Monday we had my 8 book LJ column but today I also have 2 reviews in the April 1&15, 2025 issue of Booklist. Both are must purchases and super easy hand-sells. One got a star, but the other is also excellent.
Enjoy my draft reviews with bonus appeal info and my three words below.
Also I have paper ARCs of both of these books. They will be available in future #HorrorForLibraries giveaways. There is not a giveaway this week, but it will be back next week with a strong of titles for which I have posted reviews for this week. You can go here to see how to enter for future giveaways.
The Night Birds
by Christopher Golden
May 2025. 320p. St. Martin’s, $29 (9781250285911).
First published April 1, 2025 (Booklist).STAR
The Night Birds
By Christopher Golden
Ruby Cahill and Charlie Book broke up almost 2 years ago, but during a hurricane, Ruby returns, without warning, another woman and baby in tow, at the Galveston dock where Book is about to leave to shelter on the sunken ship, where he commands a team studying the mangrove forest that has taken root there. They are on the run from an ancient coven of witches who will stop at nothing to have the baby, a baby whose mother is Ruby’s estranged sister, the woman, that sister’s partner, and the sister, dead. Drenched with unease from the opening pages, Golden [Road of Bones] takes readers on a bleak, but captivating ride told over one harrowing night, shifting the point of view to allow the characters to develop organically without ever sacrificing the quick pace. Heartbreakingly beautiful, filled with action, evil, shape-shifting witches, superior world building, and visceral terror, this is a tale where every detail matters, and reader’s emotions will be put through the wringer, but not left without hope. A strong choice for Horror or Thriller readers, this story will ring the most true in the space where fans of Hex by Olde Heuvelt overlap with This Wretched Valley by Kiefer.
Three Words That Describe This Book: pervasive unease, multiple povs, captivating
Further Appeal: I loved how the tension drenches every page just like the lashing rain. As the storm rages on, things go from uneasy to terrifying to heart breaking.
Notes I took while reading:
- Remarkable – captivating and original setting– pacing, heartbreakingly beautiful and terrifying bleak entertaining
- EVERY DETAIL MATTERS (That made it an easy star-- the details and the compelling story that allows you to get lost and not think about the details and yet you notice when they pay off)
- A perfect example of a Horror-Thriller. But please note-- it is Horror first and Thriller second. Not a 50-50 split. The tone and the storyline are Horror first.
- More words: original trapped, witches, bleak, balance of character and action, original and captivating world building, heartbreakingly beautiful, every detail matters (one of my favorite things and something that makes a book rise to the top of the top), entertaining from start to finish.
- Original setting. The unease is pervasive because of the setting-- a sunken ship that has become a mangrove and a hurricane. But also the title-- every time a bird is mentioned, even before you learn the "truth" you as a reader are a bit uneasy.
- Golden does superior world building here-- both the ship but also the witchcraft and its original. HE is also great at developing characters (sympathy and flaws) and place without sacrificing the action and keeping the plot moving forward. He does that in every book, but here it is top of his game.
- The characters-- Book and Ruby are the main ones, but POV is spread to a few other key figures (no spoilers) and the details and information the reader gets from those chapters is important. Not a word is wasted here. We see the characters, flaws and all, and we sympathize with them. No POV is unnecessary tot he story and our enjoyment of it.
- Golden is already a must buy at your library, but this one will be an easy handsell to anyone who likes supernatural thrillers. bonus if they like witches or sunken ships.
- But please note-- it is Horror first and Thriller second. Not a 50-50 split. The tone and the storyline are Horror first.
Readalikes: This reminded me of ARARAT and ROAD OF BONES-- two of Golden's best ever. But for readalikes, I think it is for readers in the Venn diagram who liked Hex by Thomas Olde Huevelt (the witch parts and the bleak and menacing tone) and This Wretched Valley by Jenny Kiefer (the trapped trope and the multiple point of view for character development that keeps the story moving). Also both Horror books that appeal to a wide audience.
Laid Barron fans will like this one. The Troop by Cutter also a good readalike.
The Butcher’s Daughter: The Hitherto Untold story of Mrs. Lovett
By David Demchuk and Corinne Leigh Clark
May 2025. 418p. Hell’s Hundred, $27.95 (9781641296427); e-book (9781641296434). First published April 1, 2025 (Booklist).It’s 1887 and London journalist Emily Gibson is missing. Police do find her dossier of papers all tied to Margaret Evans, the woman who Gibson is convinced is the “real” Mrs Lovett. Unveiled in a well paced, epistolary style, this clever and entertaining tale is Margaret’s life story as relayed in her correspondence with Gibson. Her voice is confident, her story filled with hardship, but it also features exciting twists as she uses her wits and strategically placed lies to find her footing. While readers know from the title that she will end up a villain, Demchuk and Clark imbue Margaret with sympathy throughout, even as murder victims are cut up and made into delicious pies. However, there is an even more shocking reveal in the novel’s final pages, a horror that will punch readers in the gut and reverberate off the page and into history. Those who enjoy being immersed in the gritty, visceral, and historically accurate world of Victorian London as seen in Victorian Psycho by Feito or From Hell by Moore will eagerly devour this tale.
Three Words That Describe This Book: strong sense of place, fiction about fictional characters, epistolary
Further Appeal: More words-- fun, clever, compelling, atmospheric, menacing, psychological thriller, visceral (but from the start readers should be prepared if they know the story of Sweeney Todd. The thing is though, it is visceral throughout)
Readers will be immersed in the second half of the 1800 hundreds in the streets of London. All five senses. 2 main time frames-- 1887, the story's present when Margery is an older woman to back to beginning in her childhood (50 years before) and moving forward to the present as she tells journalist Emily Gibson her story though letters and diary entries.
The entire novel is framed as the dossier given to the head investigator-- documents gathered by Gibson, a journalist trying to figure out who Margaret really was. It has the letters and diary entries but also correspondences that Gibson received as part of her inquiry. The dossier was found at the start of the novel in Gibbons rooms but she is missing.
So we have a double mystery of who Margaret is and where Gibson is?
This is a story of a woman pushed into the shadows of a famous story being given her moment to be the star. Yes, she is fictional, but the story that is told feels real and even makes connections to things that really happened and places that exist. So in making her real-- the way Margaret was able to move around the world despite being poor makes sense within its time. She can only act when desperate and in certain allowable ways. She must use those with power to allow her to act. The reader is frustrated for her.
But, as will come as a surprise to no one, she is also the (fictional) accomplice to Todd, a woman who took his murder victims and turned them into meat pies. Yes, we the reader have been knowingly enchanted by and are rooting for a horrible human. But again it is not a surprise-- it is in the titles for goodness sake. And this is important, because when you give away what some would think of as the twist in the title, you have to deliver a story that not only keeps people reading but has its own new revelations and still elects and emotional response. Don't worry, they do.
The discoveries here come from revealing Margaret's story-- all its twists and turns-- and it all pieces together up thru and even AFTER her turn as Mrs Lovett. Only in this time period and as a woman would Margaret be able to take on the identity of some many different people and live so many different lives. The whole book is an indictment of the way women were treated and still are in many ways. But also as we have sympathy, we readers also know that she is a horrible person, a murderer, and yet we read on-- wanting to know more and feeling badly for her.
That feeling we readers have to sit with as the authors not only "close the book" on Margaret's story but also Gibson's is the biggest reveal and totally worth the price of admission here. The emotional punch is awesome. The authors rely on you thinking you know where the story will go to add another wrinkle that allows the fear and horror to travel off the page and reverberate onside the reader and into history as well.
I will never be able to experience Sweeney Todd the same way again which says a lot about this book. It reminds me of how no one can watch he Wizard of Oz the same way again after Gregory Magure wrote Wicked. This story is much more menacing and darker but same idea.
Readers unfamiliar with Sweeney Todd should be okay as the fiction character and actions are explained, but I do think the authors use the reader's knowledge of the story to their advantage and you would enjoy this novel more if you read at least a synopsis of the story before reading this book.
Readalikes: The two above are the best matches. but I wanted to add this but had no room: Like Gregory Maguire’s Wicked did for the Wizard of Oz, readers will not be able to look at Sweeney Todd the same way again. So this is a readalike as well.
Further readalikes-- The Historian by Kostova and The Alienist by Carr as well-- to backlist favorites.
So many books to send readers to with this one. Really anyone who loves gritty Victorian set novels will rejoice with this one.