven: when it comes to buying a book, price is the number two consideration at 62.7 percent, second only to the content sample at 67.8 percent. That puts Gen Z’s price sensitivity even higher than that of “Depression babies,” the notoriously frugal members of the Silent Generation. Similarly, when it comes to borrowing from the library rather than purchasing a book, the “book is too expensive to buy” was cited by a majority, 55 percent. Nonetheless, 49 percent say they’ve later purchased a book that they first borrowed from the library, and 76 percent have later purchased books by the same author. On average, respondents purchased 5.3 books in the past year and borrowed 2.7 from the library and another 2.8 from other sources.

GETTING GEN Z RIGHT

As with millennials, relying on the library’s digital presence, tools, and collections to attract and serve Gen Z patrons would be a mistake. While it’s true that the ubiquitous presence of digital channels is baked into their discovery, purchase, and recommendation behavior, the things they value most about the library are essentially core library services at their most traditional: physical spaces and hardcover books. That doesn’t, however, mean that either the spaces or the titles need be old-fashioned; indeed, they should be anything but. Designing welcoming spaces where Gen Z feels equally comfortable coworking and concentrating is key.

It’s telling that even such a price sensitive generation buys twice as many books as it borrows from the library. And when respondents were asked why, one major answer was that the “library doesn’t have the book,” cited by 29 percent. In urban settings, that number rises to 37 percent! To make sure libraries have the books Gen Z wants in stock, focus on the genres of particular interest to them—not only chart toppers like fantasy, but emerging differentiators like gaming and poetry—and make sure YA and graphic novel resources are shelved where they’re available to adults, not just to teens. Most important, build a diverse collection that reflects this most diverse demographic, and make sure your library displays, policies, and programming are on the same page.